In the non-fiction book, Behind the Beautiful Forevers, Katherine Boo chronicles the life in the Mumbai Slum of Annawadi in India and focuses on the character Abdul Husain. She describes the harsh living conditions of the slum, how the citizens of these areas live and try to survive and the actions of the corrupted government. The book tells the readers that the author traveled to these areas and conducted research and interviews with certain individuals and studied the history of the place in order to obtain knowledge and insight on how people in the slums in poverty go through. The book also contains messages of “survival of the fittest”, corrupted government and law systems, family life in a place with limited resources and help, and facing
In addition many people live in fear of terrorist attacks. Religion, resentment intimidation and the caste system all threaten fresh conflicts, But there is a theme of hope as well. Some slum dwellers are resilient and persevere against the odds, winning through against discrimination, corrupt practices and unfairness. The book shows that there are things of hope and value even in a slum. "He saw nothing but his own bottomless grief, because he knew miracles were possible in the new India and that he couldn't have one" (Boo
Ellen Foster: A contemporary work written by Kaye Gibbons Kaye Gibbons’ Ellen Foster is a contemporary work that discusses women, cultures, and abuse. Ellen Foster is considered contemporary because it was written in the post World War era, and the topics within the book conflict with the ideals of the time period in which it was written. To capture the attention of an audience and enhance the mood of the book, Gibbons used diction, sentence structure, and misspelled words in a way that only the main character would. Gibbons was able to express her feelings on controversial topics through the situations characters experienced throughout her book. One might wonder when and where the inspiration for the setting of Ellen Foster began.
During the late 1691 several young girls began to suffer fits and nightmares, attributed by their elders to witchcraft (Foner 106). Tituba who was a slave from Barbados that lived with two of the girls that were having fits as a servant. The girls invited several friends to share this delicious, forbidden diversion. Tituba’s audience listened intently as she talked of telling the future. Villagers sat spellbound as Tituba spoke of black dogs, red cats, yellow birds, and a white-haired man who bade her sign the devil’s book.
Born to Bengali parents in July 1967,in London and with her family’s move to Rhode Island, Jhumpa Lahiri began life in the U.S.A. She grew up in the background of traditional Bengali culture. From childhood, she often accompanied her back to India-particularly to Calcutta (now known as Kolkata).. She observes that her parents retain a sense of emotional exile and she herself grew up with conflicting expectations. In her work, Lahiri, is a second-generation immigrant, reflects on the Indian diaspora and creates a narrative that reveals the inconsistency of the concept of identity and cultural difference in the space of diapora.
Such stories of witches and demons and spells to ward them off or attract them had always been circulation, but under the influence of an “authority” like Tituba, the
Superstition, Magical Realism, and Horrow in Hispanic Culture, Essay 2 Topics 4. Rewrite one of the eleven sections of Alejandra Pizarnik in The Bloody Countess to convey the horrors of Bathory’s torture chamber I remember that night. It was cold and harsh January night. The day before, I allowed my parents to sell me to the Bathory’s family which was one of the most influential families in Transylvania for that time.
In the essay “A Celebration of Grandfathers” by Rudolfo A. Anaya, the text uses phrases and words in Spanish to convey the deep meanings of the essay: the respect and warmth the author felt toward his grandfather, and the importance of honoring the older generation. For instance, Anaya 's usage of the first phrase, “‘Buenos días le de Dios, abuelo.’ God give you a good day, grandfather,” in Spanish, not only emphasizes the importance of the phrase to him, but also relays that he carries deep respect for his grandfather (Anaya 240). This expression in Spanish is the common greeting taught to young children to greet elders or other grown adults. Furthermore, the fact that the phrase is first communicated to the reader in Spanish reveals how the phrase is important to what he is attempting to convey.
The main driving point is Bless Me Ultima is Antonio’s coming of age. In the novel, Bless Me Ultima, by Rudolfo Anaya, Antonio is spiritually and religiously tested which leads him to a bildungsroman. Throughout the novel, Antonio encounters religious doubts like the golden carp and spiritual events like the deaths of others. Although Antonio’s purpose in the story is to fulfill his prophecy, along the way he experiences life changing grows more as a spiritual and religious person. Antonio spiritually grows when he experiences the deaths of Lupito and other dear friends.
YAAA! I heard in my house from my brother downstairs so I rushed down stairs to see why he yelled and this happened. My mom told me where going to Six Flags. I got so excited I hurried upstairs, put on my swimming shorts and my sunscreen.
Emma sat anxiously at a table in the tavern keeping a sharp eye out for Hook, drumming her fingers on the table. She tried to stop herself from getting too excited every time the door opened, only to be disappointed every time she did not see the thick dark hair and shining blue eyes of the captain. She thought back on the past year, how her heart fluttered every time she saw what looked like a large ship sailing above her, wondering if perhaps Hook was at the helm. She hadn 't told her parents about her antics, luckily she had moved out of their undersea home and into her own cozy cove so they wouldn 't notice her day dreaming. She had excitedly counted down the days until the next highest tide, eager to hear Hook 's stories about life aboard his
Wadley’s Behind Mud Walls: Seventy-Five Years in a North Indian Village is an insightful view into another culture. As an audience member who lives in a country where changes are created quickly and numerously, it was surprising (at first) how the villagers of Karimpur resisted change to their way of life. Though this reviewer is familiar with the concept of having landlords, she was surprised how Karimpur did not belong to the people but rather the landlords. It was also a surprise in how quickly children caught on to their social status.
Love, Trust, and Family Renowned film critic Roger Ebert has praised Mira Nair’s Monsoon Wedding for the way that it “leaps national boundaries and celebrates universal human nature.” Indeed, despite the many differences that seem to divide people, there are also aspects of life that are present in the lives of everyone that can be used to relate and understand those with a different background. Throughout the story, the creators allow their audience to relate to a traditional Indian family through the emotions they share with the characters and the way that they deal with issues involving, love, trust, and family while still understanding the many differences between traditional American culture and the culture of those within the film.
Capitalism and Socialism are two economic systems that have opposing views on the end goal and how to reach it. Capitalism is centered around competition and privatization while Socialism is driven by social equality. As with any philosophy, there are positive and negative aspects. Capitalism’s focus on competitive economics downplays social reform. Socialism’s concentration on social equality often does not allow for rational economic decision making.
Even though there are differences in religious belief, the groups live in harmony; it is not until the arrival of the ghost trains which are filled with bodies of Sikhs and Hindus that brings disturbance to the peace of the village (117). Singh reminds the readers that the “Muslims said the Hindus had started the killing. According to the Hindus, the Muslims were to blame. The fact is, both sides killed” (1). In this case, the train symbolizes the collapse of alliance between the Muslims and the Sikhs; the once peaceful coexistence of both sides has now been persisted by ethnic antagonism.
