Barrientos tells of learning to read and write in spanish. One key feature of a literacy narrative is an indication of the narrative 's significance. The aurthorś significance of learning the language is sha wants to feel like she belongs in the Latino community. According to the text the author felt out of place because she did not speak spanish, but she was Guatemalan. “I am Guatemalan by birth but pura gringa by Circumstance?”
The Power of Hope Gary Soto brings the impoverished, crime filled streets of the Mexican-American communities where he grew up to life by “evoking the harsh forces that often shape the life for Chicanos” (“‘Gary Soto’: Poetry Foundation” p. 1). He combines an archetypal young love poem with the concept of poverty to create the powerful poem: “Oranges” (1985). Soto also works with the notion of old age and the importance of life in his somber poem: “The Seventieth Year” (1986).
In the story of “Aria”, by Richard Rodriguez, being Mexican American was a challenge for him in which he struggled with having two identities. Since he spoke Spanish in an American society,
Richard Rodriguez and Gloria Anzaldúa are two authors who both immigrated to America in the 1950s and received first hand experience of the assimilation process into American society. During this time, Rodriguez and Anzaldúa had struggled adjusting to the school system. Since understanding English was difficult, it made adjusting to the American school system increasingly difficult for Rodriguez. Whereas Anzaldúa, on the other hand, had trouble adjusting to America’s school system due to the fact that she didn’t wish to stop speaking Spanish even though she could speak English. Both Rodriguez and Anzaldúa had points in their growing educational lives where they had to remain silent since the people around them weren’t interested in hearing them speaking any other language than English.
The text is important because not many people know the difficulties of being Mexican-American, especially when it comes to being themselves or the inner turmoil that comes with it; being Mexican-American means following traditions and speaking perfect Spanish, while at the same time having a grasp on American traditions and
One of the area of conflict that rose in the book involves the usage of the English language in relation of the family’s native language, Spanish. As a Mexican-American raised in the States the exhibition of the English language, whether the use of the tongue is fluent or not, cause a strain in the Mexican culture as the culture takes in consideration of their romance and richness of history in their native tongue (Rothman 204). Language represent the supporting backbone of a person as the progress in life as the ability to communicate without misunderstands, however a person can cause the loss connection to the past romance of the culture and art of cultivation that brings the language to lifes from their inabilities to comprehend the ability/asset to its fullest potential (Rothman 204). To fully understand the true meaning behind a spoken chain of words can be understood by the method of trying to first comprehend the cultivation of the word and the definition behind them. Cisneros embeds the use of Spanish in fragments depicting a sense of reality within a fictional novel, Caramelo, as well with the use of interchangeable dialogues with spanish phrase to express the illustration of Celaya’s family and the culture in which is translate in of importance of pride.
La Conchita analysis of Gordon In the story “La Conchita” by T. Coraghessan Boyle you find a character named Gordon who goes through a life hanging experience. The story starts off with Gordon who is trying to deliver a new liver to a twenty-seven-year-old mother of three kids. On his way to the hospital a huge mud slide had taken out the road he was on.
Immigration during the 20th century led to to differences and cultural changes in the country spreading diversity. Immigrants have came to this country escaping the government from their country, looking for comfort,or chances and hope for their family. The Latin Deli: An Ars Poetica written by Judith Ortiz Cofer, demonstrates the struggle of how immigrants wanted comfort the feeling of being accepted even as they speak a different language. The Latin Deli: An Ars Poetica captures the struggle of immigrants as they were embedded into a new life a new culture. Take The Tortillas out of your poetry written by Rudolfo Anaya demonstrated how the poets that tried to add their culture into their poetry were rejected for having a different language.
