ipl-logo

Mise En Scene In A Voyage To The Moon

1562 Words7 Pages

Kishan Patel
Art 2901
Exam 1
Essay 1 (100 points) Early films by Edison and Lumiere involved very simple cinematography, little to no editing and simple realist mise en scene. However, Georges Melies, a theater proprietor and an amateur magician, laid foundation for the new generation films. In A Voyage to the Moon, he becomes first person to introduce a sci-fi film. In this paper I hypothesize that A Voyage to the Moon was most innovative in cinematography and editing. Although mise en-scene was the main focus of the film, I hypothesize that mise en scene wasn’t as innovative as the other two. As mentioned earlier, mise en scene made A Voyage to the Moon easy to understand and follow along. In the first scene of the film, this power …show more content…

In this film, Kuleshov effect is the centerpiece of editing, which Eisenstein employs. The classic example of this is the “Odessa Steps scene” in the movie. The scene starts of with women and children waving at the sailors leaving, to illustrate the idea that these were the people that would have been least affected. Suddenly, the Czar’s soldiers march towards the people and start shooting. As Fabe suggests that, “Eisenstein specifically focuses on the people who would have the most difficulty escaping from danger on stairs. Thus the first person we see fleeing is a man without legs… soon after, a one-legged man on crutches appear…interspersed with long shots of the crowds of people fleeing” (Fabe 25). This scene is aimed at creating a sense of horror in spectator’s mind due to this extremely horrible event and it is aimed at criticising the Czar’s cruel government, which is what makes it modern. The realist aspect of this scene is that all of this is a possibility especially during 20th

Show More
Related
171 Words | 1 Pages

Vladek is living in the time frame of 1935-1945 when the Holocaust took place and Germans were killing Jews. The first panel, the image is depicting a sign that says “This town is Jew Free.” Now, the Jews who visit or live here are seeing this sign and building up in fear, planning what to do next. This is later going to lead into the Holocaust where many Jews including some of his friends and relatives get killed. This is an example of a conflict later to occur, the Jews will be kicked out and who ever doesn 't obey, the Nazis killed.

Read More
1617 Words | 7 Pages

Mise-en-scéne is crucial to classical Hollywood as it defined an era ‘that in its primary sense and effect, shows us something; it is a means of display. ' (Martin 2014, p.XV). Billy Wilder 's Sunset Boulevard (Wilder 1950) will be analysed and explored with its techniques and styles of mise-en-scéne and how this aspect of filmmaking establishes together as a cohesive whole with the narrative themes as classical Hollywood storytelling. Features of the film 's sense of space and time, setting, motifs, characters, and character goals will be explored and how they affect the characterisation, structure, and three-act organisation.

Read More
802 Words | 4 Pages

Alexander Solzhenitsyn’s One Day in the Life of Ivan Denisovich exemplifies many true historical situations. The life of a Russian work camp prisoner was that of misery, constant fear, and loss of human dignity. By means of cruelty and hazing by the hand of a warden, guard, or trustie, the workers are forced to live in ignominy. This novel portrays the life of one prisoner, Ivan Denisovich Shukhov, in an impressive manner; the book contains no chapters, and takes place in a time span of one day.

Read More
1757 Words | 8 Pages

Therefore, despite the horrors of Stalin’s regime, one could argue that the socialist realism paintings could ‘mould the consciousness of the people’ into believing that Stalin was a great and wise leader, a kind and humble man, and the father of all Soviet people, thus reinforcing his cult of personality that tries to portray him in that light. However, while art might have the power to do this, one must not forget about other visual representations of life such as photographs and posters. Their relative power and influence will be discussed later in the

Read More
718 Words | 3 Pages

[...]and by no means are they thinking about their social condition (Parker, 26).” In contrast the painting itself is a clear social commentary and this grand oil on canvas is rooted in the growing discontent in pre-reform Russia in both general and artist societies. In addition to the shock Russia was enduring over the loss of serfdom, many artists’

Read More
1847 Words | 8 Pages

This essay will discuss the uses, strategies and the meanings that are generated by editing in cinema. The films that this essay will be focusing on are Psycho and Singin’ in the Rain. Both of these films are very different to each other and therefore use editing in varying ways in order to give the audience a different perception of the characters as well as the setting that these characters are involved in. Psycho focuses on building suspense for the audience throughout the film using editing, camera work and sound. This essay will be primarily focusing on editing with the discussion of camerawork where relevant.

