While the essay thus far, has been directed towards unveiling how the narration has been structurally dominant in nature, an exploration of the crucial points of enlightenment across all texts, surface the possible undermining of this textual authority.
Disruption to the monolithic stature, is notary in Palahniuk’s use of an ironic epiphany in the ending. The final chapter of the novel takes root from the narrator’s move of shooting himself, a move that is imperatively a symbolic enlightenment, poignantly captured as he states,
“We are not special.
We are not crap or trash, either.
We just are.
We just are, and what happens just happens.”
The paratactic style with the deliberate absence of any subordinate clauses, allow for the declaratives
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The uncanny grin on the narrator’s face, with its allusions to the same “grin” constructed by Project mayhem, retains strong associated with consumerism and more importantly with the scars inflicted by Project Mayhem. His “trigger-happy” smile, as such, simultaneously marks him as a product and a critic of the culture Fight Club has been depicting. However, the subversion of these too obvious meanings with a comic apathy, ironically situates the narrator within the confines of the very societal boundaries that he had been striving to transcend, preventing the attainment of a transcendental closure as determined by the narrator’s …show more content…
This is ascertained by the successive positioning of the contextually similar phrases of “out of the blue”, “for no reason”, which effect an attempt at overt justification. Furthermore the interweaving of vague language in the delivery (“uh”s and “I guess”) imbue a more temporal quality to what was meant as an epistemological realisation, an equivocation which merely summons a faux sense fastidiousness that ironically nullifies the proposed conviction of