ipl-logo

Casablanca Editing Analysis

538 Words3 Pages

Hollywood studio style. Use this week’s films.
I watched Casablanca (1942), with Humphrey Bogart and Ingrid Bergman. It has been a few decades since I last saw Casablanca, I tried to pay attention to the small details of filming, angles, panning and editing along with watch the lighting, of the Mise en scene.
The opening introduction to the movies shows a boat and other modes of transportation overlaying a map drawing the audience to another place and time and leaving the audience on a busy street in Casablanca. We are seeing that foreigners are mingled in with the locals and the police are moving in on a foreigner in particular. When he isn’t able to show his papers he runs, the police shoot him in the back. The camera follows the police …show more content…

I felt that many of the scenes cut or faded into the next extremely well or seamlessly. Like the first scenes at Rick’s Café Americana, showing us all of the foreigners talking of their dilemmas to leave Casablanca. We understand that all of these conversation are taking place at the same time. Then cutting to Rick’s hand signing the check informs the audience that he is the owner and an important character in the movie. All of the editing happened so seamlessly that it brings the audience into the scene without noticing the “shifts in position and angle” without our even realizing that we were becoming part of the scene (Sikov, 2013). The camera and editing styles help us to identify with the characters in the scenes.
The point of view editing was used by Alfred Hitchcock in Rear Window (1954), it is a technique using a series of three separate shots, one of the character looking off screen, a point of view shot showing what they see, and a reaction shot of the character reacting to what they see (Belton, 2013). Lastly, I had forgotten that Humphrey Bogart was a very handsome man and that the film made his skin look very smooth for a man. I like the way that Bogart’s face for the majority of the movie was shown with shadowing on it. It gave the character Rick an air of mystery about

Show More
Related

Film Analysis: Sunset Boulevard

932 Words | 4 Pages

Released September 29, 1950, Sunset Boulevard is a film noir of a forgotten silent film star, Norma Desmond, that dreams of a comeback and an unsuccessful screenwriter, Joe Gillis, working together. Ultimately an uncomfortable relationship evolves between Norma and Joe that Joe does not want a part of. Sunset Boulevard starts off with an establishing shot from a high angle shot with a narrative leading to a crime scene shot in long shot (a dead body is found floating in a pool). The narrative throughout the film established a formalist film. Cinematography John F. Seitz used lighting and camera angles in such a way to create a loneliness and hopefulness atmosphere.

Read More

Raising Arizona Cinematography Analysis

481 Words | 2 Pages

Camera movement and angles are what captivate the audience to keep their attention throughout the entirety of the whole film. Sometimes a simple camera movement can make all the difference in the

Read More

The Mise-En-Scene Analysis Of Casablanca

511 Words | 3 Pages

The intriguing world of Casablanca, displays a wondrous mise-en-scene in fashion that accentuates emotions and feeling through aspects of cinematography. From the movement of the camera, to the intricacy of the shot distances chosen to be included within the frame, the film reveals important elements of the diegesis without uttering a sound. The cinematography of Casablanca gives the audience an insight into the intimacy of Rick and Ilsa's relationship, and seeks to situate the viewer’s attention to the space and time of the film. Throughout the film, Rick’s romantic relationship, or rather previous relationship, with Ilsa appears to be a focal point of the film.

Read More

Sunset Boulevard Film Analysis

1617 Words | 7 Pages

Mise-en-scéne is crucial to classical Hollywood as it defined an era ‘that in its primary sense and effect, shows us something; it is a means of display. ' (Martin 2014, p.XV). Billy Wilder 's Sunset Boulevard (Wilder 1950) will be analysed and explored with its techniques and styles of mise-en-scéne and how this aspect of filmmaking establishes together as a cohesive whole with the narrative themes as classical Hollywood storytelling. Features of the film 's sense of space and time, setting, motifs, characters, and character goals will be explored and how they affect the characterisation, structure, and three-act organisation.

Read More

Camera Movement In Casablanca

749 Words | 3 Pages

Camera Movement in Casablanca (ESSAY #3) (A-) It’s important to watch Casablanca while thinking about the context in which it was released. After the United States entered World War II, it was a little over a year before audiences saw Casablanca. It doesn’t take much investigation to see how the war plays a part in the storytelling, but certain film techniques helped emphasize messages the film wanted to tell its audience. Through the use of camera movement, the finale of Casablanca puts the spotlight on Strasser and Rick’s newfound relationship, which can convey a message about the United States and its allies.

Read More

Casablanca's Narrative Film Analysis: Casablanca As A Narrative Story

1024 Words | 5 Pages

Narrative is generally accepted as possessing two components: the story presented and the process of its telling. A story can be presented in two basic ways, as a linear narrative and as a non-linear narrative. Linear narratives follow a straight line and non-linear narratives usually start at in the middle or in the height of conflict. Casablanca and Memento are two films which contrast in narrative approaches.