My Rhetorical Analysis Language is a part one’s identity and culture, which allows one to communicate with those of the same group, although when spoken to someone of another group, it can cause a language barrier or miscommunication in many different ways. In Gloria Anzaldua’s article, “How to Tame a Wild Tongue”, which was taken from her book Borderlands/La Frontera: The New Mestiza, she is trying to inform her readers that her language is what defines her. She began to mention how she was being criticized by both English and Spanish Speakers, although they both make up who she is as a person. Then, she gave convincing personal experiences about how it was to be a Chicana and their different types of languages. Moreover, despite the fact that her language was considered illegitimate, Anzaldua made it clear that she cannot get rid of it until the day she dies, or as she states (on page 26) “Wild tongues can’t be, they can only be cut out.”
“The Myth of the Latin Woman: I Just Met a Girl Named María” by Judith Ortiz Cofer and “Mother Tongue” by Amy Tan depict the endeavors people take on in an attempt to integrate into society. Cofer demonstrates how stereotypes of Latina women have led others to misjudge her and explains the difficulty she had disassociating herself from those stereotypes. Tan demonstrates that the “broken” English her mother speaks has led others to think less of her and disregard her. One’s appearance instantaneously causes others to judge them. For some it is easier to blend in and be accepted by their community, but what is it that keeps some people from assimilating, and what effect does their otherness have on them?
He supports this argument by telling his own story of being forced to learn English by the bilingual education system. The experience he had learning English made him experience great embarrassment, sadness, and change. Rodriguez concludes his experience by discussing how English had changed his personal life at home: “We remained a loving family, but one greatly changed. No longer so close;no longer bound tight by the pleasing and troubling knowledge of our public separateness.” By learning English, Rodriguez’s family is finally able to integrate into society without language barriers.
Throughout “The Mexican in Fact, Fiction, and Folkore” examines the term “Mexican” as it is applied in Southwest literature and argues the Anglo society has made a conscious effort to misrepresent Mexicans (Rios 60). He states the people of Mexican descent are viewed as un-American because they are perceived as filthy, lazy, and dumb. Ricatelli adds to the conversation of Mexican stereotypes by examining the literary expressions of Chicanas and Mexicanas in the literature of both the United States and Mexico. In “The Sexual Stereotypes of The Chicana in Literature” Ricatelli explains how in Yankee literature, the Chicana is referred to as the “fat breeder, who is a baby factory” meanwhile the Mexican is described as an “amoral, lusty hot tamale” (Ricatelli 51). He makes note of these stereotypes in order to highlight the ethnocentric and nativist points of view that dominated Anglo literature.
Cofer addresses the cultural barriers and challenges that Latinos experience through emotional appeal, anecdotal imagery, parallelism and the use of effective periodic sentences. In her article, Cofer assesses the difficult cultural hurdles of Latin Americans with emotional appeal. She provides insight on her cultural barriers by first conveying the way she had to dress and her struggle, as it shows in this piece of text, “That morning I had organized… which to base my decision” (Cofer 5). This poignancy works to stress an agonizing feeling of uncertainty and restraint towards the author.
Many young children whose family practice native customs are afraid to reveal that they are not “pure” according to Spanish standards. The consequence of such injustice is so tremendous that it impossible to put into words: so many people are suffering just because their ancestors had been conquered by a much more powerful nation. It is unfair that they have to suffer they way. I truly feel sorry for those who can’t put food on the food table every night because there are no job opportunities for them because they aren’t true Spaniards. Unless they people of Mexico don’t change their thinking soon, it shall never
In “How to Tame a Wild Tongue,” Gloria Anzaldua argues for the permission to define her own Chicano/ Feminist voice without being hindered by stereotypes and limitations. Gloria argues that, “wild tongues can’t be tamed, they can only be cut out,” but specifically argues that different accents stir up one big culture. She says “We oppress each other trying to oust Chicano each other, tying to be the “real” Chicanas, to speak like Chicanos.” meaning each Spanish is a variation of two languages, and that there’s different ways she speaks to others in certain situations like having two tongues. Gloria also argues that she shouldn’t be embarrassed by her language and accent by saying “I am my language” meaning her language is what makes her special and unique.
