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Reality, fiction and symbolism in bram stoker’s dracula: an essay about the famous vampire count
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Reality, fiction and symbolism in bram stoker’s dracula: an essay about the famous vampire count
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In both instances in “St. Lucy’s” and the Native American Indians, they had no other option but to be repressed by the Early Americans. Such as the early American nation thought it was necessary for the assimilation of the American Indians. Likewise the assimilation of the American Indians the girls in “St. Lucy’s” were forced to blend in and forget their old way of life to learn to act like a human. For the purpose of assimilation, some American Indian children were kidnapped and taken to boarding schools to learn how to be more like the early Americans and forced to forget their old way of life. With this in mind; “St. Lucy’s” children weren’t really kidnapped, but more convinced that this is what there wolf parents wanted from them and
When Louise is at her thinnest and is perceivably most attractive, it is presumed she will stay that way. However, she gains all the weight back, thus going against the assumption that being thin is enjoyable. Furthermore, Dubus uses figurative language to compare Louise’s struggle to that of others: “For a while she stood eating in the dark, then she turned on the light” (245). With the motif of darkness symbolizing Louise’s blind indulgence, and light symbolizing her newfound awareness, Dubus communicates Louise’s development of self-control and
In Dracula Lucy Westenra is a dynamic character. Lucy is portrayed as a dynamic character because of how she changes throughout the novel. Lucy was a young and innocent girl with morals. Although she had a faint desire to have a strong sexuality towards men, her weakness was abused by Count Dracula and changed her entirely. Lucy was transformed into a vampire which increased her sexuality in result her chastity and innocence were destroyed.
On July 4, 1852, Frederick Douglass was invited to celebrate Independence Day in Rochester, New York and was to give a speech. His intended audience was the general public in which he believed needed to hear his opinion. Frederick Douglass was a former slave who had escaped his torment in his early twenties. In his speech, Douglass argues to the American people that they have a pretentious attitude toward slaves' freedom. Douglass states his thesis when he says "America is false to the past, false to the present, and solemnly binds herself to be false in the future."
Her life has left her to Dracula, her soul is assumed trapped, and her flesh remains the same. The process even corrupts Lucy into a nightmarish version of herself. In her UnDeath Lucy specifically feeds on the blood of children (Stoker 198). It’s almost like Dracula corrupted Lucy into a dark version of motherhood. Instead of protecting children, she predates
When Lucy turns into a vampire, it is made a point to describe how she appears and behaves in opposition to the Lucy we were introduced to before her death. With Lucy as a vampire it gives her many virtues she didn’t possess when she was alive. In this novel she is portrayed as a predatory. The importance of being a virgin in the 19th century is perceived through Lucy’s transition into a ‘she-devil’ once Dracula takes away her purity. A person like Lucy, her sexuality is viewed as offensive, is apparent that the gender categories are challenging to gender categories more than
Lucy Westenra is the best friend of Mina Harker and thus the second female main character of the novel. Stoker describes with Lucy a representative of the New Women movement, as the time was seen by the British population. She is single and lives with her mother, who is suffering from heart disease. Her family, that was once very prosperous, consist only of herself and her aging mother. She is Dracula’s first victim /vampire child in England.
In Victorian society, women had the choice between two roles: the pure woman or the fallen woman. Bram Stoker plays with these anxieties revolving around female sexuality – he follows the gothic tradition of innocent damsel in distress against looming evil. The narrative structure Stoker imploys to the text through intertextuality reveals multiple point of view distinguishing a duality in Lucy - her true self and 'thing'. In order to cope with Lucy’s worsening condition, the male authoritative figures of the text assign a duality present in Lucy to make sense of her shifting from “pure woman” to “fallen woman”. Stoker exhibits in the structure of the multi-faceted narrative how certain characters are unable to cope with the duality present
As she is sick, Arthur gives her a blood transfusion to try to help her become better but when it does not work, she is stabbed in the heart to go back to her original beauty and die. Lucy in the book shows how the ideal Victorian woman can so suddenly turn into the bad, evil, sexual woman that was unacceptable. Throughout the novel, Bram Stoker showed in detail what was considered to be the ideal Victorian woman through the character Mina. He also showed how women were sexualized, misbehaved, and evil through the behaviors of Dracula’s three daughters.
Feminist Reading: Dracula between Beauvoir’s and Roth’s Ideas In her article, “Suddenly Sexual Women in Bram Stoker’s Dracula” Phyllis Roth argues that Dracula is a misogynistic novel which is obvious in the system of power in which men are dominant and active figures whereas women are just followers and obedient to their system. She draws on Simon de Beauvoir’s idea that “ambivalence as an intrinsic quality of Eternal Feminine”, in order to show that women are victims to men powers. In her chapter, “Myth and Reality”, Beauvoir discusses the way that anybody in the society, specially men, doesn’t do their job in taking a step towards the oppressed women, but to act just like what the system of myth impose them to act.
Lit, ETC, ETC” (Stoker 130) and is using the newest technology, he is also a connoisseur of vampires and superstitious methods how to destroy them. His knowledge of medicine and folklore enable him to solve Lucy’s condition as he explained to Harker “You are a clever man, friend John. You reason well, and your wit is bold, but you are too prejudiced.” (Stoker 202). He puts garlic flowers in Lucy’s room and tells Arthur that the only way to kill a vampire is to drive a stake through their heart.
The downfall of Lucy Westerna and the arrival of Dracula arose fears in which only challenging their sense of humanity and understanding of the world could they be able to overcome the dangers which had surrounded them. A sense of urgency is created in when Bram Stoker uses exclamation marks, as the turn of Lucy begins. “Arthur! Kiss me!” she states it as if it must happen now, or it never will.
The history of water feature began when the Egyptians used them for decoration, and to add appeal to their cities. Examples of water features include pools and fountains, though the Egyptians may have invented this process, other empires and civilizations also included this in their society. In the Medieval and Renaissance periods, public pools and fountains were very popular for their lifestyle. Famous land sites or cities such as Florence and Rome also included ancient pools that are still intact to this day. Right outside Paris, in the palace of Versailles featured some elaborate and beautiful water features, which made it very popular tourist attraction to this day.
The abnormal way in which these sexual anxieties are presented permits the discussion of these apprehensions. The supernatural renders Lucy inhuman — her twisted face resembles “The coils of Medusa’s snakes ” (Stoker 250) — and as such, the sexual and moral dangers she posits in her independence are punishable by the four men. The same men who once desired nothing more than her pure affections are those who persecute her to the grave, for Lucy now personifies the destructive morals of the transgressive female. The violence employed in their fight against the vampire, in addition to their destruction of Lucy’s egregious body, demonstrates that male anxieties and fears often transform into hatred towards that which questions their masculinity.
When Lucy turns from an innocent girl to having a sexual personality, Stoker could be trying to show the potential for both the good and evil in a woman. As a vampire, we see Lucy do things that were against her virtues while living. She attempts to seduce Arthur, she feeds off a child and then throws it to the ground, and becomes furious when Van Helsing presents a crucifix to her. She completely changes from her innocent ways. This light and dark aspect that Lucy portrays as a natural and a supernatural shows the duality of a woman.
