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El Laberinto Del Fauno Analysis
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Though tragic, the death of this young revolutionary inspires Patria to join her sisters in the fight against Trujillo. She prays over the body of the young revolutionary, vowing that she will never again “sit back and watch [her] babies die” (Alvarez 162). Patria, having just witnessed the destruction of innocence, fears that her children will be next to die if Trujillo remains in power. His forces have now murdered an innocent child- a child whom Patria sees as her own- and Patria’s love for her real children provokes her
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In the altar’s center is “a plaster image of the Virgin of Guadalupe, quarter-life size, its brown Indian face staring down on the woman” (Paredes 23). The implication of the stare is of criticism as the Virgin, symbolic of an ideal Mexican womanhood, looks down on Marcela, whose Anglo features starkly contrast with the Virgin’s, and whose actions are in opposition to the values that she represents. This carefully constructed scene is meaningful. Marcela’s lifeless body lies between the bed and the altar, and opposite to the altar is Marcela’s shrine dedicated to Hollywood movie stars. These are the visual images of the opposing forces that characterize the Mexican-American struggle for resistance against American cultural hegemony.
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The films “The other conquest”, “Jerico”, and “I the Worst of All” are all a depiction of what life would be like during the Spanish Conquest. These films give different point of views during the Spanish Conquest. The films give a person a well-rounded view of how the world really changed for different people during a historical movement. After watching these films, one is able to assess and determine their own truth about what exactly happened to Amerindians and Spaniards during this time.
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The stories of Junot Diaz feature various elements of social and personal issues that are highly prevalent in young Latinx men, primarily the compulsion and adverse effect of machismo, the poignancy of being an outcast in one’s community, and the lack of a father figure in a boy’s life. The first set of short stories prominently feature Ysrael, a Dominican boy whose face was disfigured by a pig when he was an infant. In “Ysrael”, he is the object of Yunior’s fascination, and the victim or Rafa’s (Yunior’s brother) torment.
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Marco Pérez Dr. Rony Garrido The short novel, Aura, by Carlos Fuentes creates a mythical reality to reference Mexican history. He uses Aura, Felipe Montero, and Consuelo as a reflection of the past and the present, where for example, Consuelo represents the past and Felipe the present. In this paper I will explain how the love story of Felipe, Aura, and Consuelo represent Mexican history. In addition this paper will explain how myth breaks down into different elements, such as religion, legends, traditions, and beliefs, all of which are manifested in the different characters and their actions within this novel.
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The objectification of women, which reduces them to an almost sub-human level, is more than just a philosophy for Trueba. His actions are quite in line with his words. On his very first foray into Las Tres Marias, Trueba commits a savage rape, "Esteban did not remove his clothes. He attacked her savagely, thrusting himself into her without preamble, with unnecessary brutality." (57)
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