Comparing Dore And Botticelli

In comparison to images Dore, Gustave and Botticelli, Sandro we have much relation. I at least hope so because they are both apart of the same background. Dore, Gustave illustrations, to me are much more relatable and are easier to connect with because of the color and the higher edges of detail. Botticelli, Sandro on the other hand does not use color and is more earlier dated work. Thus being said, maybe because Botticelli, Sandro’s work is earlier it might be more accurate than 400+ year later Dore, Gustave’s work. We shall never know. The scene I liked the most out of both of these two artists was Dore, Gustave’s “Outskirts of Dis,” to me this is a very powerful image. Rising to the shore line Virgil is awakened to sight of the devils.

In my own religion we do not believe in hell because that is exactly what hell wants, too fear your own death. Too make these connections to me should not always be accurate because for we should not believe in it. As in the script of Antigone we learn that she accepts what she has done and will take death for what was called a sin on her firm land. She was ready to face death. This was a clear example to me because she did not believe in Hell and hell did not believe in her. She was able to overcome what she has done by being the most righteousness thing she has done for her brother. That is the power for these characters for example “See how I walk the last road, you who belong to my city, How I fill my eyes with the last shining of the sun. There’s no return: I follow death, alive, To the brink of Acheron, Where He gives rest to all. No marriage hymns for mo. No one sounds A wedding march: I will be the bride of Acheron” (Lines 806 -816, ). In Antigone’s response to what has become of her family and what her uncle Creon has done to make sin. Antigone did what was right and buried her brother, regardless of what Creon announced was shameful. Antigone was pointed out as making a sin of her people,