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How suspense works in horror movies, stories
Editing in movie making
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The music and direction was particularly impressive. Throughout the film, music was used as a tool to achieve the desired dramatic effect. During the first scene of the movie, Shaw is ready for battle, so the music is upbeat; however, when the battle begins and the South begins attacking, the music becomes ominous before the sounds of explosions, screams and chaos drown out the drums. The music mirrors the chaos and panic that Shaw is experiencing. Music is also utilized in the film to emphasize happy moments.
One of these strategies includes the use of fast and choppy transitions. Specifically, Marsh uses L and J cuts as transitions between clips of the reenactments, actual footage and interviews. Remaining true to the definition of L and J cuts, He maintains the audio of the interviews throughout the entire scene therefore, the viewer either continues to hear audio of the interview, even though the visual as transitioned to a clip of the reenactment or actual footage of the attack, which is considered the L cut or vice versa. These transitions help to intensify scene that results in the viewer being more engaged which allows for their emotions to be provoked. These emotions support Marsh’s use of pathos as they are an effective tool to portray his message.
The most iconic use of editing in Wright’s movies is the smash cuts that are traditionally reserved for tooling/suiting-up montages in the build-up to action sequences. They often consist of whip-pans, fast cuts, and zoom-ins. Here, Wright uses them to cover very mundane tasks. These are four examples of iconic editing within Wrights films. (Refer to reference images 3 – 10) 1.
In this paper I hypothesize that A Voyage to the Moon was most innovative in cinematography and editing. Although mise en-scene was the main focus of the film, I hypothesize that mise en scene wasn’t as innovative as the other two. As mentioned earlier, mise en scene made A Voyage to the Moon easy to understand and follow along. In the first scene of the film, this power
One of the most classic staples in film history, Singin’ in the Rain, influenced the way the film industry made movies forever. Singin’ in the Rain was a musical-comedy produced by Arthur Freed. It was released in 1952, but based in the late 1920’s, depicting the transition from silent films to “talkies.” Don Lockwood, played by Gene Kelly, was an already successful actor in the silent film era. Kathy Selden, played by Debbie Reynolds, was an aspiring actress who fell in love with Lockwood.
Charlotte Plehn Dance Analysis Paper Singing in the Rain Upon viewing the performance here at UWL titled, “Singing in the Rain,” I was shown a variety of different styles of dance that were discussed during class. This production consisted of many different performers and movements. These movements ranged from tap dancing to line dancing. While there was a variety of different dancing styles, they all had the same common elements of dance.
These videos would often provoke a strong emotional response of hope or inspiration. The camera further begins to dictate emotion through its angles and distance. Whenever Sully begins to dig into emotional spots, the camera get up close to make the effect stronger and more personal. With the hope they can grab the viewer in by creating a feeling that bit is very important.
At the start of the scene, the lighting is dark so the viewers can’t see the Sapphires are the crowd, but they can see the band in the background so they can tell The Sapphires are about to sing. The rest of the scene the lighting is dark in the background so we can only see the band and The Sapphires, so we pay attention to what is happening. Since this scene is the Sapphires singing the only sound in this scene is Gail and the three girls singing. This sets the scene because the song they are singing is sad and gloomy, the Director wanted the viewers to feel their pain. The Director using an editing technique that looks like the camera is moving from the position in one second but without it being filmed.
Using methods such as these as well additional tactics like a dark background and quiet music enhance the response of the viewer or audience. All of these aspects contribute to the style which is central to successful
This essay talks about the use of cinematography in the scene where the protagonist – Riggan Thomson enters a room and had a conversation with his daughter in the film Birdman. Birdman is set in New York City in a time where theatre shows were losing their significance in the entertainment industry. The film is about Riggan trying to salvage his career through a Broadway show while his ego portrayed as Birdman threatens to bring it all down. On top of the brilliant acting from the actors, Birdman was well known for its trademark illusion that it was filmed in a continuous, long tracking shot with no cuts. This scene begins with Riggan returning to the theatre
This technique gave Scorcese the chance focus more intently on his characters, but derived from its general aesthetics, since the movies occasionally moves too slow. Furthermore, Schoonmaker did not use editing effects almost at all, a tactic that occasionally faults the film, particularly in the action scenes. 6. Key scenes Scorsese may have changed some elements of the script, but the key-scenes, who are actually the backbone of both films, remained. However, while Lau used a subtler, more artistic approach, Scorcese used the in-your-face approach, so usually associated with Hollywood
Analysis of the technical aspects of the title sequences 1. Introduction In this essay I will discuss the technical aspects of the title sequences such as the shots, the look and texture, colour, sound, music, texts, motion and aesthetics, among others. We will look at Seven film (1995) by David Fincher and Catch Me if You Can released in 2002, directed by Steven Spielberg as my chosen title sequences. 2.
Shutter Island, a psychological thriller, directed by Martin Scorsese incorporates techniques throughout to reveal the truth in Shutter Island. The film, based on a missing patient investigation, turns out as a cover up psychological experiment designed to bring Edward (Teddy) Daniels back to sanity concludes to be the truth. This essay discusses that by analysing certain scenes, including the opening scene, Teddy and Chuck addresses Dr Cawley, and whislt Teddy and Chuck interview the patients. These three scenes assist to expose Shutter Island through film techniques such as camera angle and mise en scene.
This essay will discuss how the film uses these two techniques, in reference to the film, and to what ideological and political ends are the techniques used in the films with specific references from the film to support the argument. A Man with a Movie Camera is based around one man who travels around the city to capture various moments and everyday
These cinematic techniques are used to help create mood. Without being able to feel the right mood the audience would connect less to the movie and would be less