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What is the primary sense the excerpt from “Chicago” by Carl Sandburg engages in the reader
Summary and analysis of the poem 'Chicago' by Carl Sandburg
Summary and analysis of the poem 'Chicago' by Carl Sandburg
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In the extract from “Maestro” by Peter Goldsworthy, the author discusses the protagonist, Paul, and how he and his family moved from the South to Darwin. They stay in a motel room the first night and the next day they visit their new house. It shows the relationship between the family and their environment, expressing their feelings about the situation. In the prose extract, the author illustrates a rough atmosphere which the protagonist immediately loves, unlike his family, in order to create characterisation through the family’s first impression of the new town. The text conveys Nancy as a strong-willed person by her initial rejection of her new circumstances and then she improves them by quickly moving forward with the situation, showing
The Devil in the White City Rhetorical Analysis Essay The Chicago World’s Fair, one of America’s most compelling historical events, spurred an era of innovative discoveries and life-changing inventions. The fair brought forward a bright and hopeful future for America; however, there is just as much darkness as there is light and wonder. In the non-fiction novel, The Devil in the White City, architect Daniel Burnham and serial killer H. H. Holmes are the perfect representation of the light and dark displayed in Chicago. Erik Larson uses positive and negative tone, juxtaposition, and imagery to express that despite the brightness and newfound wonder brought on by the fair, darkness lurks around the city in the form of murder, which at first, went unnoticed.
By placing these two opposite parks together Larson magnifies the pure and corrupt sides if the town. Another use of juxtaposition is, “Holmes was warm and charming and talkative and touched them with a familiarity that, while perhaps offensive back home, somehow seemed all right in this new world of Chicago” (245). This opposing juxtaposition amplifies how misleading Holmes is with his good looks but bad habits. Larson uses an excessive amount of other juxtapositions to replicate the theme of good and evil in the growing city. To display the idea of good and evil side by side Larson uses extreme syntax.
The speaker discloses that his children have been “gathered like a small cloud [and have become] . . . steam weeping on the window” (ll. 32-35). The speaker uses this final comparison of his children to weeping clouds to convince his grandpa that his life is not irredeemable and his presence is still needed in this world. In conclusion, through Gary Soto’s usage of powerful imagery, precise descriptions, and an absence of rhythm, he evokes a sense of sympathy for the community where he grew up while telling a beautiful story.
(14). This beginning imagery makes the reader feel abandoned, even lost. Capote further outlines the town, intentionally adding more layers of intrigue to his novel . Phrases such as, “The thickest dust to the direst mud,” (15) and “Dark for several years,” (15) reinforce the
Larson uses figurative language to intensify the tone and inflict positive or negative feelings upon the reader. Larson describes the crushing devastation that accompanies Chicago’s trailing in votes for the opportunity to host the World Fair as “heavy and chill” (17). The metaphor comparing the city’s literal
This is perhaps most evident when Solnit describes Detroit as “not quite post-apocalyptic but … strangely – and sometime even beautifully – post-American” (Solnit 2). Cutting the phrases ‘post-apocalyptic’ and ‘post-American’ with beauty is Solnit’s first hint at a sort of hope after death. An idea that Detroit’s collapse provides a chance at a brighter future. This contradiction is utilized again when the piece portrays “a burned-out house … next to a carefully tended twin” (Solnit 3). The image of collapsing ruins neighboring a pristine home highlights the widespread deterioration happening across the city.
The non fiction novel, “The Devil in the White City”, is filled with twists and turns as author Eric Larson compares the lives of two men thought to be living two entirely different lives. Chicago’s World Fair, in remembrance of the landing of Columbus in America, is a major aspect in the lives of both men, named H.H Holmes and Daniel Burnham. In this specific passage, however, the literary element of symbolism is applied and very well so. The illuminations lighting up the city symbolizes positivity. With European rivals always “one step ahead”, the lights covering Chicago specifically give a sense of hope and America’s potential to be improved.
Carl Sandburg Carl Sandburg was an American poet, writer, and folk musician. Sandburg was born January 6, 1878 in Galesburg, Illinois. “Carl Sandburg is the only American poet ever to address Congress” (“A Workingman’s poet”). He would compose his poetry in free verse. “If it jells into free verse, all right.
He could imagine his deception of this town “nestled in a paper landscape,” (Collins 534). This image of the speaker shows the first sign of his delusional ideas of the people in his town. Collins create a connection between the speaker’s teacher teaching life and retired life in lines five and six of the poem. These connections are “ chalk dust flurrying down in winter, nights dark as a blackboard,” which compares images that the readers can picture.
Throughout the course of his The Devil in the White City, Erik Larson describes Chicago’s 1893 World’s Fair through the eyes of two different main characters: Herman Webster Mudgett—a psychopathic serial killer who builds his famous “death castle” on the outskirts of the fairgrounds, and Daniel Burnham—the director of works for the World’s Columbian Exposition. Larson employs the use of many contrasting themes within his writing including success and failure, but perhaps most importantly, murder and beauty. In order to emphasize said themes, Larson juxtaposes the accounts of his two main characters: Mudgett and Burnham. There is no doubt that the manner in which Larson portrays Mudgett is sketchy at best. Rather than introducing him with a concise description, Larson familiarizes the reader with Mudgett over the course of several chapters.
In the poem “Knucks” by Carl Sandburg, the author creates a worshipful and reflective tone. In the text, the speaker feels this way because the speaker likes looking at the town and he tends to pay attention to small details of the town. As the speaker looked through the town, he spotted a store that sold “knucks”. He was trying out one when a comment made him reflect about the town that he was in, realizing that he was in Abraham Lincoln’s hometown. When he was strolling and look around, the speaker paid attention to things of the town like “Wrapped in battle flags, / Wrapped in the smoke of memories, /
Sherwood Anderson is an essayist whose notoriety is constructing fundamentally with respect to a solitary book, Winesburg, Ohio. However whether that book is a novel or a progression of short stories, regardless of whether it is a confession of a residential community's ethical rot or a nostalgic amusement of the residential area before it was destroyed by industrialization, whether it is sex-fixated or exceptionally moral — these inquiries have been discussed for the 50 years since Winesburg was distributed in 1919. One thing is sure: Anderson exhibits in his book a gathering of characters that are baffled and desolate, characters who are repressed by tradition and turned by realism, and characters aching for adoration and flexibility however
City of Chillicothe The locality chosen is the city of Chillicothe, Ohio and the following is social and economic information on the location as per the 2010 United States Census Bureau. The education differences in men and women is based on a 5 year estimates and according to the U.S. Cenus and American FactFinder the education differences in educational attainment for the locality of Chillicothe, Ohio is pretty close in percentage of high school grads and a higher education. It shows that men have high school graduate then women do.
In this environment, he is “facing the sun,” happy, open, and free. In closing, Philip Larkin uses literary techniques to make his point in his passage. He utilizes imagery and strong diction to convey his attitude toward the places he describes. Because of this, it can be understood that the speaker is unsatisfied with the crowded city and the habits of its residents.
