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Camera Angles In Citizen Kane

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Citizen Kane may not only be one of the greatest films of all times, but is also known as a pioneer for deifying the traditional way films was made. The use of varies camera angles and deep focus in Citizen Kane added a new aspect to Hollywood Films that was never seen before in that era, and will never be forgotten. The use of camera angles inside this film was simply astonishing. The high and low angle constantly in the movie depicted varies meanings. For example, in the opening and closing scenes the director Orson Welles has the raise over a no trespassing sign and up to the house, and then lowers down the same no trespassing sign in the end. Another example is when the decision is being made about what to do with the main character “Kane’s” possession after he died. The camera angle was shot from above looking down over the scene and made the scene view as helpless. Welles also used the …show more content…

Through low camera angles, were the camera looks up, the characters are seen as powerful. When Kane gives his campaign speech and is shot from this angle, it makes him appear more important, fearless, powerful, and larger than everyone else. Through the high camera angles, were the camera looks down and it makes characters appear small, helpless, and weak. An example of this is shown when Susan has her first performance in the opera house. It is a shot of the audience looking down on Susan during her performance. High camera angles are shown multiple time when Kane is talking to his wife and mistress, which shows that he was dominate over the two. Another interesting thing that Welles did at the time with

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In the film, Citizen Kane, the director put a lot of intention into what was being shown. It may not have been obvious on the surface, but once you look more in depth you see that everything the director did had meaning and a purpose. One thing the director, Orson Welles, did to bring more depth to the film is incorporating the use of motifs. Motifs are repeated narrative elements that support the theme or idea of the story. They can be seen through sounds, objects, costumes, the lighting, and even the camera angles.

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Camera movement and angles are what captivate the audience to keep their attention throughout the entirety of the whole film. Sometimes a simple camera movement can make all the difference in the

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The shots make the actors more courageous or important. As it is in the film when the body of Claire lies on the glass while Norman stands over her, the low shot shows that he is the bad guy and is in control. A boundary that was never stated, although portrayed by the camera angles. Zemeckis, as a director, only allows certain things to be seen at a time to help the audience catch certain actions of the characters. When she walks backwards down the steps and the view is up the stairs, limiting the audience’s view of what’s behind Claire.

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The Film Citizen Kane was a groundbreaking film in the 1940’s, the way Orson Wells depicts his film with different lighting, cinematography, choice of camera shots and mise-en-scene throughout this movie truly showed the masterpiece that this film is. In the Film Citizen Kane, it was the first movie that went against true Hollywood cinema by introducing flashbacks throughout the movie to show us how Charles Foster Kane changes throughout the movie. Throughout this movie the audience can see how Charles Foster Kane undergoes a variety of physical and emotional changes from when he was just a young boy all the way until his unfortunate death. Power, that’s all that Kane wanted in the start of the film. In the beginning of the film Kane gets ownership of the struggling New York Daily Inquirer, Kane suggests that he wanted to use journalism to apply to the public and protect the interest of ordinary people.

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There are many things that make “Citizen Kane” considered as possibly one of the greatest films every made; to the eyes of the passive audience this film may not seem the most amazing, most people being accustomed to the classical Hollywood style, but to the audience with an eye for the complex, “Citizen Kane” breaks the traditional Hollywood mold and forges its own path for the better. Exposition is one of the most key features of a film, it’s meant introduce important characters and give the audience relevant details and and dutifully suppress knowledge in turn. “Citizen Kane” does not follow this Classic Hollywood style exposition, instead going above and beyond to open the film with revealing as little information as possible and confuse/intrigue

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Citizen Kane by Orson Welles is a cinematic classic, released in 1941. Citizen Kane challenged traditional narrative and technical elements of classic Hollywood cinema. Kane was narrated by several people that include their take on Kane’s life. The story unfolds by many flashbacks and is told by different perspectives over the years through different narrations. Charles Foster Kane was a millionaire, head of newspapers and died saying “rosebud”.

