Catch Me If You Can Title Sequence Analysis

Analysis of the technical aspects of the title sequences

1. Introduction
In this essay I will discuss the technical aspects of the title sequences such as the shots, the look and texture, colour, sound, music, texts, motion and aesthetics, among others. We will look at Seven film (1995) by David Fincher and Catch Me if You Can released in 2002, directed by Steven Spielberg as my chosen title sequences.

2. Body
2.1 Seven

Figure 1 Seven Title Sequence

Seven is a psychological Thriller/Drama film directed by David Fincher, and released on the 22 September 1995 in the United States of America. The Seven title sequence has a succession of moving pictures which shows a combination of modern and traditional techniques of creating title sequence.

It was directed by Steven Spielberg, using animated title sequence to tell the story in brief and to establish the main character in the film, and to give a background of the setting. It was released in 2002 as one of America’s nonfiction crime movies about the life of Frank Abagnale. There are similarities between Catch Me if You Can and Pink Panther titles, the similarities are seen through the use of visual

A figure which appears like the main character is shown hiding himself as if he is running away from somebody else. Catch Me if You can title sequence shows some elements of retro sequence. However, it is an important growth that displays the developing self-awareness in the arena of title production. The entire introductory credit sequence is moving pictures, which recaps the film. Nevertheless, this is not clear up until a second watching of the movie, since the story summary can solitary be valued after viewing the entire