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Desdemona Is Guilty In Shakespeare's Othello

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Othello’s mental state needs to be deteriorating quickly compared to yesterday’s assessment. While everything seemed to be promising in our previous session, Othello now looks to be more stressed and overly emotional. Particularly, he is questioning his recent marriage to Desdemona and her faithfulness due to certain recent conversations with his Ensign, Iago. Impassioned and distraught, Othello confided in me, stating, ”Why did I marry? This honest creature doubtless /Sees and knows more, much more, than he unfolds.”(3.3.248-249). I interpret this to mean that he believes Iago holds the truth to Desdemona’s faithfulness, and his word is law. It is troubling to me that Othello would trust this man so quickly and forget his vows this easily.
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In William Shakespeare’s “Othello”, Othello is a Venetian General who sails to Cyprus to fight the Turkish fleet. Before Othello goes to Cyprus, he secretly marries Desdemona, a young and beautiful Venetian girl by telling his war stories. Due to fate and Shakespeare’s use of assonance, it results in all the characters traveling to Cyprus. Othello and Desdemona leave Venice with the excitement of being a newlywed couple and plan to have their honeymoon in Cyprus. Othello’s love for Desdemona fails as his hamartia of jealousy and skepticalness causes his trust for Desdemona to break, as she is an inexperienced and young youth.

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Moreover, Shakespeare presents Desdemona as a celestial figure at the start of Act 3 scene 3, as to when Cassio regards her as being ‘Bounteous’, meaning generous or plentiful. However, the word is often associated with agriculture and because of this; the word could also arguably be linked with the Cornucopia, or horn of plenty, which in Greco-Roman mythology was a personification of the Earth. This makes Desdemona seem ethereal and thus Goddess-like. This is further emphasised as to when Cassio almost dehumanise himself by referring to himself in third-person: “Whatever shall become of Michael Cassio”, which in contrast to Desdemona’s previous Goddess-like appearance, makes him seem almost worthless. Similarly, ‘La Belle Dame Sans Merci’

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Savagery in Othello and Lord of The Flies In all of us lies savagery; vile and animalistic impulses, typically brought out by extreme circumstance. This truth is the essence of Othello by William Shakespeare and Lord Of The Flies by William Golding. Othello focuses on the character Iago’s manipulation of Othello, a Venetian general. He believes that Othello had an affair with his wife Emilia, and feels resentful toward him for choosing Cassio instead of him as lieutenant, when he is clearly more experienced.

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Othello goes on to explain that he won Desdemona’s love through stories of his seven years at battle, but will nevertheless tell the tale of these stories. Othello’s opening lines humble him. His greeting, “Most potent, grave, and reverend signiors,/My very

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Do people often get accused of doing the right thing? Or is it always being accused of the wrong? In the play Othello by Shakespeare Desdemona is being accused of cheating on her newly wedded husband Othello. When she has been nothing but loyal to him, even loyal to him over her own father. Iago feed’s Othello these lies at times of vulnerability, and drops all these hints slowly.

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I believe that othello is a murderer cause his actions went too far. Desdemona was telling Othello to go ask Cassio if it was true that Desdemona slept with him and how did he get the handkerchief. The othello just kept on ignoring her and said that she is whore and cheater fo sleeping with cassio. And Othello murders Desdemona by smothering her, after that Emilia came looking for othello to tell him that roderigo has died and not cassio. Then suddenly you hear Desdemona saying that she is a innocent woman.

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Iago uses very clever methods of persuasion and manipulation aimed to use Othello’s hamartia against him, pointing out that “ “She (Desdemona) did deceive her father, marrying you,” so much so that Brabantio “thought ’twas witchcraft”. Through this, Iago is subtly raising the issues of Othello’s cultural differences with Desdemona; a root cause behind Othello’s insecurities with his wife – along with inadequacy due to race, degree of sophistication and age. As Iago prompts Othello to think the worst, his utterances are short and uneasy, revealing the beginning to his downfall, whilst Iago’s dialogue is at length highlighting his growing power of

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Through Othello’s impulsive actions as wells as Iago’s malevolent ideas, Shakespeare reveals the horrid effects of jealousy. Othello’s erroneous choices display how jealousy clouds thought processes. Othello hears a rumor from Iago that Cassio is sleeping with Othello’s wife, Desdemona. Othello demands proof of this accusation, but then chooses to act irrationally. Without definitive proof, Othello demands that “ within these three days, let [Othello] hear [Iago] say /

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There is also a particular scene in the playing which Desdemona for shadows her death. She tells Emilia that if she should die before her maid, she wishes to die in her wedding sheets. In act four scene three Desdemona quotes “If I do die, before thee, prithee shroud me In one of these sheets”. The audience knows that Othello is going to kill Desdemona, but not how or where. And this basically spoils it.

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Desdemona, daughter to senator Brabantio has spurned the advances of eligible young Venetian men, but is captivated by Othello chiefly because of his harsh experiences. We first come

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He trusts him and believes the lies that he tells about Desdemona. In one scene, Iago tries to protect Othello from Brabantio, even though he is the one who told him that Desdemona and Othello married in the first place. He exclaims: He prated, And spoke such scurvy and provoking terms Against your honour That, with the little godliness I have, I did full hard forbear him. But, I pray you, sir, Are you fast married?

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Over Desdemona and Othello’s time spent in Cyprus their love becomes utterly devastated. Not only is the trust of their relationship gone but also accusations of unfaithfulness are established. These untrustworthy thoughts involving his love, lead Othello into, not only a violent state, but also create an erratic attitude. He is no longer a reasonable man, but dwells only on the jealous thoughts rooted in his heart . Jealousy, in this case ,is like a monster, it stays in the dark until your guard is down and your insecurities allow it to control your life.

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Othello’s This rage at Desdemona’s infidelity signals destmetion of his identity as a successful and loving man. It shows that he now completely loses control of himself, he no longer is that gentle man. He has become so poisoned by the manipulation of Iago, he no longer hears out for his “fair

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However, this changes quickly, as Othello can begin recognize his lower social status in later acts, with the main character transition taking place in Act III. This leads him to see just how valuable Desdemona is, and begins the spiral of jealousy and self doubt that continues our story. In Olson’s reading, Othello even credits his own fate as the problem, stating that he was destined to have an unfaithful wife, rather than recognizing the class divide in his

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Throughout the play Othello’s blind trust in Iago led him to a perplexed state in which he was vulnerable to flaws that he did not usually struggle with. In a perplexed state Othello “becomes jealous and eventually a murderer” (Kliger 222). Without Othello’s blind trust in Iago Othello would never have become perplexed and would not have led to flaws that resulted in the murder of Desdemona. Othello recognized his growing problem as he said “There is no more but this: Away at once with love or jealousy” and yet Othello was still unable to shake his jealousy as Iago kept feeding him lies (Shakespeare III.iii.222-223). Othello became so jealous that he began to think he would be “happy if the general camp, pioneers and all, had tasted her sweet body, so [he] had nothing known” (Shakespeare III.iii.397-400).

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