What is the attraction to jazz music? The attraction to jazz is that the interpretation of the music is dependent on the feelings of each and every individual. Music keeps one in check with their emotions, and there are many styles of jazz, and an infinite supply of creativity from the musician to enlighten the listener. The list can go on and on with the many wonderful musicians that made a monumental impact within the jazz community, and Coleman Hawkins would be included. The life of Coleman Hawkins was that of grit, natural talent, fame, and respect, which has led to a pleasant and monumental legacy for the late and great tenor saxophonist. Coleman Hawkins was born in St. Joseph, Missouri on November 21, 1904. It was clear to his parents …show more content…
In 1920, famous jazz singer Mamie Smith was in town for a performance and Hawkins was asked to sit in with the band; undoubtedly, his performance shocked the singer, as well as the audience and he became the newest member of Smith’s band, “Jazz Hounds” [2]. It was at this moment that Hawkins did not look back. As a teen, Hawkins was now considered a professional jazz musician, and joining this band gave him opportunities to take his fame and playing to the next level. In 1923, Hawkins’ artistically developed ability to improv only heightened his name within the jazz world, and it opened a door for an opportunity he could not take down: a spot in Fletcher Henderson’s band …show more content…
Throughout his eleven-year span in Henderson’s band, Hawkins performed many solos, but one of his most popular songs was “The Stampede [3].” He continued featuring in songs with solos in Henderson’s band, and he quickly became the most famous tenor saxophonist of his time. In 1934, Fletcher Henderson’s band started to struggle to the point where Hawkins was looking to play with a different band. At this time, he decided to go to Europe and play in London. In retrospect, this was a smart for Hawkins as he was financially safe due to his absence from America during the Great Depression. From 1934 to 1938, the jazz industry did not hear from Hawkins until he returned in 1939, with a cover song called “Body and Soul” [2]. After his return, Hawkins continued to release songs into the 40’s and 50’s such as “Midnight Sun,” and “Night Hawk” [4]. As the 1960’s came around, Hawkins was nearing the end of his career and struggling with alcoholism and ill health, but his success with the tenor saxophone was pivotal to the success of many other artists to come [2]. Nonetheless, Hawkins sadly passed away in 1969, but his legacy lives