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Comparing Pablo Picasso's Les Demoiselles D Avignon And Fountain

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Title: "Les Demoiselles d'Avignon"
Artist: Pablo Picasso
Stylistic Period: Modernism
Date: 1907

Title: "Fountain"
Artist: Marcel Duchamp
Stylistic Period: Modernism (Dada movement)
Date: 1917

Pablo Picasso's "Les Demoiselles d'Avignon" and Marcel Duchamp's "Fountain" are both significant works of art from the Modernism period, but they represent different subgenres within Modernism. "Les Demoiselles d'Avignon" is associated with the Cubist movement, while "Fountain" is associated with the Dada movement. Despite these differences, both works challenge traditional artistic conventions, provoke controversy, and push the boundaries of what art can be. "Les Demoiselles d'Avignon" is a painting on canvas, created using oil paint and traditional …show more content…

The painting depicts five female figures in a fragmented and geometric style, with distorted bodies, sharp angles, and bold colors. It challenges the traditional concept of perspective and representation in art, breaking away from the realistic depiction of the human form. In contrast, "Fountain" is a ready-made artwork, an everyday object presented as art without any artistic intervention or traditional artistic techniques, which Duchamp created by presenting a urinal as an artwork. Duchamp's act of recontextualizing an everyday object as art challenges the traditional notions of artistic skill, originality, and the role of the artist as the sole creator. Another difference is in their iconography and composition. "Les Demoiselles d'Avignon" depicts five female figures in a Cubist style, with fragmented bodies and bold colors. The painting is known for its provocative and controversial depiction of the female body, which challenges traditional norms of beauty and representation. On the other hand, "Fountain" has no traditional …show more content…

"Les Demoiselles d'Avignon" was initially met with shock and criticism when it was first exhibited due to its unconventional style and depiction of the female body. It was seen as a radical departure from traditional art and questioned the established norms of beauty and representation. Similarly, "Fountain" caused a scandal when it was submitted to an art exhibition in 1917, and it was rejected by the jury. Duchamp's work challenges the conventional notions of art and raises questions about the value and meaning of art objects. In terms of political or historical influence, "Les Demoiselles d'Avignon" is often seen as a precursor to the feminist art movement, as it challenges conventional depictions of the female body and raises questions about gender, sexuality, and power dynamics. It also reflects Picasso's response to the changing social and cultural climate of the early 20th century, marked by the rise of modernity, industrialization, and the influence of African and Iberian art. On the other hand, "Fountain" is associated with the Dada movement, which emerged during World War I as a response to the absurdity and disillusionment of the war. Dada artists, including Duchamp, rejected conventional art norms and embraced anti-art and anti-establishment

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Dada art was intended to be weird in many ways. It reflects the opposite of traditional art, in other words, anti-art. The goal of Dadaism was to shock the world of art to its core to give a surprising non-traditional view to the world while protesting the war. Dadaism was so powerfully unnatural through its view on non-traditional perspectives on the fine arts for example like poetry, literature, and drama, as well as visual art, Dada certainly deserves to be remembered as one of the most influential art movements of the 20th

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The name of the painting adduce to the allegation by Henri Matisse: What I dream of is an art of balance, of purity and serenity, devoid of troubling or depressing subject matter, an art which could be for every mental worker, for the businessman as well as the man of letters, for example, a soothing, calming influence on the mind, something like a good armchair which provides relaxation from physical fatigue.1 What is being suggested on hand is not a visual percept. What Matisse is trying to express is an art of retinal sophistication and visual effortlessness that is juxtaposed and well removed from Futurist vehemence and Cubist structures. Matisse’ s art of pure enduring presence of flatness underneath and above the most vivid illusion of three-dimensional space – balance, tint, pictorial equilibrium and homogenous connections - all of which are considered and employed like artistic constituents of his clear masterpieces. Subsequently, Matisse’s brilliant art has definite aesthetic characteristics: shapes are

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No one could look at Picasso’s large painting of 1907, Les Demoiselles Avignon (fig.1-13 in the book) and call it aesthetically beautiful, but it is for many people, one of his most aesthetically interesting works. Nearly, 8 feet square, it would come to be considered one of the most of the first major painting of the modern era and one of the least beautiful. The titled, chosen not by Picasso but by a close friend, literally mean “the young ladies of Avignon”, but it’s somewhat tongue-in-check reference is specifically to the prostitutes of Avignon Street, the red-light district of Barcelona, Spain, Picasso’s hometown. We know a great deal about Picasso’s process as he worked on the canvas from late 1906 into early summer months of 1907, not only because many of his working sketches survive but also because the canvas itself has been submitted to extensive examination, including x-ray analysis. This reveals early version of certain passages, particularly the figure at the left and two figures on the

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The most influential is Pablo Picasso and his paintings. “Les Demoiselles was the precursor of a new style called cubism” (395). Cubism was a new style of modern art. With the spread of technology and finding its’ way into the art realm, it produced a new style art called “Futurism”. Since the Modernism era was about expression away from tradition, this idea was the birth of “expressionism” in art.

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Picasso’s ‘Les Demoiselles d’Avignon' was a leading edge breakthrough from traditional composition and perspective and a very well-known example of cubism, the painting is symbol of erotica and the seductive nature woman can have. Becker’s ‘Self-portrait with amber necklace’ is an empowering piece about the female body and empowers women to confront their nudity and manifest their inner power and confidence. Becker was challenging what is meant to paint portraiture of the female body and the social construct around how it should be represented, as

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Picasso had many drawings that indirectly supported men to be the superior and wiser. For example, in his La vie painting he drew a naked woman standing beside a man who is wearing underwear, as on the other side there was another woman who was holding a baby. One can judge Picasso as a man who looked at women as sexual objects or mothers depending on what his paintings were about, especially this one. Therefore, one can realize how Picasso’s art has supported the inferiority of

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In the painting the drapes are used to point out the painter`s departure from the traditional form of painting. In the era of Renaissance, the painters perfected the ideal of the human form but Picasso approach to the distortion of the ideal human form led to the remarkable work of art . The painting can be seen as a reflection of the artist`s fear of venereal disease, his perception of mysteriousness of sexual energy and his private affairs with women. The painting consists of an element of psychological anxiety communicated by the masked figures. The effort of labour that Picasso indulged in painting Les Demoiselles D Avignon which is although said to be incomplete work has definitely led to a certain sense of liberation of the artist through his work ,Les Demoiselles DAvignon.

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