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Essay On The Houses In Fall Of The House Of Usher And The Yellow Wall

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In both The Fall of the House of Usher and The Yellow Wall-Paper the houses are symbolic representations of the people who live inside of them. The houses are similar to the characters physically and psychologically. Roderick Usher can relate to his own house, they are both creepy and dark, as well as old and rotten. The narrator does not seem to relate to her house at first glance, but as her madness grows, it is easy to see that both are separate from society, and both utterly confusing. Roderick, as well as his house, in The Fall of the House of Usher is gloomy and dark at first glance. “view of the melancholy House of Usher. I know not how it was--but, with the first glimpse of the building, a sense of insufferable gloom pervaded my spirit. I say insufferable; for the feeling was unrelieved by any of that half-pleasurable, because poetic, sentiment, with which the mind usually receives even the sternest natural images of the desolate or terrible.” (Poe 1) The house of Usher looks creepy and dark, also it appears to give off a wave of gloominess. Roderick is dark and gloomy, just like his house, he gives others a feeling of dread and fear. In The Yellow Wall-Paper the narrator resembles the house as a physical person, one who is confined. “It is quite alone standing …show more content…

“There are things in that paper which nobody knows but me, or ever will. Behind that outside pattern the dim shapes get clearer every day. It is always the same shape, only very numerous. And it is like a woman stooping down and creeping about behind that pattern. I don’t like it a bit. I wonder—I begin to think—I wish John would take me away from here!”(Gilman 652) The wallpaper starts to tangle in her mind confusing her and she is starting to see things in it. The wallpaper is the same as the mind of the woman, continuously building up the insanity, and having thoughts that no one knows but her, and the

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At the beginning of the story, Edgar compares the Usher house to a living person. The detail that Usher says' ' vacant eyelike window ``'' decayed trees ``'' bleak walls ``'' rank sedges ``''utter depression of soul” (paragraph 1 ) The narrator compares these terms with a living human. Whereas ,” It was this deficiency . . . , so identified the two as to merge the original title of the estate in the quaint and equivocal appellation of the “House of Usher''- an appellation which seemed to include, in the midst of the peasantry who used it , both the family and the family mansion. ``( paragraph 3) The “House of Usher'' seems to be symbolic of the family and the building.

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In the story, The Yellow Wallpaper by Charlotte Perkins Gilman, The narrator develops an uncontrollable obsession with this yellow wallpaper as she is deemed crazy and is confined to a large nursery room where she is constantly being medicated and forced to rest. Throughout the story she writes in her secret journal where in each entry she describes her feelings towards both John and the yellow wallpaper. In the beginning she has a very negative attitude against the wallpaper and is constantly remarking it's horrible markings and it's very shade of color. Throughout the story however, her feelings dramatically change as she starts observing the wallpaper and each mark, and analysing everything from the odor that has spread throughout the house, to the hidden figure trapped behind the wall. Near the end of the story, she starts seeing more and more of the hidden figure and making out details of the trapped woman, but then goes crazy as she sees her crawling around the yard and then believes she is that

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In his short story, “The Fall of the House of Usher,” Edgar Allen Poe uses foreshadowing to show how Roderick is sad to let go of Madeline. A quote showing this is: The disease which had thus entombed the lady in the maturity of her youth, had left, as usual in all maladies of a strictly cataleptical character, the mockery of a faint blush upon the bosom and the face, and that suspiciously lingering smile upon the lip which is so terrible in death. We replaced and screwed down the lid, and, having secured the door of iron, made our way, with toil, into the scarcely less gloomy apartments of the upper portion of the house (Poe 403).

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