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Chicana Writers Role In The Development Of The Chicano Movement

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Chicana writers play a vital role in the development of the Chicana movement throughout the 1970’s and ‘80’s by sharing the truths of Latina women and their struggles to gain social equality within the male-dominated Chicano movement and to create their own space in the Liberation Movement occupied by white women. The experience as a woman of color is much more complex than the struggles affecting a middle-class white woman described in The Feminist Mystique by Betty Friedan. Chicana writers discuss the importance of intersectionality such as sex/gender along with race, class, sexual orientation, and immigration status all adding to the layers of oppression faced by minority women. The men and women’s goal of the Chicano movement was to end …show more content…

They were accused of further dividing the movement and shattering the image of the “good wife and mother”. In regards to Chicana lesbians, Garcia uses Cherrie Moraga’s explanation of her own experience as a Chicana feminist lesbian stating “My lesbianism is the avenue through which I have learned the most about silence and oppression... – as is being brown, as is being a woman, as is being just plain poor” (226). Moraga, herself, wrote strongly about exposing not only the racism and sexism within the movement and larger society, but homophobia as well to show the layers of oppression by both …show more content…

Garcia references Consuelo Nieto beautifully summing up Chicana feminism separate from the mainstream culture explaining, “The Chicana must demand that dignity and respect within the women’s rights movement which allows her to practice feminism within the context of her own culture… Her approaches to feminism must be drawn from her own world” (232). Martha Cotera spoke very much on the subject of race, sex, and class in her most famous book The Chicana Feminist. She dedicated the last section of this book to explain the ways in which Chicana feminism is separate from white feminism and how and why class plays a major aspect in that difference. Today, Chicanas are still working hard on issues directly affecting the Chican@ community such as high school drop outs, healthcare, bilingual education, and immigration reform to help Chican@s gain visibility as a whole group that remains constrained and

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In her book, From Out of the Shadows, Viki L. Ruiz argues the contributions to history that was made by farm workers, activists, leaders, volunteers, feminists, flappers, and Mexican women. She explores the lives of the innovative and brave immigrant women, their goals and choices they make, and how they helped develop the Latino American community. While their stories were kept in the shadows, Ruiz used documented investigations and interviews to expose the accounts of these ‘invisible’ women, the communities they created, and the struggles they faced in hostile environments. The narrative and heartfelt approach used by Ruiz give the reader the evidence to understand as well as the details to identify or empathize with.

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“Never Marry a Mexican” is both the title of Sandra Cisneros’ short story published in the collection Woman Hollering Creek, and one of the most ironic as well as provocative statements present in the Chicana literature. The story itself is a critical as well as self-reflexive exercise in understanding concepts such as gender, race and ethnicity. Working with the presumption that the affiliation to distinct gender as well as racial and ethnic background is determined by the certain level of performativity, Cisneros illustrates difficulties in performing a double role , frequently faced by the second and the third generation of Mexican immigrants in the United States. Following paragraphs will consider Cisneros’ story with Judith Butler’s concept

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The Decolonial Imaginary, an undoubtedly challenging book that makes the reader question not only their knowledge of history and theory but also the way in which it has been told through the centuries. Emma Pérez, a Chicana historian with her bachelors, masters, and doctorate from the University of California, Los Angeles, put into perspective the ideas of Freud, Foucault, archeology and genealogy to lead the reader through the deconstruction of Chicana feminist historiography. Pérez then reconstruct history in a way that breaks the destructive cycles of patriarchy. She crosses many boarders as she takes nationalist history and traverses it into a Chicana Feminism, and by doing so she rewrites history from the perspective of a decolonial imaginary.

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In the 1960’s, the United States went through a period of clarity and diversity in thought, analysis and action for people from Mexico or those who practiced the Mexican culture. Issues of deep resonance and problems both Mexican and American communities faced were brought to light through different platforms that include multiple socio-political mobilizations, art, and music all throughout the country (Cockcroft, 1993). This later ensued into battles of cultural reclamation and self-determination that combined into a national consciousness called the Chicano Movement. The Chicano Art Movement represents the attempts made by Mexican-American artists in establishing a unique artistic identity in the United States. Most of the Chicanos belonged

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In high school I was able to choose an elective that had great appeal to me- Chicano Studies. This was a new course at my high school, it was providential for me that the course became available because of the large impact it had on my life. In this course we studied, the history of Mexico and its influence on current culture, past civil rights leaders, and the topic that struck me the most, current events. Our teacher, Mr. Pisano, expressed his alacrity to teach the course to the administration at our high school, and with appeal he was able to teach one section of the course.

