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Diana's Power In Othello

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n Shakespeare’s Othello, Iago a malevolent and greedy man plots against the members of his town in order to gain the position of lieutenant that he believes was unjustly given to Othello. Enraged and driven by ambition, Iago makes up a series of lies that result in widespread chaos. The chaotic atmosphere of the town is similar to that of Network directed by Sidney Lumet. A capitalist corporation tries to increase its viewers and net pay at all costs. Diana Christensen,a ruthless executive is responsible for the changes that occur within the network. In fact, Diana proves to be the most powerful and effective through her use of numerical and generative language, agnonimation, and her sexuality. Meanwhile, Iago attains power through his use …show more content…

Moreso, Iago deems their sexuality inadequate and unacceptable. On the contrary, Diana uses her sexuality to attain more power. Diana becomes sexually involved with Max Schumacher, executive of the corporation. However, the connection is solely physical. Diana is preoccupied with turning the “show into the biggest smash in television” (159) Diana shifts from formal language to casual language which is ironic because it is only when she talks about the success of the show she is able to be more casual and comfortable. To an extent, Diana holds a more intimate reaction towards her work than she does while she is with Max. She’s had “enough of th[e] ;ove making” and wonders if “[he] will let [her] take over the network news show or not?” (219) Ironically, the intimacy between Howard Beale and Diana has resulted intimate because of the business talk that follows and continues in the bed, in the office and everywhere they meet. Diana uses her sexuality to persuade Schumacher to hand down the network news show and she does so effectively. In contrast, Iago deems the women of his town idle and these women are at a disadvantage in terms of their sexuality. Emilia is falsely called a slut by Iago and Iago uses their sexuality against them. Diana is powered by her sexuality and it is evident throughout her relationship with Howard

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Mojdeh, on the other hand, is uncomfortable at first, but then she becomes angry with Diana and wants to confront her or blame her for the kiss. She first walks backwards slowly after the kiss, with her her hands pushing away Diana. Diana is comfortable with her sexuality and her body, but Mojdeh has insecurities regarding sex and her body. Suddenly after the kiss, a distance is created between Diana and Mojdeh. After backing off from Diana, Mojdeh thinks that Diana is kissing her out of pity, so she becomes angry with Diana.

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Throughout history many of the great generals often had a right hand man or lieutenant to help make important decisions. When Iago was passed over for this great position he was willing to go to any length to achieve the position he felt he deserved. In the play, Othello by William Shakespeare, Iago became the antagonist in one of Shakespeare's most well-known plays. Iago used manipulation, deception, and creative thinking to hatch a plan that would cause the death of nearly every main role in the play.

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His detachment towards the characters then drives him to do sinister deeds on to them, ultimately causing his downfall. Emilia, Iago’s own wife is another character to which he is detached from. In Act Five, scene two, Iago kills his wife for telling

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In the play Othello, William Shakespeare creates an elaborate tragedy with various in depth characters, enhancing the story with powerful characterization. Iago, the main antagonist of Othello, exemplifies Shakespeare’s use of characterization to create in depth and complex characters. Using his manipulative nature, intellectual mind, egotistical attitude, and dishonesty, Iago controls the other characters in order to achieve his goal, leading Othello to succumb to an overwhelming jealousy causing his downfall. In order for Iago to gain control of the characters in the play, he manipulates Othello, Roderigo, Cassio, and more to believe false information and turn on one another.

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