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Theme of loneliness in literature
Theme of loneliness in literature
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More handpicked essays just for you.
Theme of loneliness in literature
Theme of loneliness in literature
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Recommended: Theme of loneliness in literature
In the poem “Death Over Water” by Elizabeth Rhett Woods, juxtaposition between the beauty and grace of ice dancing and the savage fighting between two enemy birds is shown as an eagle is compared to “the male of a pair of ice dancers” (line 9), a gull to the female ice dancer and “a clamour of crows” (line 1) to the crowd watching them. The eagle is the dominant force in the fight that is in control of the movements of the birds maintaining “every advantage of size and speed” (line 17), comparable to the lead dancer of a pair. In ice dancing, the male is often guiding the female through the moves remaining “above and behind” (line 8) the female dancer at all times. The gull is at the mercy of “the enemy” (line 16) eagle and is forced to move
When the dinghy capsized while the crew was attempting to make landfall, a man helped them on shore and stripped bare naked to give them his clothes. When the correspondent came to, he realized they had all made it except the oiler. The theme of this story is man cannot change the circumstances life gives. These men obviously could not help being shipwrecked,
Both poems, 'Orkney Interior’ by Ian Hamilton Finlay and 'The House ' by Sweeney investigate the components of an unusual and dreamlike atmosphere by utilizing subjects of surrealism, destiny and issue. Finlay uses elements of an island to describe the landscape, in order to highlight the routine he is trapped in and Sweeney uses many techniques including tone, specific choice of words/diction in order to make this poem compelling and erect a weird atmosphere. The theme of solitude/isolation is scrutinized in both poems. In ‘The House’, the speaker does not define the place he lived in as a ‘home’ but refers to it as ‘The House’, which distances him from the house, stressing on the fact that he did not feel like he belonged there.
This along with Freeman’s use of emotional phrases makes the audience feel guilty, angry, and sympathetic toward dying oceanic creatures. For example, within the sixth paragraph there is a sentence that states, “look to the tragic tale of Pacific bluefin tuna, that’s been whittled down to a woeful 2.6 percent of its historic population” (Freemen). The words “tragic”, “whittled”, and “woeful” are all words that appeal to the emotion of sadness. These strong words make people feel concerned, compelling them to take action toward saving marine life.
By using helplessness in the story, Richard Connell creates suspenseful situations. At the beginning of the story, Rainsford falls off the yacht and is left in the ocean. Nobody hears his cries for help, as they are “pinched off short as the bloodwarm waters of the Caribbean sea closed over his head”(15). While reading this, the reader feels the hopeless situation as they watch Rainsford struggle. The desperation is doubtless; the readers are hoping the yacht will notice he is gone and will come after him, but knowing that it probably will not.
In “Shooting Kabul” by N.H. Senzai, the low social status of Fadi, the twelve year-old protagonist, and his family, affects the plot greatly. His family’s inability to solve their problems is caused by their lack of money. Their social class and class issues decrease the speed of their progress of finding Mariam, the missing daughter. If they had a higher social class and more money, they would've been able to expedite the process of finding Mariam, and do it with less difficulty. In the book Fadi and his family are trying to escape from Afghanistan to the U.S.A. During their escape, and in the stressful setting, Fadi loses his grip with Mariam.
The Open Boat had a gloomy theme, as it showed the struggle of survival against nature.. Four men were shipwrecked and stranded at sea on a small dingey. At sea for several days, the men attempted to row back to shore. The injured captain and the oiler, Billie, navigated and rowed, respectively. They believed that they saw a lighthouse, and people.
Elizabeth Reicher p4 Miles Halter, a junior in high school, had one friend at best in his hometown in Florida. His favorite activity is to memorize the last words of famous people, his favorite of them all was “I go to seek a great perhaps”, stated by the poet Francois Rebalais. Miles feels that his life now in Florida is not up to par with what he wishes it was. The prospect of boarding school excites Miles and is a family legacy on his dad’s side. Mrs. Halter, Miles’s mom, is nervous for him and doesn’t want him to leave but his dad thinks Culver Creek will be good for him.
The linguistics of a poem or novel can sometimes convey meaning better than the actual plot. Cathy Park Hong plays with language awkwardly, lyrically, and even technically, inventing a fascinating twist to her already bold commentary on time, technology, society, and people. Engine Empire is made up of a trilogy of poems that explores the past of the American Gold Rush in the West, the present of an industrialized Chinese city, and the future of a technological advanced society. The first section follows “we,” a young boy, Jim, and the group he is forced to join that is exploring the West for treasure.
Fissured perception in Beachy Head Beachy Head, Charlotte Smith’s swan song of a poem, was published in 1807. Differing opinions on the poem’s seeming incompleteness betray an underlying fissured element- an element at once tangible and intangible, parting its way through the substratum of 19th century notions on gender, poetics, aesthetics, history and science. Smith intended Beachy Head to be the “local subject” (Fry 31) on which she would rivet her Fancy and her theme. However, like an unrestrained coil spiraling outwards, the poem is anything but fixed. There is liquidity, apropos to the setting by the Sussex shoreline, which creates a flux between temporal, spatial and factual elements, thereby strengthening the schismatic politics
Drifters by Bruce Dawe “Why have hope?”, is the question raised in the poem “Drifters” by Bruce Dawe. Bruce Dawe’s poem explores how change can damage a family 's relationship and cause them to drift apart. This poem has underlying and straight forward themes depicted about change. Straight forward depiction is the physical movement of the family from place to place and not everyone is in favour of this change. The very first line of the poem, “One day soon he’ll tell her it’s time to start packing”, supports the inevitable change that no one else has a say in except the man.
Anne Fadiman’s “Under Water” strikingly relates a particularly morbid, yet surreal experience: the death of a teen, Gary, in a freak canoeing accident. From writing about this particular incident, Fadiman reflects her own development and maturation as a person, from an “impatient” person to one who is “no longer in a hurry.” However, in a more general sense, the essay also deals with how people react to death. In the seventh paragraph of “Under Water,” Fadiman’s use of personification and the use of a metaphor describing the body of Gary highlights how individuals insistently attempt to detach themselves from death, refusing to accept the truth of the situation, ultimately damaging themselves in the process.
In the poem “Freight Train”, Billy narrates the poem, telling us about his search for a way to escape from his life as he searches for a ride. This poem is positioned near the start of the text, after Billy decides to leaves his home, as he gets away from his abusive father. This poems allows Billy to feel a true sense of relief for the first time in a long time as he no longer has to worry about his father or school, which were two things that stressed him. The poem starts in past tense and finishes in present tense, opening with the line “Not one car has passed in the last twenty minutes.”
The poem, The Ruin, is an elegy about a fallen city. The author says at the beginning of the poem, “snapped rooftrees, towers fallen, / the works of the Giants, the stonesmiths, / mouldereth” (3-5), to describe the scene of the fallen city. The author says that everything, that was once a beautiful sight, has turned to dust and rubble. The architects that built the beautiful sight are now under the ground and their work has fallen to the ground as well. The author also mentions, “and the wielders and wrights?
As a 17-year-old child that the author was, and according to our own experience, the path from young to mature is filled with all kinds of trauma, this process is also usually involuntary, and there is no escape. I believe the author is using the voice of the boat to express his current situation: although tormented by numberless trauma, somehow he fails to mature, live the life that is still full of trauma, and he thinks this is not wrong. Maybe because Rimbaud did not want to fit in the rest of the world, he did not want to be categorized as one simple concept. But all those descriptions of natural views cannot be treated as any form of trauma, because they are full of colorful description and are often used to bring joy to the reader, they are usually used to impress