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The Chicano movement derives from early oppression of Mexicans. Robert Rodrigo, author of “The Origins and History of the Chicano Movement” acknowledges that, “At the end of the Mexican American war in 1848, Mexico lost half of its territory to the United States and its Mexican residents became ‘strangers in their own lands.’” In stating this fact, Rodrigo exemplifies the United States’ relations with Mexico, that, ultimately, led to their oppression. Moreover, these early relations led to social injustice for the Mexican community. Carlos Muñoz, author of The Chicano Movement: Mexican American History and the Struggle for Equality reports, “As a conquered people, beginning with the Texas-Mexico War of 1836 and the U.S. Mexico War of 1846-48, they have

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In her ethnography account Women without Class, Julie Bettie explores the relationship that class along with race and gender work to shape the experiences of both Mexican American girls and white working class students. In her work, Bettie finds that class cannot only intersect to impact the school experiences of both working class and middle class girls, but also their transition to adulthood and their future outcomes. Thus, Bettie explores how working class girls are able to deal with their class differences by performing symbolic boundaries on their styles, rejecting the school peer hierarchy and by performing whiteness to be upwardly mobile. In women without class, Bettie describes the symbolic boundaries that both las chicas and the preps

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To demonstrate an act of resistance against one of the many injustices imposed on the Chicano community, I’ve chosen the activist Lauren Jimenez whom came to discuss the film No Mas Bebes and the work she focuses on as Executive Director of California Latinas for Reproductive Justice. The film No Mas Bebes shows the systemic issue related to reproductive justice that is women of color reproductive rights. There is a resiliency in all these women, the fact that they didn’t back down from the powerful medical enterprises and officials, but fought back against the injustice they went through shows strength. Even though they did not win the case, that did not stop them from continuing the fight for other women to not endure the same pain inflicted upon them. Women, especially, of color, always struggle with their sexually and position in society which makes it hard for them to fight back.

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In this essay, I will argue how the Chicanos in the U.S. have responded to the lack of inclusion in history, opportunities, to racism and violence because through time we have seen how the Chicanos have been part of the country history and what it came to be, but we have been left out of history. The Chicano helped build what the united states came to be, we are part of its culture since the treaty of Guadalupe was signed, but our path has not been easy, many have been victims of oppression, poor working conditions, lack of civil rights and segregation. I’ll argue not that the Chicano has been a victim but what he or she have done to change the way things were for our ancestors in this obscure past of our history, how we have come together

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Because of this, she also believes there is a lack of respect for Hispanic culture. It is also unfair that Spanish is taught with little respect, yet English is usually a “pretentious” subject. She majored in English in college to show her teachers that she was capable of learning about the language, but still has her Hispanic identity. On top of being Hispanic alone, there are even more stereotypes about Hispanic women that both authors talk about.

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Furthermore, he describes the multiple forms of control Chicana women face when he states, “The Chicana is first of all oppressed economically, socially, and politically by virtue of her being a woman. Secondly, the Chicana as a member of an oppressed ethnic and/ or racial group is limited to the same extent as the Chicano by the dominant Anglo society” (50). However, he fails to mention the experiences of queer women, which implies how the Chicano

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“The common denominator all Latinos have is that we want some respect. That 's what we 're all fighting for” - Cristina Saralegui. Judith Ortiz Cofer published the article, “The Myth of the Latin Woman,” where she expresses her anger towards stereotypes, inequality, and degradation of Latin Americans. Cofer explains the origins of these perceived views and proceeds to empower Latin American women to champion over them. Cofer establishes her credibility as a Latin American woman with personal anecdotes that emphasize her frustration of the unfair depiction of Latinos in society.

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“If a person, Chicana or Latina, has a low estimation of my native tongue, she also has a low estimation of me. Often with mexicanas y Latinas we’ll speak English as a neutral language. Even among Chicanas we tend to speak English at parties or conferences. Yet, at the same time we’re afraid the other will think we’re agingadas because we don’t speak Chicano Spanish.” These sentences are mostly in English, but were oppressed by the three words “mexicanas y Latinas.”

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The Chicano movements were not primitive. Instead they were movements that protested the inequalities and treatment of their people like they did not matter. These movements then attracted police brutality on the people though this violence always been justified like an effort to liberate the people from the tranny of the Mexicans. None of this is true, however. Accuna thus looks to deconstruct the myth that the Hispanics were any primitive or wild or that they could not govern themselves (Acuna, n.p).

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The Myth of The Latin Woman Analysis Latin American women face challenges every single day and moment of their lives. They are strongly discriminated against in all sectors of employment, in public places, and even while just walking down the street. In her essay, "The Myth of the Latin Woman," Judith Ortiz Cofer describes her own experiences using illuminating vignettes, negative connotation, and cultural allusion to exemplify how she used the struggles in her day to day life as a Latin woman to make herself stronger. Cofer uses illuminating vignettes to illustrate the different situations she encountered as a Latina while growing up and living in America.

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