Ben Singer’s essay titled “Manhattan Nickelodeons: New Data on Audiences and Exhibitors” (Singer, 2004) explores early film history in the city of Manhattan and the impact it has on the general film industry. In his essay, he examines how nickelodeons, storefront theater houses, experienced an unprecedented growth in Manhattan, New York City, during the years beginning from 1905. He asserts in the opening section of his essay that Manhattan plays a significant role in early film history, mostly because the boom of nickelodeon in Manhattan has become a representation of the general “rise of movies” (p. 119). In addition to Manhattan’s role in the expansion of movie industry, Singer also discusses the contribution of Manhattan’s nickelodeon
Throughout the history, different medias-(Movies, tv shows, novels, songs) tackle the topic of teenage society. Jerad Hess, the director of the film Napoleon Dynamite, used many satirical device such as Exaggeration, Parody, irony, to interpret the life of a teenager in Idaho . The representation of teenage society in Napoleon Dynamite express the ups and downs of teenage life and mock/ exaggerate the life of teenegers and other contemperoty problems and situations. The director's main objective is to exaggerate and to reveal the covel changes of the country through a point of view of a teenager and the impact of those changes in their life. The immigration of Latin Americans to America and from urban areas to more rural areas are portrayed through the character Pedro and his interactions with protagonist-Napoleon Dynamite and other characters.
PBS NewsHour, 20 Nov. 2015. Web. 11 Dec. 2015. In The Heights – Chasing Broadway Dreams.
Scorsese’s expertise as the director of the film Goodfellas, and Luhrmann’s direction of The Great Gatsby (2013), set the stage in New York, which fashionably suits both directors, and drives those hit films shoot to frame their nominations for Academy Awards, and leave the viewers dramatically in the mood of the film’s wise guy era or roaring in a 1920’s
I watched Good Luck Charlie for my bias assignment. It is a Disney series about a family that likes to have fun but also has everyday problems. This episode was about the mother going back to work after having her fourth child and she needed help from her family to keep an eye on the baby. The second child is a girl name Teddy and she was pretty much put in charge over her dad while her older brother got to go out with his friends she also wanted to go on a date that night but her dad made the boy come to the house for the first date. The third son named Gabe felt that his family forgot about him ever since the new baby came, his older brother and sister insured him they all still love him.
Since the beginning of American culture, it has been tradition for rich white men to oppress and dominate in order to gain and maintain power and control. This oppression began with the conquering of the United States and continued on for centuries. In the modern world, these men, many generations ahead, seem to be similarly programmed, and are still hungry for the things that fuel their ego: A healthy appearance, powerful social status, superior educational background, and a high-powered profession. These things are key ingredients for modern social superiority, a kind of superiority that seems to be the key for success in American society. And a kind superiority is something that the most power-driven men would kill for.
The Giver has some great giving news! Phillip Noyce is “movie crazy” which is a good thing because he’s unique compared to other directors! Since a early age Noyce, has experience with using cameras in his teenage years. Noyce has continued to make short documentaries on the more offbeat aspects of Australian life. The author Lois Lowry is a successful woman because she has written more than 20 books and with some novels, she has received award-winning awards.
Recently, we watched a Broadway musical based film titled Hairspray directed by Adam Shankman, starring actors such as Nikki Blonsky, John Travolta, and Michelle Pfeiffer. This entertaining romantic comedy showcases a teenager by the name of Tracy Turnblad who tries to make a change about the ways of integration in Baltimore after securing a spot on a popular TV show in that city. The movie begins with the exposition, settling in the background of the film as Tracy is introduced as a high school student who is a fan of The Corny Collins Show where they feature teenagers dancing together. The show is primarily made up of white dancers only featuring African-Americans on what they call, “Negro Day.”
In the movie Me, Myself, & Irene a man named Charlie (Jim Carrey) who was a real pushover, and a Rhode Island State Police trooper. Charlie’s neighbor’s dog would use his lawn for the bathroom and Charlie’s wife cheated on him with the vertically challenged limo driver. Charlie is an easy-going, hard-working, and helpful man. Charlie has Split Personality Disorder, and when he runs out of his medication because he put on an assignment that takes longer then he thought.
Ruttman, in contrast with Vertov’s political motivations, was more motivated by the aesthetic value of filmmaking in capturing the spirit of a city, stating that “since [he] began in the cinema, [he] had the idea of making something out of life, of creating a symphonic film out of the millions of energies that comprise the life of a big city”¹. While Ruttman’s enamorement focused solely on
Charlie Chaplin (1889 - 1977), a multitalented artist, directed, produced, and wrote the story for City Lights. He had been developing the idea for this silent film several years prior to 1931, even though the movie industry was moving into talking films by this time. Chaplin refused to completely abandon the silent film medium for sound, his high-ranking status granted him total creative control, allowing him to edit the film his way, and offered him the first chance to compose the musical score for City Lights. The music was orchestrated by Arthur Johnston and Alfred Newman. The Flower Girl’s theme provided by José Padilla.
One of the most valuable aspects of personality is humor – we value one’s sense of humor and make friends often based on finding certain things funny. But how and why do we consider things to be funny at all? Human beings have strived to uncover fundamental truths about human nature for centuries – even millennia – but humor itself is still yet to be pinpointed. Henri Bergson is only one of many who has attempted this feat, and his essay Laughter: an essay on the meaning of the comic from 1911 breaks down comedy into what he believes to be its essential forms and origins. While Bergson makes many valid points, Charlie Chaplin’s film Modern Times that was brought to screens only twenty years later seems to contradict many of Bergson’s theories, while Bergson seems to contradict even himself over the course of his essay.
Baz Luhrmann’s films are known their ability to make a watcher feel as if they are part of the show. Between his use of camera angles, shots and the use of a narrator, it’s no wonder he is able to keep viewers on the edge of their seat. But how does Baz Luhrmann pull off this spectacular feat of his? This is probably explained best by referring to Baz Luhrmann’s films and how he himself has evolved as a director.
Throughout the years, the auteur theory slowly ensconced itself as an essential key to film analysis, providing a specific guideline to evaluate a director’s film. One of the most
I recently watched movie name as 3 idiots on YouTube with my roommates. 3 Idiots is a comedy-drama movie that was released in the year 2009. It is a story of young boys name Rancho, Farhan Qureshi, and Raju Rastogi; all three consider as idiots in the movie that is why the name of the movie is 3 idiots. This film based on the education system of India and show how colleges put pressure on the students to get good grades. Further, this is an inspirational movie because of its acting, story, and concept of the movie.
