ipl-logo

Dalton Trumbo's Influence On The Film Industry

597 Words3 Pages

Sitting down to watch the Academy awards like all other screenwriters, Dalton Trumbo and his family were anxious to see if he had won. Unlike them though, he would not be able to accept the award or even publically acknowledge his accomplishments. Dalton Trumbo was a communists and therefore blacklisted by the theater companies due to the ever powerful hand of the US government on the theater industry at the time (“How Dalton”). The United States vs. Paramount decision and blacklisting of potential communist altered the direction of filmmaking business in America by breaking breaking up the strong theater monopolies, lowering the strength of guilds on the post contract Hollywood, and overall types of movies made. Following world war II, the relationship between the film industries and the federal government quickly diminished due to the monopolies the film industries had on the theater system. Owning a majority of the …show more content…

Arranging a congressional board to investigate potential communists, ten people were called in front of the board to determine if they were communists. Unwilling to comply with the boards allegations, the ten were subsequently found in contempt and served months in prison. Later, all ten were found to be un-American by the film industry thus black listed from ever making movies again. The affects of this on the film industry were present by the breakup of the newly developed screen writing guilds and unions. Moving away from the Hollywood contracts system of pre-war filming, the filming industry were facing high cost in film production due to the various unions that made up the various aspects of film production. To fight this, the film industry began to make accusations for anyone that refused to work independently with the industry (Lewis

Show More
Related
812 Words | 4 Pages

BBBBBOOOOOOKKKKK The relationship between film and society continue in the 1930’s. With the start of the great depression came the start of the Breen Office. The Breen Office regulated films in the mid 1930’s and the movie makers decided to embrace the American Values the Breen Office was trying to stand for. Sklar states that this new sense of American Values in film helped to “boost the morale of a confused and anxious people by fostering a spirit of patriotism, unity and commitment to national values,” (3597).

Read More
171 Words | 1 Pages

During the 1940’s and 1950’s, The House Un-American Activities Committee targeted hollywood in fear socialists and communists were working in the industry and would take control of American culture. HUAC’s interest in hollywood began because it was believed there was a large amount of communists in that industry. Movies and articles were made on communism and how it was a threat to America, such as how to spot a communist. Ronald Reagan was president during that time and he did not believe in communism, but he also didn’t believe communists were using their philosophies in movies to influence America. Edward Dmytryk along with other film directors were questioned about being communists, they became known as the hollywood ten.

Read More
497 Words | 2 Pages

Later in the chapter, we learn about the censorship that Hollywood introduced during this era. In 1948, the Supreme court ruled that the studios had to divide themselves of their distribution outlets, thereby drastically reducing their income. According to Kolker, this also marked the beginning of the end of the Hollywood Golden Age. We also read about how television was impacting the attendance at the theaters. The film industry increased the size of the screen to compete.

Read More
730 Words | 3 Pages

The Hollywood studio system changed dramatically during the 1950’s. Hollywood saw the emergence of a new platform of entertainment, which negatively affected sales, film production and society as a whole. Film studios no longer controlled which movies were seen or where people saw them due to the Superior Court ruling U.S. vs. Paramount Picture Inc. The invention of the television brought much change to the America and the American film experience.

Read More
172 Words | 1 Pages

At occasions, films and the distribution method can become more directly connected to social disputes or in a legislative manner. For example, a good case is The year 2004 that demonstrates the time when industrial filmmaking not just responded to governmental and social pressures but further strived to use attraction in an extraordinary fashion. The particularly notable example was Fahrenheit 9/11. Michael Moore, the provocative film creator that had earned wide recognition and an Oscar for 2002 documentary Bowling for Columbine, openly stated that Fahrenheit 9/11 was invented to support to overcome George W. Bush in the presidential election in 2004.

Read More
389 Words | 2 Pages

There are many things that make “Citizen Kane” considered as possibly one of the greatest films every made; to the eyes of the passive audience this film may not seem the most amazing, most people being accustomed to the classical Hollywood style, but to the audience with an eye for the complex, “Citizen Kane” breaks the traditional Hollywood mold and forges its own path for the better. Exposition is one of the most key features of a film, it’s meant introduce important characters and give the audience relevant details and and dutifully suppress knowledge in turn. “Citizen Kane” does not follow this Classic Hollywood style exposition, instead going above and beyond to open the film with revealing as little information as possible and confuse/intrigue

Read More
798 Words | 4 Pages

In Georgia, the film industry has an average economic impact of nine point five billion dollars. This just shows how necessary film is towards the state. If this industry were to be abolished, Georgia would be in an unhealthy economic hole that only film could fill. The Peach State has the largest film industry in the entire nation, it outranks states behind it such as California and New York. Though, not only would Georgia’s economy suffer, Georgians’ lives would deteriorate quickly.

