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Compare and contrasts michelangelo's david and donatello's david
Compare and contrasts michelangelo's david and donatello's david
Compare and contrast Donatello's Early Renaissance David with Michelangelo’s High Renaissance David and Bernini’s Baroque David
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Starting with the Roman Republican period, the introduction of portraits of important Roman people is used to allow the Romans to express their great lineage and for emperors and senators to reveal their own importance. One of the first portraits seen in this period in particular that relates to the Kelsey Museum Head of man portrait is the marble Head of an Old Man, from Osimo, Italy, mid-first century BCE. This Osimo Old Man head is most likely an important figure in the Republican time because the veristic style of exaggerated old wrinkly, leathery face expressed through many deep set lines and the straight, thin mouth and seriousness of his face to convey wisdom and experience. This hyper realness (verism) is not seen in the Kelsey Head of a man, nonetheless, the man is aged with more realistic wrinkles and has a straight thin line mouth and serious look on this portrait. The portrait of Vespasian, marble, 75-79 CE, also made from marble and from Flavian (his family name) period, favors the Head of a Man much more.
On September 25th David was arrested for vandalizing property and for burglary. David’s case became so popular in North Carolina because during his trial the state did not provide him with a lawyer. When David appeared in court he was informed of all the charges against him. The court also showed the footage of the defendants house where someone had entered his house to destroy his property and to steal.
Michelangelo’s David embodies a strong, focused, and athletic male nude preparing for battle. David’s
When another artist remakes the work of a former one it always gives a sense of admiration and gives another point of view on the topic. The two sculptures of David are both breath taking. However, Bernini and Michelangelo achieve this feeling in diverse ways. Bernini’s David gives the sense of a Baroque styled sculpture. Meaning that it expresses a grandiose image that portrays masculinity.
This means that they can be viewed from all angles and are not attached to the a background (135). In both sculptures there are some very interesting disproportions. Both sculptures depict Mary larger than her son. In Michelangelo's sculpture specifically the way he sculpted her was to symbolized different things.
Michelangelo was the first Italian artist to depict the duo in such a position. Furthermore, Michelangelo differed from previous
People have told stories with marble, as well as ink. The focus of the Renaissance was the arts. Artists had evolved their skillsets since the Middle Ages, for example, their paintings weren’t 2D and they focused on people rather than just gods. The detail of sculptures and paintings became more realistic than it had been during the Middle Ages. In Michelangelo's sculpture David completed in 1504, he sculpted an image of David from David and Goliath holding a slingshot, before he kills the beast with a stone.
He makes David very small, compared to Goliath, his head in aligned with Goliath’s waist. Also, David’s arms are noticeably smaller than Goliath’s. In the upper-left, he makes David’s arm very outstretched in order to be able to reach Goliath’s neck with the sword. In the lower-left painting, the artist shows David kneeling before the king giving a clear recognition of social rank. Also, in the lower-right painting, the king’s son is even displayed as taller than David and he is slightly leaned over supporting the idea of
1. The artist Donatello molded a figure of David, the figure stands at 158 cm tall. It is currently on display in Florence, Italy and the medium used is bronze. The second figure was created by Michelangelo, the figure stands at 13’5″ tall and was carved from a single rectangular piece of marble. It is currently on display inside the Accademia Museum in Florence.
David is a topic from the Old Testament, which is widely repeated and done by many artists. David is a story where it shows that not only does strength wins in a battle but also wits. Each artist depicts David in different views and moments, like Michelangelo who is an Italian sculptor painter, architect, and poet of the High Renaissance, another is Gian Lorenzo Bernini who is an Italian architect and sculptor, and he was credited with creating the Baroque style of sculpture. Although both artists depicted David, but each one had different style where Bernini’s is more expressive then Michelangelo’s. Looking at both sculptures of David, there are some similarities which can be noticed.
Similoluwa Oluwole Professor Bult ART 107 13 November, 2015 Michelangelo and his work: Creation of Adam Michelangelo di Lodovico Buonarroti Simoni, commonly known as Michelangelo, was born on March 6, 1475 at Caprese, Tuscany now known as Italy (Roger 2). Michelangelo, like Leonardo, was a man of many talents; he was a renowned Florentine sculptor, architect, painter, and poet. He is credited as the founder of the high Renaissance style and considered the most influential of late Renaissance artists (Houston 16). His works exhibit his remarkable understanding of human anatomy and muscular structure, a skill which he used to incorporate emotion and liveliness into his works. He rarely painted landscapes; his subject matters were mostly human,
His art featured enormous sculptures that illuminated with his style and technique. His style would consist of realistic expressions such as happiness,pain, and grief that were shown off with the positioning and structure of his pieces. Around the mid 1400’s Donatello began a partnership with a fellow Italian sculptor and architect, Michelozzo who also studied under Lorenzo Ghiberti. Together Donatello and Michelozzo crafted multiple architectural-sculptural tombs, including the tomb of Antipope John XXIII and the tomb of Cardinal Brancacci. Donatello 's most notable piece is “David”, being about five feet tall, David represents civic virtue winning over brutality and irrationality.
In both sculptures the hair is deeply carved and is a vivid feature of the busts. The detail of realism in David’s left hand we can see his veins on his hands when he is holding the slingshot and his ribs near the chest. In the bust of Commodus we can see the similar detail of his hands especially the joints above the knuckle area and how realistic it looks when he’s holding the apples and Hercules club on his. In both busts chest, arms and face are sooth. In both busts these sculptures have the portrait of emperor Commodus and the small town hero David as musculant where as in real life they weren’t this is done because Romans believed that the god made us humans and by showing David and Commodus as being musculant hey are portraying them as gods and God were portrayed to be musculant and strong.
In Roman times free and wealthy women would have long hair because they do not need to work and nowadays the upper class spends tons of money on plastic surgery to achieve the beauty ideal. Therefore the beauty ideal does change a lot, but still some similarities between the eras can be
At age 17, Michelangelo had begun to dissect corpses from the local church graveyard to gain a much deeper understanding of the human body. Michelangelo had to be extremely cautious when examining corpses seeing as the act was strictly banned by the church, making the act illegal. Nonetheless, Michelangelo still had an amazing understanding of the human body and its proportions were extremely critical to his success rate as a sculptor and artist. Michelangelo’s incredibly realistic sculptures showed finely chiseled veins, wrinkles, muscles, bones, and nerves. Such skill was and still is unsurpassed till this day in the 21st century.
