Valopincon Bather Analysis
306 Words2 Pages
In the painting there is a great detail that is shown. The tassels on the bed and the way the curtain falls gives a textural component to the painting. The artist also chose to use vertical repetitive lines in the tiles, and the tassels are feminine. There is also a slight curve in her body shape and her backbone, and her voluptuous yet curvy silhouette that shows femininity. Her legs overlapping each other, turban on her head and having her
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The figure of the woman seems to be backed up by no background but a white void. This sense of emptiness distantly resemble oriental Chinese painting. The figure seems to dissolve into the void. The composition is integrated and the painting seems harmonious and dynamic due to the curvilinear lines formed by the edges of flat color blocks. There seems to be musical rhythm to the painting.
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There is also some flowing and soft movement in this section which represents flowing rivers “it’s the flowing rivers she cleanses in”. Other sharp movements and serious facial expressions symbolize the day to day struggles of being a female, looking for food from the earth, giving birth and raising children. Lying on each other represents sleeping and leaning on each other represents strength in unity and females helping each other within their culture. Animalistic movements represent the earth, Mother Nature and how animals were important to their
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She also portrays movement by painting the same figure in different poses on the same canvas. Radstrom often combines an old classic style of painting with what she experiences in the world, which has influenced me to notice what is going on around me more. My work is also portraying what I’ve noticed in the world and although she didn’t influence the style in which I executed my final drawing, both of our works are realistic and based on real life figures. Her works, however, portray women as fragile or vulnerable, with many of them in relaxed or sexual states, whereas opposite to that, my final drawing is a strong image of a women, not portrayed in a sexual way and our concepts are completely opposite. Again, much like Lorusso, her work has inspired me to rebel against the fragility and objectification of women.
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For instance, the item at top left shows the anatomy and the complexity of being pregnant (Self Portrait as a Tehuana, Autorretrato como Tenhuana, Frida). The baby boy in the middle of the painting symbolizes the baby Deigo she thought she would never have (Self Portrait as a Tehuana, Autorretrato como Tenhuana, Frida). The snail shows how slow and agonizing the miscarriage was (Self Portrait as a Tehuana, Autorretrato como Tenhuana, Frida). The machine in the bottom left was used to symbolize the cold machines they used on her at the hospital (Self Portrait as a Tehuana, Autorretrato como Tenhuana, Frida).
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