Read More
576 Words | 3 Pages

Films are a great way of communicating a message to the viewers. One of the most controversial topics conveyed is politics and for this reason, Mr Smith Goes to Washington is a movie that explores the American political system through the life of Senator Jefferson Smith a newly elected politician. He comes out as a radical after realising that he cannot serve the interest of those who elected him to the government. The director of the film explores a radical sense ideological spectrum through a character who maintains integrity in the midst of harsh criticism in the political system. The director is radical trying to anger the political class and then win acclaim from the public.

Read More
398 Words | 2 Pages

“The Hollywood Ten, McCarthyism, and the Witches of Hollywood” Back in 1947, when the Cold War with the Soviet Union had occurred, the House of Un-American Activities Committee was checking to see if any suspicious communists’ activity was going on in Hollywood. This event caused nine screenwriters and one film director (lvah Bessie, Herbert Biberman, Lester Cole, Edward Dmytryk, Ring Lardner Jr., John Howard Lawson, Albert Maltz, Sam Ornitz, Robert Adrian Scott, and Dalton Trumbo) to get arrested, and they were known as “The Hollywood Ten”. “During the investigations, HUAC coerced prominent people from the film industry to declare their patriotism and give up large names of colleagues suspected of having politically unfriendly tendencies”.

Read More
862 Words | 4 Pages

In the 1915 court case of Mutual Film Corporation v. Ohio Industrial Commission the Supreme Court ruled that, “…the exhibition of moving pictures is a business, pure and simple, originated and conducted for profit … not to be regarded… as part of the press of the country, or as organs of public opinion” (Hollywood Censorship). This means that movies are no longer considered free speech and are not protected under the First Amendment. Since movie are no longer protected under the First Amendment the U.S. government now has the power to pass laws censoring movies. Hollywood does not want this to happen, so in 1922 Hollywood creates the Motion Picture Producers and Distributors of America (MPPDA). They hire William H. Hays to keep the government from doing anything drastic dealing with Hollywood.

Read More
420 Words | 2 Pages

As we learned in class, the Motion Picture Patents Company was originally formed to resolve conflicts among the competing members of the motion picture industry. However, it ultimately lost its position as the dominating force controlling the industry only ten years later. As we read about in Scott Curtis’s essay, the reasons for the MPPC’s decline varies, but can be summarized by focusing on three major causes: the influence of litigation; competition from independent companies; and mistrust amongst the MPPC and its own members. It all began when Eastman Kodak started making changes to its contract with the MPPC, allowing Kodak to sell its raw film stock to unlicensed and independent companies. This caused more and more theatres to buy independent

Read More
848 Words | 4 Pages

Movie industry consist of different types of firms throughout the product value chain. This market includes: famous movie studios such as Walt Disney and Colombia pictures, independent production companies like Sony pictures entertainment and Warner Bros pictures, independent distributions such as 20th Century Fox, and major national exhibitions such as Cinemark and AMC. In the United States each part of value chain in the movie industry is separate and integration between distributor and exhibition is not allowed. “Vertical integration between distributors and exhibitors is prohibited under the 1948 United States v. Paramount Pictures decree.”

Read More
1053 Words | 5 Pages

Film is specifically made to be sold. Film is an art that is also a source of income. No matter the format, be it big budget or independent, film is a commercial product. According to Comolli and Narboni in their essay “Cinema/Ideology/Criticism”, film is “transformed into a commodity”. Film is “a product, manufactured within a given system”, is it the product of the ideologies that dominates where it was constructed.

Read More
1085 Words | 5 Pages

In dissecting story silver screen, Christian Metz recognized the nearness of eight chief syntagmas blends of sounds and pictures that are composed of units of account self-sufficiency. Subside Wollen, Geoffrey Nowell-Smith, and others coordinated structuralism, class studies, and auteurism into what came to be known as auteur-structuralism. Belief system hypothesis: Influenced by Lacanian analysis, Louis Althusser 's hypothesis of philosophy, and understudy revolts in France in May 1968, film researchers started to break down the silver screen as an ideological device that introduces observers into misrecognizing their connection to the genuine states of their presence. As per researchers, for example, Jean-Louis Comolli and Stephen Heath, movies inspire assent for the overwhelming request by giving the review subject the fantasy of flexibility and organization, naturalizing and legitimizing the current exploitative class structure. Althusser attested that, keeping in mind the end goal to unmask what the predominant belief system darkens, one must perform symptomatic readings that distinguish a content 's organizing

Read More
1024 Words | 5 Pages

The Hollywood institution has been the dominant force throughout motion picture history due to the studios’ cooperative control of distribution as well as production. During the 1930’s, five major studios that became known as The Big-Five and

Read More

More about Dalton Trumbo's Influence On The Film Industry

Related Topics

Open Document