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Disabilities In The Wire

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The Wire
A former journalist at the Baltimore Sun and the author of Homicide: Life on the Street and The Corner David Simon created a post 9/11 movie called The Wire. This movie is filmed between 2002-2008 with the late 80’s and 90’s vibe, set in Baltimore, Maryland gives the viewers the perspective of the inner-city drug scene. The Wire does not necessarily examine the connection of race, poverty, and disability, but it does examine the neglect of poor and black people with disabilities (Perry, 2008 as cited in Rutgers Race & L. Rev, 2011-2012). Mead (as cited in Rutgers Race & l. Rev, 2011-2012) said that “Most conservative scholars had argued that behavioral factors mire the poor at the bottom of the socioeconomic ladder, while liberal …show more content…

After years, Bodie finally realizes the chess lesson. The lesson to learn is that the “king stays the king” and that never changes, everyone must know their proper moves, and their pawns are very much replaceable; which in turn determines every institution The Wire portrays: the drug culture, families, neighborhood, labor unions, politics, social welfare agencies, law enforcement agencies, the schools and media. The goals of the institutional players is to preserve or expand each one of their powers; and the goals of the institution itself is to perpetuate and protect themselves (Bandes).
One final example is about Felicia “Snoop” Pearson, “an undersized women with an oversize swagger” (as cited in Penfold, Beer, & Borrows, 2011). She was a cold-blooded murderer for drug king pin Marlo Standfield. Her and her partner Chris Partlow, were good at making individuals disappear with a nail gun and Baltimore housing stock. Coming from a background as a “crossed-eyed crack baby” and growing up in foster care in East Baltimore, Snoop sold drugs at age 10-14 and being incarcerated for some time for shooting a women (Dawkins, 2006 as cited in Penfold, Beer, & Burrows,

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