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They all used interesting techniques to spark the interest of viewers and they used common landscapes in which people can relate to. The individuals were standing still in the paintings and not communicating with each
In Document A, there are two paintings; one from the Middle Ages and one from the Renaissance. The first image by Duccio di Buoninsegna depicts Mary holding a baby Jesus in her arms. The second painting by Leonardo da Vinci displays a famous painting by the Mona Lisa, which is a woman standing in front of a fairly bland background. The Mona Lisa’s bland background makes you focus more on the person and her emotion rather than a very religious and holy background that has almost no emotion involved in it. Also, Document B presents two quotes that oppose each other in many ways.
There was a focus point which is Saint Francis. Although the painting mainly consist of black and tan colors, the slight bright colors to balance of the black. This help bring out the details, such as the blessing on hands and the kneeling of people. Yet, the details were not too big that it would be too much to handle. This helps get the message across to the audience, like myself.
The painting shows off a torture chamber during the Roman Inquisition, which was responsible for prosecuting individuals accused of committing offenses relating to heresy. After taking care of education, the Roman Catholic Church needed to focus on how to spread the word of
By looking at these paintings literally, i saw there were a group of naked people on each paintings. People in both paintigs were around the ocean. And there was one person being the focus. Actually, these two paintings were Raphael's Galatea and Botticelli's The Birth of Venus .
The painting has a light and smooth finish to finish to it, and at the same time the bold outlines of the male figures appear like a sketching. Little detail compared to the woman in the center of the canvas. The clouds are dark and made with
Artemisia Gentileschi's depiction of “Judith slaying Holofernes” is my favorite over Caravaggio's “Judith beheading Holofernes” because of the absolute bloodletting portrayed in her own version. In my own opinion, Artemisia Gentileschi's “Judith slaying Holofernes” is the most powerful Baroque painting considering Gentileschi's dark past. Allow me to provide such back story of this woman, and her undeniable genius. Artemisia Gentileschi had been born July 8th, of 1593. She had been an accomplished Baroque painter, despite her being a female painter in the 1600's.
“The Calling of Saint Matthew” by Caravaggio was the Counter-Reformation movement. Light pours in above Christ’s head on the right and reveals stunning detail in the painting. Light glints of the coins on the table and the tax collector’s glasses. The expressions on the faces of the collectors are varied and convey recognizable emotion. In “The Art of Painting” by Vermeer, light shines in from the left and glints off the tiles, chairs, and the chandelier.
Leonardo painted a lot of religious scenes which were all a catholic outlook. Suchs paintings, like the “Baptism of Christ”, show Jesus being baptized. Multiple of his paintings have the lord and savior in them. The Last Supper is one of the most symbolic paintings
The painting has asymmetrical because the weight on each side is uneven. Mary is much bigger than baby Jesus. The dominate design in the painting would be Mary’s face. Mary’s face is key focus; it draws your attention to see what is next. But, Mary’s hands also take domination because in early painting Mary is barely holding on to Jesus, he is just floating above her lap, but in this painting you can tell the grip Mary has on Jesus.
In both pictures we are able to identify Humanism, Individualism, and Secularism whether or not if it is a famous painting or
The Crucifixion; The Last Judgment by Jan van Eyck, was painted around 1435-1440. Jan van Eyck was one of the most celebrated painter of the 15th century in Europe. Jan van Eyck was a Netherlandish painter. Van Eyck was a significant artist during the Northern Renaissance of the fifteenth century. This diptych like most diptych is not large, each panel stands 22 ¼ by 7 ⅔ inches.
Madonna and child are amongst the most popular yet controversial topics in the Christian art. Most of the pieces of art done on this topic usually have Mary and Jesus either surrounded by angels or saints who pay respect to them. It is an important figure in Catholicism as it reminds the believers about their faith. Both the two artworks were done during the Renaissance period with Madonna and child with the two angels being done around 1465 while Madonna and child with the saints being done around 1505.
One of Monet’s most popular series of the church at Varengeville includes multiple paintings of the same church. Each painting, gives off different feelings because Monet was experiencing different things in each of the paintings. A major part of the impressionist movement was capturing the light and shadows with thick, bold, and different colors. “Suddenly an influx of light filled my house, though the evening was at hand, and the clouds over winter still overhung
My piece that I chose to stare at for 20 minutes was Gino Severini’s Armored Train in Action. I chose this piece to spend my time at, particularly because of the way the composition is set up so that the train looks like it’s coming right at you, and the way that the artist uses not only tone, but his brush strokes also to create depth in the painting. Severini paints very colorfully and uses lighting and shadow, and if you look closer depending how the thing he is drawing or painting bends or folds, he will keep his brush strokes in that direction to show the bend not only with color but with the strokes in the paint themselves. George Seurat’s brush strokes come a lot to mind when i see them, but more in an organized fashion. Gino Severini was born April 7th, 1883 in Cortona Italy.