Read More
2302 Words | 10 Pages

The acclaimed “fantasy horror”film takes place in St. Petersburg in the year 1806. It tells the story of a Russian solider by the name of Captain Herman Suvorin, who encounters the interesting yet dangerous

Read More
1441 Words | 6 Pages

In “Aesthetic of Astonishment” essay, Gunning argues how people first saw cinema, and how they are amazed with the moving picture for the first time, and were not only amazed by the technological aspect, but also the experience of how the introduction of movies have changed the way people perceive the reality in a completely different way. Gunning states that “The astonishment derives from a magical metamorphosis rather than a seamless reproduction of reality”(118). He uses the myth of how the sacred audience run out the theater in terror when they first saw the Lumiere Brother Arrival of the train. However, Gunning does not really care how hysterical their reaction is, even saying that he have doubts on what actually happened that day, as for him it the significance lied on the incidence--that is, the triggering of the audience’s reaction and its subsequence results, and not the actual reactions and their extent. It is this incident, due to the confusion of the audience’s cognition caused by new technology, that serves as a significant milestone in film history which triggered in the industry and the fascination with film, which to this day allows cinema to manipulate and

Read More
951 Words | 4 Pages

Raskolnikov’s ability or inability to navigate through St. Petersburg directly correlates with his present mental stability. When he feels confident and clear-minded, he walks from location to location exactly as he intends and the rambling streets do not impede him. The opposite is true when he feels out of control. In another instance, Raskolnikov makes the semi-conscious decision to avoid going to the police station: “having reached his first turn, he stopped, thought, went down the side street, and made a detour through two more streets — perhaps without any purpose, or perhaps to delay for at least another minute and gain time.” Here, the turns and alleys of St.

Read More
2800 Words | 12 Pages

Over the past century, film has served as a powerful means of communication to a global audience and has become a vital part of the contemporary culture in a world that is increasingly saturated by visual content. Due to the immediacy and the all-encompassing nature of film, the process of watching a film, is widely perceived to be a passive activity by the general masses. However, quoting Smith in his article about the study of film, “nothing could be further from the truth.” The study and understanding of film as an art form enhances the way we watch and appreciate films. It requires the audience's active participation and interaction with the film in order to fully comprehend the directors' intention behind every creative decision.

Read More
705 Words | 3 Pages

The two novellas “The Metamorphosis,” and “The Death of Ivan Llych” both describe the stories of two men suffering from dramatic events in their lives. The two men both suffer from the feeling of alienation from their families. The two stories can be compared in many ways, and give insight into the way these two characters found peace in their deaths. In the novella “The Death of Ivan Llych” Tolstoy shares a story of a man named Ivan Llych, who gave all his time and attention to his career, that drew a wedge between his marriage and personal life. When decorating the new home for his family, he slipped and hit his side on the window knob, which caused the decline of Ivan Llychs life and health to begin.

Read More
1052 Words | 5 Pages

The overcrowded apartments and rooms foster poverty. Eviction from his greedy landlord is an ever-looming fear for Raskolnikov. He becomes trapped within the vicious cycle of poverty and place. For example, he pawns a watch to his landlady who offers him a meager amount for the watch. Raskolnikov, Raskolnikov cannot accept anything lower due to his debt to her.

Read More
903 Words | 4 Pages

Baz Luhrmann is known world wide for his eccentric and flamboyant film-making style. Luhrmann’s signature bright colours, fast-paced camera-cuts and zooms, and bold costumes are all key characteristics of his films and assist Luhrmann in putting forward the themes and motifs he regards as essential in each of his works. However, Luhrmann still receives much criticism for not staying true to the original source material of the stories he introduces to the big screen. One fails to realize the fact that, “Luhrmann’s films are not so much adaptations as re-imaginings” (Vogue Magazine) and through analysis of his various techniques, as well as his overall cinematic language in his films, “Strictly Ballroom” (1992), “Romeo + Juliet” (1996) and “The Great Gatsby”, one can see this clearly, through Luhrmann’s evolution as a director. Luhrmann makes his films his own from the start, the opening scenes of all three of these films implement post-modern techniques which instantly informs the audience that they are entering into Luhrmann’s

Read More
1000 Words | 4 Pages

Yet, it is a widely accepted fact throughout all cultures and societies that cinema has changed in a number of ways. Some of these changes are attributed to the technological development, while others can be related to societal changes in terms of economics, politics, culture etc. Nonetheless, it can be seen that a considerable amount of cinematic elements remain unchanged or co-exist with the changes resulted from the digital

Read More
980 Words | 4 Pages

SCREEN CULTURE REVIEW ON THE SCREENING MATERIALS By Name Presented to Instructor Course Institution Date The film A trip to the moon written and directed by Georges Melies in 1902 was the first science fiction film that used animation and special effects. The plot of the film was based on the imagination of two novelists, Jules Verne’s,writer of ‘From the earth to the moon,’ and H.G Wells, who wrote,"The first men to the moon. " It brings out the story of six remarkably brave astronomers who accepted an order from the president to go out on a journey to the moon(Verne, 2007).

Read More

More about Mise En Scene In A Voyage To The Moon

Related Topics

Open Document