Donatello’s David (Fig 1) could be classified as a sculpture of Florentine early Renaissance. In that era, art followed a rejuvenation of classical subjects, forms and principles. Sculpture kept its roots in the Greek or Etruscan and Roman models, yet simultaneously, evolved with influences of German, Lombard and Frankish origins. The poised but provocative demeanor and the sensual surface sheen of the bronze emit an image of being physically delicate and effeminate, reminiscent of the sensuous beauty of gods in Greek sculpture. Additionally, it as been said that David’s head was inspired by classical sculptures of Antinous, a Greek youth renowned for his beauty.
Donatello’s David has also been portrayed with a fluid naturalistic approach,