Recommended: Conclusion on photo during the great depression
The physical image of poverty portrayed by the family reflects The Great Depression’s toll on their livelihood. It is clearly and plainly displayed that the mother and her children are impoverished by the techniques of black and white color choice, and intricate, detailed texture. The hardship faced by the family is highlighted by the photograph being in black and white. This allows for the simplicity of their condition to be shown without the distractions a photograph in color would provide. The image is very detailed and defined by texture, to leave no question to whether the family lacks wealth or riches.
The organization that employed D. Lange was the Farm Security Administration because they wanted to describe the depression in society using the illustration 12.15, Migrant Mother, which depicts the hardships of life and the impact takes on the individual. Also to document the unemployed citizens in the world to demonstrate how challenging it is for people to live in such harsh conditions. The FSA thought Lange was an important aspect in taking images of the poor because their mission was to fight against poverty and to establish change. Capturing the woman as seen in 12.15 it help generate a difference for humankind so that everyone can visually see how hard it is for individuals to survive on nothing. Later on, this image started to catch
Dorothea Dix Dorothea Dix reformed the conditions of prisoners and the mentally ill. Dorothea had realized that a few prisoners weren't even guilty, they just had mental illnesses. Dorothea´s life work became telling the public about the conditions the inmates were in and also the mentally ill. Elizabeth Cady Stanton and Lucretia Mott Early on, Elizabeth and Lucrecia had organized a women's rights convention in Seneca Falls.
Or even eat themselves. If they had no money everything became harder to do. Elroy Hoffman said, “I'd have got married a lot sooner if we'd have had the money,” (The Dust Bowl of the 1930s). Farmers lives were delayed because they had to do everything they could to keep their farms running. Some farmers would sell their equipment for cheap to get even a little bit of money.
In war, there is no clarity, no sense of definite, everything swirls and mixes together. In Tim O’Brien’s novel named “The Things They Carried”, the author blurs the lines between the concepts like ugliness and beauty to show how the war has the potential to blend even the most contrary concepts into one another. “How to Tell a True War Story” is a chapter where the reader encounters one of the most horrible images and the beautiful descriptions of the nature at the same time. This juxtaposition helps to heighten the blurry lines between concepts during war. War photography has the power to imprint a strong image in the reader’s mind as it captures images from an unimaginable world full of violence, fear and sometimes beauty.
Migrant Mother, 1936 Dorothea Lange took a photograph of a single mother with her three children. The mother is a weather beaten women that has three children. Two who are leaning on her shoulder and one who is still an infant on her lap. This photo became the well know photograph called the Great Depression of America.
On October 29, 1929 the Stock Market crashed in the United States. The years to follow were full of desperation and despair. Most Americans suffered greatly but two groups that were hit in similar and very different ways were African Americans and white people in America. Although the Great Depression may have brought some people together that was not the case for these two groups. African Americans and white people experienced the Great Depression in similar ways but also in different ways because of racial inequalities partly to do with everyone’s desperation to find work, this caused a divide in America.
Throughout history, photographs have been known to depict and represent culture, character, information, and ideology. Through specific elements of form, and close scrutiny, photographs give a representation of the “bigger picture” by providing content and invaluable information that text, on its own, does not produce. Dr. Carol Payne, a professor of art history at Carleton University, wrote an essay in 2012 for the Oxford University Press. This essay focused on the relationships between photographic images, Canadian culture and identity, and indigenous people. Her thesis was to discuss how an image can present a sense of national identity (Carol Payne 310).
Taking a Stand for the mentally ill Thesis Dorothea Dix took a stand by recognizing the importance of establishing mental institutions. Her philosophy saved mentally unstable people from the harsh treatments they once received in jails Background The conditions that the mentally ill lived under in the mid-19th century were unfitting. Unstable individuals were imprisoned and mistreated. People who suffered from insanity were treated worse than criminals.
In San Francisco in 1933, Dorothea Lange took a photograph called White Angel Bread Line. The image shows a man standing in line waiting to get food during The Great Depression. According to MoMA, Lange, during this time was a photographer and a photojournalist born in 1895. Most of her work comes from the Depression era, where she was in her mid forties. White Angel Bread Line shows many formal elements that help Lange’s theme of hopelessness.
We, as Americans, are a very heterogeneous mixture. Especially when it comes to politics. Political Ideology is a person’s belief about who should run the country and how it should be run. Everyone has different views and ideals that shape their beliefs about politics. People are shaped by their religion, where they live, their culture, education, age, race, ethnicity, and their gender.
As a photographer myself, the theory of punctum is not unknown to me; however, the application of the concept of punctum towards the perfomativity of a photograph is unchartered territory. The photograph I chose to analyze is Dorothea Lange’s renowned portrait Migrant Mother, which is a Great Depression-era photograph featuring a migrant farmer, and is among the most famous photographs from this turbulent chapter of American history. The raw emotion in the mother’s face, paired with her body language and grimy appearance, captivates viewers; however, it is not the mother that makes this image so powerful to me, but rather, the turned away children framing their mother. This detail adds a new dimension to the portrait for me.
For the duration of his essay “The Stranger in the Photo is Me”, Pulitzer Prize-winning journalist and professor Donald M. Murray depicts his train of thought while flipping through an old family photo album. While describing his experience, Murray carries the reader through the story of his childhood, describing snapshots of some of his favorite memories growing up. Throughout the piece, he shifts back and forth between a family oriented, humorous tone and a nostalgic, regretful one and by doing so, he parallels the true experience of looking through a family photo album. Murray expresses a more serious tone while reflecting on a certain photograph of him in uniform from the beginning of World War II and goes on to explain how in his opinion,
At this point some of you may be thinking, why don 't these people just work themselves out of poverty, or that these people are just lazy. Well for the vast majority that just isn 't the case. Many people are born in poverty stricken homes, and their minds could have been ruined because they did not eat enough to sustain their bodies. Some people are also mentally ill, and have been left. These mentally ill people can’t take care of themselves and are often left with no one to feed or care for them.
By the power of photography, the natural image of a world that we neither know nor can know, nature at last does more than imitate art: she imitates the
