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Chronicle Of A Death Foretold Religion

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Following the oral presentation given, I feel that the investigation into religion widened my understand of the role of religion in both the culture Colombia and Gabriel García Márquez’s iconic novel Chronicle of a Death Foretold. Above all other religions Catholicism dominated in Colombia with 90% of the population identifying as a catholic with 85% regularly attending Mass. For many characters in the novel as with of the era Colombians, faith was at the center of daily life and the center of the community. Such institutions as schools, hospitals and community centers were run by the Catholic Church or under Catholic principals. Ultimately however, it was the practice of confession or the forgiving of remorseful individuals which had the
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Response Paper # 1 The novel, Chronicle of a Death Foretold was written by Gabriel Garcia Marquez in 1981. This is a non-linear story that told by an unknown narrator, who has a connection with the main character, Santiago Nasar. This book also reveals different kinds of power between men and women in a male-dominated society. According to social norms of Columbian society, women are not allowed to have sex with others before they get married. However, Angela Vicario is a character that found she is not a virgin on her wedding night, and she confesses that Santiago is being held accountable for taking her virginity.

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In Gabriel Garcia Marquez’s 1981 novella Chronicle of a Death Foretold, the narrative recounts the events leading up to the eventual murder of bachelor Santiago Nasar, a man accused of taking the virginity of the defrocked bride Angela Vicario despite the lack of evidence to prove the claim, and the reactions of the citizens who knew of the arrangement to sacrifice Nasar for the sake of honor. This highly intricate novella incorporates a range of literary techniques, all of which are for the readers to determine who is really to blame for Santiago Nasar’s death. Marquez uses techniques such as foreshadowing and the structure of narrative, along with themes such as violence, religion, and guilt to address the question of blame. Although Santiago

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