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Dulce Et Decorum Est analyse
World war 1 and literary realism
Dulce et decorum est analysis diction
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Poetry and music have been strong ways for expressing human emotions, thoughts, and experiences. They have the unique ability to evoke strong emotions and connect with people on a deeper level. This essay will analyse the theme of war in Wilfred Owen's poem "Dulce et Decorum Est" and Redgum's song "I Was Only Nineteen". Both texts use significant poetic and stylistic devices to comment on the horrors of war and its impact on soldiers. Wilfred Owen's poem "Dulce et Decorum Est" was written during World War I and described the horrors and reality of war.
Caught in a war that was waged primarily in trenches (big ditches that filled with mud, rats, and rainwater), Owen began to find it hard to justify all the suffering and death he witnessed. He was perfectly willing to sacrifice his life for king and country, but, like many other people, he 'd like to make sure that his sacrifice was actually needed.
War is a transformative event because it alters people's perspectives of war, and leaves them suffering, mentally and physically. When the soldiers experienced the true realities of the war, they were left haunted, as depicted in the poem “Dulce et Decorum Est” by Wilfred Owen. This poem explains the true realities of the war and how he was left with a damaged mental state. Owen says:
Owen describes how the soldiers drowned in the gas, in a stanza of the poem that describes how the soldiers reacted to gas, and says, “As under a green sea, I saw him drowning” (Owen, line 14). Owen also describes the soldiers as “Bent double, like old beggars under sacks” (Owen, line 1), showing the horrors the soldiers were exposed to. World War I was nothing short of a gruesome war, as represented in Owen’s poem, and the war was also a result of the failure of communication. Had the two sides been able to come to a compromise, the gruesome conflict described in Owen’s poem could have possibly been
William Blake’s “London” and Wilfred Owen’s “Dulce et Decorum Est” appear to have little in common. Although at first they may seem different, they have many hidden similarities. Blake and Owen both uniquely deliver the message being told in their pieces to the readers. Ultimately, both deliver their message by allowing one to expect the unexpected, appeal to their senses, and the way the poet wants one to feel while reading.
When at war, there are some disturbing scenes that these soldiers must habituate to such as hazardous trenches, fields covered by deceased troop members, and witnessing shootings and explosions on the regular. In “Dulce et Decorum Est” written by Wilfred Owen, he creates an atmosphere in the readers’ mind representing the war grounds with the effective use of imagery. The text enables the readers to understand the severity of other troop members’ slow and painful deaths but sharing that “you could hear at every jolt, the blood come gargling from the froth-corrupted lungs” (Owen, 1920). This saying illustrates the disturbing scenery these men must witness as one of their team members is suffering and are incapable helping him. There is nothing worse
“All Quiet on the Western Front” by Erich Remarque, “In the Field” by Tim O’Brien, and “Dulce Et Decorum Est” by Wilfred Owen are all war stories that all share a similar theme. They all illustrate the terrible and gruesome imagery of modern war. The authors clearly have no intention of romanticizing the idea of war and only want to write the truth as they have experienced it. Literary devices such as similes and imagery is used throughout all of these works to depict the harrowing and appaling images of war in the reader’s mind.
(Lines 27-28) War isn’t what it is cracked up to be and Owens uses tons of gruesome imagery to point this out. Owens tells you in the poem “Dulce et Decorum Est” is most of all tiring. The poet shows it right from the start in the poem saying “Bent double, like old beggars under sacks.”
Wilfred Owen’s poem ‘Dulce et Decorum est’ structure hints to the uncertainty of war. In the first eight lined stanza, Owen describes the soldiers from a third person point of view. The second stanza is shorter and consists of six lines. This stanza is more personal and is written from a first person 's point of view. This stanza reflects the pace of the soldiers as everything is fast and uncoordinated because of the gas, anxiety and the clumsiness of the soldiers.
Owen uses of simile differentiate with Shakespeare’s depiction on heroic sacrifice. He depicts the soldiers in the war like cattle locked in a pen waiting to be slaughtered, implying that the scarification of the soldiers was pointless. During the poem Owen highlights that a role of a hero isn’t someone who sacrifices his or her self. The perception that Owen has was because mass destruction weapons like bombs, tanks, airplanes and machine guns allowed hundreds for men and families to die at a click of a button. Additionally, millions of men were involved in these wars and civilians were even under attack.
Wilfred Owen was one of the main English poets of World War 1, whose work was gigantically affected by Siegfried Sassoon and the occasions that he witnesses whilst battling as a fighter. 'The Sentry ' and 'Dulce et Decorum Est ' are both stunning and reasonable war lyrics that were utilized to uncover the detestations of war from the officers on the hatreds of trenches and gas fighting, they tested and unmistakable difference a distinct difference to general society impression of war, passed on by disseminator writers, for example, Rupert Brooke. 'Dulce et respectability Est ' and the sentry both uncover the genuine environment and conditions that the troopers were existing and battling in. Specifically The Sentry contains numerous utilization of "Slush" and "Slime" connection to the sentiments of filthy, messy hardships. 'The Sentry ' by Wilfred Owen was composed in 1917 and is Owen 's record of seeing a man on sentry obligation harmed by a shell that has blasted close him.
Firstly within the poems, both Owen and Harrison present the horrific images of war through use of visual imagery. “And leaped of purple spurted his thigh” is stated. Owen describes the immediate action of presenting the truth of war as horrific and terrifying . The phrase “purple spurted” represents the odd color of the blood which was shedded as the boulder from the bomb smashed his leg in a matter of seconds. The readers
A heroic couplet structure within the poem provides a degree of clarity while still asserting the chaos and cruelness of war. Once again, it can be inferred that Owen himself serves as the speaker. However, this time his audience is more focused on young soldiers and families rather than plainly the public in general. In contrast to the previous work, this poem is set primarily in a World War I training camp, signifying the process young soldiers go through prior to deployment to the front line. The tone of this poem is more foreboding and condemnatory, not only describing the training soldiers but outright degrading their forced involvement as morally wrong.
Wilfred Owen utilizes imagery in his poem “Dulce et Decorum Est.” Owen uses visual and auditory imagery. Visual imagery is in line one of the poem: “Bent double, like old beggars under sacks.” Owen uses this to let the reader visualize how the how the soldiers looked while they were carrying their heavy packs through the fields and trenches of World War One. The first part of the quotation “bent double” lets the reader visualize that the soldiers backs were giving out form carrying the heavy packs.
One may believe that war is full of hatred and pain, while another may claim that war is victorious, proving man to be faithful to their country. In Harry Kemp’s “I Sing the Battle” both opinions are analyzed through his theme of with victory comes pain. To enhance the reader’s understanding of the theme, Kemp incorporated multiple types of figurative language. For instance, when Kemp uses a simile, he compares two objects thats underlying message connects back to the theme. Additionally, through his use of personification, he enables one to relate to the occurrence and imagine the scene, although they had not witnessed it.