The women in Othello and Chaucer's Wife of Bath differ, but in the end both want their husbands to love them. In Othello there are only three women displayed in the story, but the statements that were said about these three women were the belief that all women in that society were all the same- evil, whores who were temptress to the men. The three women; Desdemona, the wife of Othello, Emilia, the wife of Iago, and Bianca, perceived as a prostitute who is a “customer” (l. 138. 4.1) of Cassio. Iago is one of the main characters who degrades and slanders all women including his wife Emilia.
In Shakespeare’s ‘Othello’, women are portrayed as either pure angelic beings and jewels, or as whores who are impure. They are objectified and shown as something to be used. The only women in this play are Desdemona, Emilia and Bianca compared to the main 6 male characters, not to mention the minor characters, who are also all male. Their depicted purpose is to belong to a man; Desdemona, Emilia and Bianca’s lives revolve around being wives to Othello, Iago and Cassio. This fits into the idea of a perfect Elizabethan woman, who’s lives are subject to their husband’s rule across all aspects, to be disposed of as men wish.
Although being written centuries apart, the limited expectations of women presented in ‘Othello’ and ‘A Streetcar Named Desire’ differ little from each other. The female characters are confined by society’s expectations of male dominance, female purity and virginity, and the many passive roles of women. Despite the differing legalities surrounding the position of women between the centuries in which the plays were written, both plays explore the impact of how societal conventions confine women and the ways they must comply to be safe in a patriarchal society. The behaviours and treatments of Desdemona, Blanche and Stella illustrate the attitudes enforced on and the behaviours of women throughout both periods in time and it is these attitudes and behaviours that impact the plays to the greatest extent. When characters in either plays defy their norms, or demonstrate a lack of compliance they induce negative consequences, such as the murder of Desdemona and the institutionalisation of Blanche.
The way these women act and conduct themselves is unquestionably related to the ideological expectations of Elizabethan and patriarchal society. Desdemona, Othello 's wife and Brabantio 's daughter, is represented as the ideal woman. So she would never be disloyal to her husband. On many occasions, Desdemona obeys her husband firmly and calls herself obedient even after Othello hits her. She was loving and loyal to Othello and wishes a long marriage of prosperity and commitment that would lead to her ultimate happiness.
Their tough archetypes were always present in many plays and reinforced the idea of male superiority. This fact held true, especially for a certain tragic classic by William Shakespeare. There was a misogynistic mentality towards women in Romeo and Juliet, evident through the way women were shown as objects, portrayed as weak, and made to seem unable to dictate their own lives. Men in Romeo and Juliet could be seen acting like owners towards women. Women were seen as nothing more than possessions, as illustrated when Romeo first described Juliet as, “My lady…/my love” (II.ii.10).
For Shakespeare’s plays to contain enduring ideas, it must illustrate concepts that still remain relevant today, in modern society. Shakespeare utilises his tragic play Othello, to make an important social commentary on the common gender stereotypes. During early modern England, Shakespeare had to comply to the strict social expectations where women were viewed as tools, platonic and mellow, and where men were displayed as masculine, powerful, tempered, violent and manipulative. As distinct as this context is to the 21st century, the play exposes how women were victimised by the men who hold primary power in the community in which they compelled women to conform to the ideal world of a perfect wife or confront an appalling destiny for challenging the system. Moreover, Shakespeare utilises the main antagonist, Iago, to portray how men are desperate to achieve what they want and to indirectly fulfil the stereotype of masculinity and power through manipulation.
Shakespeare's Othello is set during the Renaissance period and therefore the roles of the women in Othello are supposedly bounded by the period when women are considered to be of low intellect. In Othello, most male characters assume that women are inherently promiscuous, which explains why all three women characters in the play are accused of sexual infidelity. Yet Shakespeare develops the women to speak the most sense throughout the play and able to trust other characters in the play. To the men in Othello, female sexuality is a threatening force more than it is an attractive one.
In Othello, Othello and Desdemona are both characters that are struggling with their identities. In the beginning of the play we find Othello as a respectful man that is successful, but then we get Iago that manipulates him to make him seem as the bad guy. We also find Desdemona that turns against her father and the Elizabethan society to marry Othello, but we also find that she is respectful and obedient to Othello.
Also, each relationship in Othello provokes jealousy in one partner. In a typical Venetian society, a woman was considered to be a man’s property, so if a woman was disobedient, it negatively impacted the man, while also questioning his masculinity. The hyperbolic soliloquy as Othello expressed he would “rather be a toad” than “keep a corner of the thing I love” is Othello’s justification of killing his wife, as her untrustworthiness challenged his masculinity and reputation. Referring to Desdemona as a “thing” emphasises the idea of women being property. Iago’s jealousy of Desdemona and Othello’s relationship is emphasised through the degrading comment of Othello, “an old black ram” “tupping” Brabantio’s “white ewe”.
1. Consider one of the male-female relationships in Othello (Othello and Desdemona; Iago and Emilia; and Cassio and Bianca). Do they love or hate one another, or, is it both? How are the women treated in each relationship? Explain.
Nadia In the play Othello, by William Shakespeare, the title character is a valiant hero who is in love with his beautiful bride, Desdemona. The play’s villain, Iago, destroys this love by feeding Othello vicious lies about Desdemona, causing Othello to slowly go mad. By the end of the play, Othello, in a fit of jealous rage, murders his wife. This significant change in Othello’s character is not sudden; rather, it is a gradual transformation that takes place after a series of events that occur throughout the play.
A Modern View of Feminist Criticism William Shakespeare 's "Othello” can be analyzed from a feminist perspective. This criticism focuses on relationships between genders, like the patterns of thoughts, behavior, values, enfranchisement, and power in relations between and within sexes. A feminist examination of the play enables us to judge the distinctive social esteems and status of women and proposes that the male-female power connections that become an integral factor in scenes of Othello impact its comprehension. I believe that the critical lens that provides modern society with the most compelling view of literature is Feminist Criticism because it analyzes distrust and disloyalty among relationships, women being treated as possessions
While Desdemona is a remarkably strong character, Emilia also displays independence unmatched by any other female in Othello, and there are multiple details of Shakespeare and his time that may have prompted such a portrayal. In Elizabethan England, many women worked behind the scenes of productions, like Shakespeare’s, as uncredited authors and editors (Crowley). Due to their anonymity, nobody can be sure that women were involved in Shakespeare’s plays nor Othello in particular, but there is a genuine possibility that female writers did have leverage. This may have had to do with how Emilia was portrayed as resilient from the time of Desdemona’s death all the way until her own, standing up for herself regardless of the ridicule it caused her (Iyasere). In fact, it even killed her in the end.
The men in Othello mistrust the women and always quick to associate them with being deceptive and unfaithful. Even in the beginning of the play there are hints of mistrust in women. For an example, when Brabantio discovers that Desdemona married Othello he says, “Fathers, never trust your daughters just because they act obedient and innocent” (1.1.15-17). Brabantio implies that women put on an act and pretend to be trustworthy.
In his play “Othello,” Shakespeare is very compassionate towards the women of his era. He treats Desdemona with special sympathy. She is the victim of two crossed male aspirations — the devilry of villain Iago and the jealousy of her husband. The main cause of Desdemona’s tragedy is the total absence of women’s personal liberty. The lack of self-development without restrictions of society and family constricts the mind.
