Tis scene takes place on a bridge in the middle of the night. The darkness adds the suspense and seriousness to the scene. Dialogue in this part of the book provides realism. It vividly portrays the scene and enables the reader to have first-hand experiences. Another technique is character development.
The setting starts out with many calm and sullen environments such as the murder scene and the office building where the interrogations are being conducted. As the audience is directed to the different rants you see a pickup in the setting. You feel the pace begin to pick up and you almost feel like you are being pulled in several different directions. Time
I gave the shoe on more hard tug and it popped loose from a frilly white sock. I got real scared. I walked as slowly and as quietly as I could out of the church.” Because of the bombing is the symbol of fear and death, the reader can better understand that the bombing was scary thus meaning morality was in the book and that it took a huge part of the book. This illustrates that the author’s message that there has been bad things in our history just like the bombing of the birmingham church.
The setting in modern time make the book more real and it also helps the reader build relations and compassion towards the characters of the book. Imagery “I feel like one of those blown-up elephants in the Macy’s parade.” (Draper 221) This quote is incredibly vivid.
Burnham creates an “ivory city” and the alliteration used to describe it as it “gleams and glows in golden radiance” emphasizes the brilliance of the fair and causes the audiences’ minds to create an image of heaven (333). According to Larson the “White City” is as “beautiful as a poet’s dream, and as silent as a city of the dead” (333). Both similes serve to emphasize the artistry that is the Chicago World’s Fair, and paint a picture for the reader of another worldly quality. The world Holmes creates is far gloomier. His “castle (123)” is one of mystery and death.
By showing
Moreover, in the passage where the narrator and Sonny observed both side of the city, “…the green of the park and the stony, lifeless elegance of hotels and apartment buildings, toward vivid, killing streets of our childhood” (Baldwin, 128), while setting in the taxicab, the author makes a comparison between the typical African-American lifestyle and the rest of the society.
We should have come a long way since 1664 but in some respects we are regressing. The underlying theme of Tartuffe, the play, that the official church of the period found distasteful and bordering on heresy might today be considered as only a little amusing or even apropos, as the “official” church of the 2000’s is secularism and group-think. Laws today condemn practicing a religion when it affects the conduct of public commerce even if that practice is kept inside the walls of their own businesses and doesn’t coerce or attempt to sway the opinions of anyone. There is a general anti-science movement in the alt-left and alt-right political circles and many universities, once bastions of freedom and progress, seem to be moving back in time. There are several famous cases now of businesses like Chick-Fil-A who come under public censure for being closed on Sundays and at least two businesses whose owners have gone to jail because they felt they were committing sins against their religions if they did trade with groups whose conduct not just offended them, but they consider as mortal sins.
Ann Petry pens a stimulating expositional read in her 1946 novel, The Street. Running with the over-arching anticipated universal theme of vulnerability, Petry establishes Lutie Johnson’s relationship with the urban setting quite succinctly. Through her use of well-placed literary conventions, Ann Petry delivers a piece that will withstand the test of time. Petry establishes the wind as a symbol of an attacker to foreshadow Lutie Johnson’s violent future. From the very first paragraph, the wind is written ripping through the street, doubling over the pedestrians against its force.
Prose Analysis Essay In Ann Petry’s The Street, the urban setting is portrayed as harsh and unforgiving to most. Lutie Johnson, however, finds the setting agreeable and rises to challenges posed by the city in order to achieve her goals. Petry portrays this relationship through personification, extended metaphor, and imagery.
