23. a) there are intricate details to the painting. b) it shows what the early Christians thought of their savior in the early days. c) the icon in the painting is none other than Christ himself. d) the medium is stained glass 24.
The two pieces of art that will be compared and contrasted are the Bull-leaping and Lascaux Cave. Both paintings have similarities and differences. The first difference is where the two are located. The Bull-leaping painting is located in the palace of Knossos in Crete, while the cave painting is located in the Lascaux grotto in France. The two pieces of art have similarities and differences in the setting, audience, artist, materials, scale, and function.
A thing to note would be the similarities in the way that they were created. The Golden Altar was built using wood and covered in gold, while in the Maesta, the painting was painted on wood and filled in with gold. Also in the structure of both you can see the pillars with what seems to be windows that each contain a different person or story. Both works of art are viewed in church for the public to see. A difference is that in the Golden Altar, Jesus is the point of view for the audience.
Michelangelo was the first Italian artist to depict the duo in such a position. Furthermore, Michelangelo differed from previous
In the story the crucible, Abbigail Williams puts her self in a predicament by blaming everyone but her self. She did this because in the story they blame for being a witch, and back when the stories take place they would go witch hunting and kill any one they thought was a witch. So she tells all of the towns people she Is a witch but will give up all of the other witches so she names out everyone she does not like a says they are witches. Not a bad idea personally.
David is a topic from the Old Testament, which is widely repeated and done by many artists. David is a story where it shows that not only does strength wins in a battle but also wits. Each artist depicts David in different views and moments, like Michelangelo who is an Italian sculptor painter, architect, and poet of the High Renaissance, another is Gian Lorenzo Bernini who is an Italian architect and sculptor, and he was credited with creating the Baroque style of sculpture. Although both artists depicted David, but each one had different style where Bernini’s is more expressive then Michelangelo’s. Looking at both sculptures of David, there are some similarities which can be noticed.
Lastly, the two paintings use perspective, color, and light very similarly. In Death of General Wolfe, the artist, West, clearly and realistically paints the figures in the foreground and in the background in uniforms that would have been common during that time. Similarly, Giotto paints his figures in robes which were common, and what painters usually depicted their figures wearing. They both have knowledge about what it is they are painting and are able to use color to accurately show what may have occurred.
The Lamentation vs The Deposition Art is a practice that is constantly evolving around the world. Art practices during the Renaissance in Italy and in Northern Europe depict similar themes, but artists express their understanding of narratives differently. Giotto di Bondone, an artist during the Renaissance in Italy, and Rogier van der Weyden, an artist during the Renaissance in Northern Europe, depict the crucifixion of Christ in two similar, yet distinct manners. Giotto created The Lamentation in 1305 and van der Weyden created The Deposition in 1435. The strategies each artist uses in their work highlight the important factors that influenced artists in each region.
Onbirbak 1 Neema Onbirbak Professor Levin Art Appreciation 3 August 2015 Art has a part in every nation’s history, whether it captures events or creates some themselves. Unfortunately, during the Nazi Regime many pieces of this kind of history were lost. When I look at art, I try to recreate the artist in his or her studio trying to paint the piece or even photograph it, and imagine all the hard work it took to make one image. Personally I liked art during the Renaissance period because of the fact that it was under control, and not crazy. Now days, people can simply draw a line on a blank canvas, or even just shapes in different colors and it will be considered art.
The mood of this painting is nurturing and humble. The painting is more life like the any other portrait of Mary and Jesus because Jesus does not have a halo on his head and his
In both pictures we are able to identify Humanism, Individualism, and Secularism whether or not if it is a famous painting or
The Last Supper depicts the story told in the bible as the last meal Jesus had with his disciples before being crucified. Jesus made the statement that someone would betray him. Thesis work of art is an attempt to catch the chaos in the room after Jesus made the statement. Catherine Sundt makes the statement ,” The Last Supper and Handel’s Messiah are not Christian teachings, but rather art inspired by Christianity”(Sundt 77).
Leonardo believed that, the integration of the musical harmonies would bring symbiosis to the optical space of the painting and to the one viewing the painting. Leonardo clearly understood how single point perspective could control how the viewer perceived his painting. He employed this technique to draw our attention to Christ’s face which is at the center of the composition. Likewise Christ’s gaze is directed to his left hand whereby he is reaching for the ‘bread’.
Cimabue and Giotto were both very well known artists that both painted the Virgin and Child Enthroned. They both have the same meaning and the same subject. The Virgin and Child Enthroned have Madonna and Christ and it had the angels and the prophets. Comparing both of the artworks, they both have a different style. Cimabue and Giotto painting have a great symbolism behind their paintings and what it means for them.
A varied balance between the symbolic and realism has been struck world over by the painting. In the fifteenth century Western painting began to turn from its age- old concern with spiritual realities towards an effort to combine this spiritual expression with as complete an imitation as possible of the outside