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Citizen Kane (Welles, 1941) challenged traditional narrative and technical elements of classic Hollywood cinema through techniques in cinematography, mise-en-scene and lighting. The mise-en-scene build of Citizen Kane is the pivoting point of the narrative forthcoming and Welles uses every technical element encompassed in this build to span his narrative across 60 years of Charles Foster Kane, the main character 's life. The beginning of this build is founded on the black and white shooting choice which sets an ominous almost 'film noir ' lighting and feel of the opening scene of the castle in Xanadu. This where we see end of Kane 's life, but every aspect of the film 's narrative will revolve around these frames and including the questions of 'who has died '?, 'what was the significance of the snow globe? ', and 'Who is rosebud? '. The camera angle in the deathbed scene is deliberately shot from a low angle, which further implies the importance of the person lying in the bed as well as providing mystery as the viewer is not yet privy to whom has just

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When everyone walks outside to talk to Charles, the camera angles are shown as if they are all standing beneath an object

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Citizen Kane challenged the traditional narrative and technical elements of classic Hollywood cinema mainly in the area of sound. Orson Welles was ahead of his time when he created his works of manipulating sound to transfer meaning in the film Citizen Kane. Welles used concealed hanging microphones to obtain different levels of sound throughout the film. The manner, in which the story was told, from Kane’s death flashbacked to his life of success and ultimate failure, was also a new style of storytelling for films. Welles also used symbolism with his last mumbling word “Rosebud.”

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Shot Analysis: Citizen Kane Orson Welles, director of “Citizen Kane”, is well known for his unusual directing methods that defied conventional cinematic techniques. Welles provided his audience with original forms of cinematography, narrative structures, and music. The scene I chose to analyze is extremely important to the plot of the film because Kane begins to realize that he is going through some serious financial problems. During the scene, Kane maintains a sarcastic mood, until he finally decides to surrender and signs the papers that transfer the ownership of his media empire to Mr. Thatcher.

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This angle was used greatly at the end when Alice stayed the jabberwocky. This angle made Alice look a lot stronger and the jabberwocky look a lot weaker. Another great time he used this angle was Edward Scissorhands. This angle was used when he killed Jim at the end of the movie. This angle gave Edward a heroic look and made him look much stronger than he actually was.

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Directed by Orson Welles, the 1941 motion picture “Citizen Kane” is the story of the rise and fall of a great, influential man. The opening scenes of “Citizen Kane” are quite different from what follows during the rest of the film. Fading in and out of different landscapes instilled mystery. This mysterious vibe was carried on during Charles Foster Kane’s death through the use of shadows, quiet music, and close up shots. Isolated in his vast empire of a home, Kane uttered only one word before he passed: “rosebud.”

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Similarly, in Corpse Bride, Burton uses a low angle on the bride when she rises out of the ground. When the audience sees the bride from this angle, one can imagine how Victor sees her, and begins to feel frightened by her, because she appears so much larger than a normal sized person. It is not until later in the movie does one realize that she is actually an average-sized person. This effect is achieved because of the angle on the bride when the audience first sees her. Additionally, Burton uses a long shot in Edward Scissorhands when we see the mob of people enter the forest.

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410 Words | 2 Pages

Citizen Kane is a 1941 American drama film directed, co-written, produced, and starring Orson Welles. The film, which is considered a masterpiece of American cinema, was Welles's first feature film and was released by RKO Pictures. It tells the story of Charles Foster Kane, a powerful newspaper publisher whose life and legacy are explored through a newsreel-style narrative and a series of flashbacks. The music for Citizen Kane was composed by Bernard Herrmann, who was an American composer known for his work in film and television. Herrmann's score for Citizen Kane is widely regarded as one of the greatest in the history of cinema.

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2098 Words | 9 Pages

In this essay I will be comparing the themes and the narrative techniques used in both films. Starting off with the film “Citizen Kane” as mentioned it is a story of a millionaire, Charles Foster Kane. It begins with Kane’s death and speaks a single word: “Rosebud”. The reporters in the hunt to know

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