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Death Of Socrates Jacques-Louis David

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The Death of Socrates by Jacques-Louis David is an oil painting that was created in 1787 and is 4′ 4″ x 6′ 5″ and resides at the Metropolitan Museum of Art. Gustave Courbet’s A Burial at Ornan is also an oil painting that measures 10′ 4″ x 21′ 8″ it was created in 1849–1850 and it can be viewed at Musée d 'Orsay. The Death of Socrates was painted in 1787, and it is an example of the Neoclassical period in France. When viewing the painting, the eye is drawn to the clarity of the scene. We are drawn to the subject in the middle of the painting as he reaches for a cup, the connection between the cup and the hand is powerful. Socrates was sentenced to death by drinking a deadly poison, however, Socrates could have escaped into exile instead he chose become a martyr. In this scene, he has been sentenced to death for corrupting the youths of Athens and for not believing in the gods of their tradition. He is being defiant …show more content…

A Burial at Ornans is also thought to be depicting the death of Romanticism. This large oil painting honors a life of an ordinary man who was not of royal blood or a religious figure. As we see the procession from left to right, a coffin is being carried by pallbearers. The clergy just ahead of the coffin and guardsmen in red give a small amount of color contrast to the mourners adorned in black, giving relief to an otherwise dark, overall impression. There is a grave digger on his knees waiting for the coffin to be positioned, and just next to him standing just above the grave is a white dog. Dogs are a symbol of watchfulness, protection and guidance, all of these were thought to be needed to proceed to the next life in many cultures. However, it is not clear why the dog is a part of this painting I can only assume that the dog was a symbol of the loyalty and fidelity of friendship they shared during the time the man was

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God is looking upon and reaching to the saint on the cross in the devastating scene. This is a narrative as it is portraying a secular event. Religious paintings are narratives derive from the Holy Bible. People in the painting include a guard, two executioners and other

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After being convicted in Athens of corrupting the youth and not believing in the Gods, Socrates was sentenced to death. Crito, a friend of Socrates comes to him while he is awaiting his punishment. Crito tries to convince Socrates to escape to another city, but Socrates chooses to stay and face his punishment in Athens after taking a look at the reasons to escape and the reasons to stay. Philosophical and personal issues were also contemplated by Socrates while making his decision. Socrates allows Crito to make his arguments, then Socrates makes his; after Crito fails to convince Socrates to escape, Socrates chooses to stay.

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By breaking the law his soul would be ruined and a ruined soul is not worth living with. This goes back to when he said that the really important thing is not to live but to live well. Also, when he dies he would enter Hades as an outlaw and will not be well welcomed. Therefore, he believes that he should stay and face his execution because it is better to die than to live with a ruined soul. Socrates uses all of these points to support his main argument which is that escaping jail would be morally incorrect.

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With the Apology, and the Crito, Socrates comes to delve into his many teachings and finds himself put to death with the words of wisdom that have been passed down generation after generation. Socrates for many in this present day is a man of many words and great teachings, but anyone but Socrates thought differently, in Athens people thought of him as an annoyance rather than an integral part of society. As Socrates stood in front of the counsel of judges, he stood for what he thought was right and never changed opinion of himself or of his words. That’s why Socrates is still talked about in classrooms everywhere today.

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He reminds Crito “no human being should do injustice in return, whatever he suffers from others”(Crito, 49c). Socrates argues even if the jury's decision was unjust, it is never permissible for him to do injustice in return and therefore he will not try to escape. In essence, even though Socrates is offered the opportunity to

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Making enemies and becoming the topic of conversation, the Athenians began to view Socrates as a threat to their beliefs and way of life and sought to end it. In order to end this, Socrates was accused of blasphemy (Mod1SlideC7). Socrates’s accusers took him to court and after Socrates did not play their game by asking to be sent into exile, and in the end, he was sentenced to death. After reading the textbook and Plato’s writing influenced by Socrates, I realized that in the period of his life Socrates was indeed truly a threat to the Athens society, because he looked for answers that no one else bothered to find which challenged their culture.

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He is given the opportunity to choose an escape, and live his life never being able to return back to Athens. He completely opposes the idea and decides to live out the consequences of his trial, ultimately dying. Socrates made it his mission to live a virtuous life, which he did, right to his death. To life a virtuous life it would have gone against his own belief if he did escape his conviction, making this aspect very important in his philosophy. “To do so is right, and one must not give way or retreat or leave one’s post, but both in war and in courts and everywhere else, one must obey the commands of one’s city and country, or persuade as the nature of justice.

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In Apology, Socrates faces possible execution as he stands trial in front of his fellow Athenian men. This jury of men must decide whether Socrates has acted impiously against the gods and if he has corrupted the youth of Athens. Socrates claims in his defense that he wants to live a private life, away from public affairs and teachings in Athens. He instead wants to focus on self-examination and learning truths from those in Athens through inquiry. Socrates argues that "a [man] who really fights for justice must lead a private, not a public, life if [he] is to survive for even a short time" (32a).

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