Read More

Symbolism In Casablanca

831 Words | 4 Pages

The movie Casablanca has similarities to World War II. The movie begins by the viewer meeting Rick Blaine. He is the owner of a club that helps people from other countries receive their letters of transit. This club was a safe haven for many of the refugees. This club would allow for the refuges to obtain their letters of transit as well as earning some quick cash for traveling from gambling in the secret room.

Read More

Casablanca Cinematography Analysis

697 Words | 3 Pages

Cinematography is critical to the success of any movie. Cinematography uses composition, lighting, depth of field, and camera angles to determine what the audience sees. Casablanca’s cinematography directs the audience’s attention, shapes the audiences feelings, and reveals the theme of the movie. Cinematography directs the audience’s attention and acts as the viewer’s eyes. The cinematography highlights Casablanca as a dangerous place filled with deception.

Read More

Jaws Cinematography Analysis

709 Words | 3 Pages

This essay will examine the functions and effects of cinematography in Steven Spielberg’s Jaws Jaws follows the police chief Brody, along with scientist Hooper and shark hunter Quint, in their attempt to protect the town of Amity against a Great White shark that is terrorising beachgoers. It was adapted from Peter Benchley’s 1974 novel of the same name. Following its release in summer 1975, Jaws became the highest grossing film As Jaws was one of the first motion pictures to be shot partially on water, the production came across issues with the prosthetic shark, and as a result, Spielberg decided to only suggest the appearance of the shark as often as possible, as opposed to showing the prosthetic body during attacks. This sparing use of the prosthetic, and primary focus instead on creating suspense and dread without the shark visibly present, proved to be an inspired decision, as Jaws is considered a pioneering achievement in the horror genre.

Read More

Casablanca Film Noir Analysis

1687 Words | 7 Pages

Although most noir films include a few unusual angled shots, Casablanca maintains a style of composition that is most closely recognized as

Read More

Singin In The Rain Editing Analysis

1847 Words | 8 Pages

This essay will discuss the uses, strategies and the meanings that are generated by editing in cinema. The films that this essay will be focusing on are Psycho and Singin’ in the Rain. Both of these films are very different to each other and therefore use editing in varying ways in order to give the audience a different perception of the characters as well as the setting that these characters are involved in. Psycho focuses on building suspense for the audience throughout the film using editing, camera work and sound. This essay will be primarily focusing on editing with the discussion of camerawork where relevant.

Read More

Breathless Movie Analysis

1529 Words | 7 Pages

Breathless, originally titled ‘À bout de souffle’, made in 1960 is a movie about a small-time thief who steals a car and murders a policeman. The story is about authorities chasing him while he reunites with an American journalist and attempts to persuade her to run away with him to Italy. Jean-Luc Godard, the director of the movie often quotes, ‘To make a film, all you need is a girl and a gun.’, which is probably the inspiration behind this movie. Breathless was one of the movies that kicked off the French New Wave. Like several of his French New Wave members, Jean-Luc Godard started as a film critic, and wrote for the magazine ‘Cahiers du Cinema’ in the 1950s, when he was in his early 20s.

Read More

Casablanca Character Analysis

853 Words | 4 Pages

Michael Curtiz’s Casablanca (1942) is a film based in WWII around different nations involvement in the war. Casablanca is a stylistic piece of propaganda based in Casablanca, Morocco, a hotspot for Europeans escaping the war and Nazi government. Within the movie each character represents a nations stand in the war. Because of this each character is compromised in certain ways and has clear flaws. Ilsa Lund, the main female character in the film is renowned for being extremely manipulative and overly emotional because of the way women were seen in this era.

Read More

Essay On Wes Anderson

857 Words | 4 Pages

Wes Anderson usually has the same Robert Yeoman and their styles mashed together can be seen throughout this film. Yeoman likes use the same shots and camera movements repeated in Andersons films. The first is the symmetrical item and actor placement that I had already discussed in the previous paragraph. The pan movement is used thought the film. The camera will often be focused on one person then swiftly pan over to another area or character to show different perspectives of the room.

Read More

Fritz Lang's Use Of Editing Techniques In The Film Metropolis

1100 Words | 5 Pages

Parallel editing was present in the film wherein it was edited in a way that two scenes were alternating to make it appear that they were happening simultaneously (Lorber, 2010). High and low angled shots were also present, and panoramic shots as well. The editing that I liked the most was in the scene when The Machine Man was made to look like Maria. The surge of electricity in this particular scene and the orbits going up and down The Machine Man was what amazed me. It is shocking that in order for this to happen, the people responsible for editing had to film this frame by frame so imagine the hours, days, weeks or even months that were put into this particular scene.

Read More

More about Casablanca Editing Analysis

Related Topics

Open Document