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Creon;s outcome in antigone
Creon;s outcome in antigone
Creon;s outcome in antigone
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More handpicked essays just for you.
Creon;s outcome in antigone
Creon;s outcome in antigone
Creon;s outcome in antigone
Don’t take our word for it - see why 10 million students trust us with their essay needs.
After Creon declares the entombment of Antigone for attempting to bury Polynices against the declaration of his edict, Antigone laments her consequence of death. She displays a change in trait from her hubris as she expresses sorrow in her recognition that she will die at young age and never be able to marry or have children. The Chorus, in return provide their final judgment to Antigone as they state, “Your own blind will, your passion has destroyed you.” (Chorus, 959). Although the Chorus is sympathetic to Antigone’s sorrow, they remind her that she faces her death as a consequence to her negligence to overruling state power.
Antigone's actions consistently display her dedication to the will of the gods, and Creon's behaviour steadily exhibits his fierce devotion to state laws. Thus, this Greek tragedy compellingly establishes and thoroughly explores the intricate and perplexing relationship between the two themes by utilizing the literary device of
This lack of empathy cause modern readers to see him as evil. Holt emphasizes that we must understand fifth-century Athenian beliefs and laws. Laws are above everything even family and a King’s decision was the law. Holt implies that the play questioned if Creon was the right person to handle the office. In the play, Choragus supports Haimon stating “if what he says is sensible” and suggests Creon to listen to Haimon regarding the dead penalty to Antigone (Sophocles 585).
In examination to Antigone she has no org, principally on the grounds that she is absolutely startled of resisting men in force. Chorus of Theban Elders: The Chorus remarks on the activity and collaborates with Creon, effectively intervening with exhortation at a discriminating minute late in the play. Creon: The ruler of Thebes in the wake of war, Creon values request and unwaveringness most importantly else. He can't stand to be opposed any
“Whatever my hands have touched has come to nothing. Fate has brought all my pride to a thought of dust,” are the last words in the play said by Creon. This statement shows that a powerful king of Thebes once had fallen apart. In the play “Antigone,” written by Dudley Fitts and Robert Fitzgerald as Antigone as the protagonist and Creon as the antagonist, it is clear that Creon was cast away in distress, misery, and sorrow. By reading this play I was able to get a depth insight of several of the characters, question the norms of society I live in today and analyze the specific relationship between Antigone and Creon.
The play, Antigone, is a tragedy written by the Greek poet Sophocles. A common theme among tragedies is that they have a tragic hero, and Antigone is no different. The tragic hero of this poem is Creon, the King of Thebes. Creon is faced with the difficult task of punishing his niece, Antigone. She has broken one of his laws stating that no one is to give proper burial rites to Polyneices, Antigone’s brother, because he tried to overthrow Creon.
In Sophocles’ Greek tragedy Antigone, a woman’s individual conscience trumps state law when Antigone displays time and again that she values her divine motives higher than those of the state throughout the tragedy. Her continued defiance of the state’s authority marks the importance of her individuality through various scenes in Antigone. Knowing full well her role as a woman in a patriarchal society, Antigone goes beyond the powers of the common man to carry on morals of herself and family exceeding beyond immortality and death. Engulfed in the menacing misogyny King Creon set forth in the state, Antigone is determined to thrive and keep the sacred deeds of herself and family in tact despite the fate it bears. The character of Antigone exhibits
In Sophocles’ play Antigone, Creon, the king of Thebes, best represents a tragic hero. Creon demonstrates goodness in his intentions for Thebes as well as his fragile state due to the fact that he recently lost several family members. Creon, newly named king, finds himself as highest ranking official around, showing superiority. Creon often acts stubborn and prideful, his tragic flaw. And lastly, he must come to terms with the fact that he caused the death of his wife, son, and niece.
“You’ll never marry her while she’s alive,” blusters Creon, to which Haemon retorts: “Then she’ll die and in her death kill someone else” (859). Haemon means he will commit suicide, but Creon interprets this as Haemon’s threat to kill him. While Haemon’s efforts to establish ethos with his father his unquestioning love and his loyalty are a promising first step towards making Creon listen to him, this approach is ineffective as Creon is unable to see beyond his own selfish paranoia in the matter of Antigone, and Haemon is unable to reach his father through logical arguments. In the end, even the Chorus Leader doubts that any good will come of Creon’s “iron will:” “He’s angry [Haemon] in a young man at his age/ the mind turns bitter when he’s feeling hurt” (878-79). The second Ode is the turning point in the play, where the Chorus sings of how loyalty (to the law) and love (to one’s lover and family) are
Antigone’s actions are motivated by her allegiance to her family, moral conscience, and religion amid Creon’s political injustice and tyranny. Antigone’s actions motivate her to demand Ismene to prove whether she is “a true sister or a traitor to your family” (26-27). Antigone maintains loyalty to her brother despite his actions which threatened Thebes. Her inability to bear the thought of her brother’s corpse being picked apart by animals and not being honored with proper funeral rites forces her to act. Antigone’s fierce allegiance to her family is laid bare as she is willing to sacrifice her life to honor her brother and defy the law in an act that she believes is morally just.
In Antigone, the chorus is used to express the concerns of the Thebans who are too frightened by Creon’s power to confront him themselves. In the beginning, the chorus defends Creon’s laws, for they state that “[the] laws of the land, and the justice of the gods… / [will cause him] and his city [to] rise high” (Antigone 410-412). Although, when they learn as to how Creon enforces his laws, their views change, and they state that “even I [now] would rebel against the king” (Antigone 895-896). Creon’s abuse of power has become too barbaric to ignore, causing even his supporters to desire rebellion.
Sophocles’ Antigone, is a classic Athenian Greek play that discusses questions about the importance of following the law when one does not agree with it, and whether divine laws or man-made laws have more importance in society. While these themes are worth exploring, another interesting aspect of the play is the cruel treatment and punishment of the title character, Antigone, by her uncle and future father-in-law Creon, the king of Thebes. Creon’s harsh punishment, a parallel to the treatment of women in Greek society, can be seen in many of the dialogues of the play. Antigone is determined to provide proper burial for dead brother, Polynices, against the orders of the king, and goes to her sister Ismene for help. However, Ismene is distraught at the idea of defying the king (104).
Creon’s son ends up committing suicide, and this is reflected both as an act of love towards her fiancée, when he discovers her dead body, as well as a sign of his divergent ideals contrasting the city ones. Furthermore, throughout the play there are other important forces that act as an influence to the characters and the implementation of their actions. First of all, one the most relevant should be considered pride. Both Creon and Antigone show signs of hubris.
“The chorus plays a massive role in the overall development in all Greek tragedies, without them it would be much more difficult to understand.” (UK Essays arch 23, 2015). From this quote, we can see that the Chorus does play a huge role in the creation of background knowledge and introduction to the many new scenes. In Antigone by Sophocles, the audience can see this idea put to use. The main roles of the Chorus in personal opinion is the settlement of confusion, laying out of scenes, and the representation of the people of Thebes.
Sophocles’ Electra is a well-known Greek tragedy, set place at Mycenae after the Trojan wars. In the tragedy Electra plays one of the most important roles among the Chorus. The Chorus often sympathises with Electra and also helps the reader (or the audience considering it was written as a play) to understand the events better. The Chorus shares emotions with Electra, such as her grief and frustration, or her joy upon the return of Osteres. In my essay I will discuss the importance of the Chorus and how to the presence of the Chorus guides the audience.