The author divides this book into three different parts. In the first part, he communicates to the reader how students with high leveled education and others get together to challenge the high-powered Anglos and Mexican American. In the second part, he examines how the Chicano movement flourished and how women and ex-gang members attempted to join the political world. In the final part, Montejano decided to include his point of view on how the political leaders that failed could’ve made a difference in the political world. This book was full of surprises, the way Montejano quotes actual people is just beautiful.
In order to write this book, the author clearly uses different manuscripts and papers that helped him to explain and show the situation of this social movement. He also uses and gets information from people that were living those situations, for instance in Chapter one, he mentions a note from Journalist Ruiz Ibañez: “Contrary to the common belief that those groups are composed of “punks” and hoodlums….”1. Related to him, he is an American historian and sociology that obtained his sociology and political science degrees in the University of Texas at Austin and Yale University, as well. Currently, he is a professor of Ethnic Studies at the University of California, Berkeley and he is president of the Center for Latino Policy Research. He wrote not only Quixote’s Soldiers but also, Anglos and Mexicans in the Making of Texas, 1836-1986.
In these protests, students would stand outside of their school with picket signs protesting the racist actions within their schools, as well as calling for freedom of speech and the hiring of Mexican American teachers. These protests by students were one of the first major protests by Mexican Americans against racism and helped greatly to ignite the Chicano Movement. (Muñoz) Rodolfo Gonzales addresses the importance of these youthful students and their actions in his speech with the words “…we need actions such as the ‘blowouts,’ because the youth are not afraid of anything. Because the youth are ready to move. The whole party will be based on the actions of the youth, and the support of the old.”
In the altar’s center is “a plaster image of the Virgin of Guadalupe, quarter-life size, its brown Indian face staring down on the woman” (Paredes 23). The implication of the stare is of criticism as the Virgin, symbolic of an ideal Mexican womanhood, looks down on Marcela, whose Anglo features starkly contrast with the Virgin’s, and whose actions are in opposition to the values that she represents. This carefully constructed scene is meaningful. Marcela’s lifeless body lies between the bed and the altar, and opposite to the altar is Marcela’s shrine dedicated to Hollywood movie stars. These are the visual images of the opposing forces that characterize the Mexican-American struggle for resistance against American cultural hegemony.
“ The high school walkouts and demands by high school and college students for curricular reform and the establishment of Chicano studies program” 12. They were a group of students which wanted change in their education. The way in which we see things or make a change can have an influence. The political activism influenced the work of Chicano artists because it allowed
I chose this film because it showed how hard the union workers and families worked in fighting racial injustices, and because it inspired myself to move forward with strong ideologies and pride. 2. Stereotyping in mass media was an important concern of Chicana/o media activists because it imprinted a demeaning label by only casting Chicana/o actors with "minor roles: villains, sidekicks, temptresses, where their main function is to provide the protagonists, typically a handsome white
In this film I also learned about Sal Castro. Sal Castro was a school teacher in Los Angeles that led the largest high school student walkout in American history. This walkout demanded that Chicano students be given the same educational opportunities as Anglos students. In Texas, Jose
The Young Lords Movement is national movement that allowed Bodega to obtain the favor of Spanish Harlem easily because of its failures. The Young Lords movement was a Puerto Rican civil rights movement in the 1960’s that implemented violence to obtain recognition and equality as Puerto Ricans and better living conditions within their communities in New York and Chicago. As the Young Lords Party, the branch in New York, became increasingly involved in using armed movements and guerrilla tactics to make a stance in America, they ultimately reached their downfall. The new movement that Bodega inspires, however, is not one that uses weaponry to make proclamations about Nuyoricans to the outside world but one that restores the barrio from within
In the Chicano movement art was used through murals and poems to combat racism. The poem “I am Joaquin” was used to “exemplify the Chicano faith and strength of their community” (Quest for a Home Land). This was a tool to combat racism through the use of creative writing, thus showing the peaceful manner of the Chicano movement. The murals created by Chicano community exemplified their struggle in an Anglo American society and peaceful beauty of their culture that was once thought to be “savage and violent” (Mann, 15). In history our ancestor’s artistic expression was similar to the Chicano art to show our strength and pride of who we are, but early historians showed it as something “violent and uncultured” (Jackson, 10/20/15).
In Leo R. Chavez’s ethnography, The Latino Threat: Constructing Immigrants, Citizens, and the Nation, the claimed problem of Latino immigration, specifically Mexicans, is tackled using interviews, statistics, and other works of literature. Chavez’s ethnography not only discusses Latino immigration but Latino invasion, integration, organ transplants and even Latina fertilization. One of Chavez’s big topics is on how the media influences the public to believe that Latinos are planning an invasion or take-over in order to gain the land that was originally Mexico’s. The topic of Latina reproduction and fertilization comes up multiple times through Chavez’s ethnography. Another main topic that plays a part in Chavez’s argument is the Latino role in public marches and the citizenship aspect of their actions.
In this essay, I will argue how the Chicanos in the U.S. have responded to the lack of inclusion in history, opportunities, to racism and violence because through time we have seen how the Chicanos have been part of the country history and what it came to be, but we have been left out of history. The Chicano helped build what the united states came to be, we are part of its culture since the treaty of Guadalupe was signed, but our path has not been easy, many have been victims of oppression, poor working conditions, lack of civil rights and segregation. I’ll argue not that the Chicano has been a victim but what he or she have done to change the way things were for our ancestors in this obscure past of our history, how we have come together
The Back of a Nonexistent Line In the film Documented and The New York Times article “My Life as an Undocumented Immigrant,” Jose Antonio Vargas describes his experience as an undocumented immigrant in the United States and provides a passionate argument for creating a pathway to citizenship for others like Vargas, who are undocumented as well. Although both the film and article give the viewers and readers an insight into Vargas’ difficult journey, a particular scene in the film sends an unspoken message about the United States as a whole. In Documented, the scene in which Jose Antonio Vargas attends a Mitt Romney campaign rally is detrimental to the immigration debate because it demonstrates the need for Americans to be educated about undocumented
The Crucible: Self Preservation is Motivation By definition self preservation is the “..set of behaviors by means of which individuals attempt to preserve their own existence and the psychical processes that establish these behaviors..”. For The Crucible, written by Arthur Miller, self preservation has been shown to have affected multiple characters, including John Proctor, Samuel Parris, and Abigail. In The Crucible, self preservation is also the greatest motivation . John Proctor is one of the characters being affected by this trend of self preservation being motivation for the characters of The Crucible.
19 years ago today in a Hispanic house hold two parents three siblings and the world to conquer. Screaming, laughing, learning and growing molded this one young lady to overcome all statics .Factors such as birthplace, extracurricular activities and the simple thing she couldn’t control, her origin were deciding factors for where she is present day. New York, the city that never sleeps, a city diverse in all aspects of life, the city where it all started. 18 years growing up in Harlem wasn’t all it was cracked up to be especially for a young Hispanic female. Being surrounded with drugs, violence and public disobedience were some of the easiest of distractions that I encountered every day.
The Black Panther Party and Latino Solidarity The Black Panther Party (BPP) originally formed in Oakland in the year 1966, was funded by Huey Newton and Bobby Seale. It was a so-called self-defense organization. They were a group fighting racial oppression which had a unique way of fighting for equality and the end of discrimination within the systems. The BPP played an essential role in inspiring other racially oppressed groups to create similar organizations to fight against white racism.
