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Essay On Women In Art, Space, And The City By Malcolm Miles

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In the reading, Art, Space, and the City by Malcolm Miles, the contrasting space and representation of gender that is designated in city spaces is analyzed, along with the overall representation of the city. The novel notes that the space and representation of men in the city is larger and more dominating in the city, men are assumed to control the public city spaces. Women on the other hand are pushed out of public spaces and are associated with more private, domestic parts of life. This association has shaped the development of the city, which takes after male characteristics, and has spread to occupations that often omit of ignore the presence of women in fields of work and portions of life. Today, the growing presence of women in art and in the city is changing assumptions about art and womens artists. Giving a accurate and complete representation of a city is a …show more content…

Flaneur was walking to walk, with no purpose, it has little psychological engagement involved in the process. This process is associated with the privileged and at this time that group was the upper class men. Though walking and exploring the city in this was broadened the understanding and the uses of the city, such as the practice of window shopping. Now window shopping is essential the the success of a business in the city, using their space as an advertisement and representation of what they are selling. Walking down any commercial street in Madrid, one can see the influence and practice of flaneur (Figure 2). Women were not a part of this exploration flaneur, because women walking the street, “...if she can be said to exist, must be a streetwalker or a homeless woman, or some other unfortunate whose circumstances have forced her onto the street…” Exempting women from this development in the city was one way that the city was able to cut them from the expansion and create a male dominated

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It attracts spectators’ attentions to think about what things the young female is facing as they replace themselves into the painting. The main target of this painting is female. Based on what Cayton, et al., the spectators recognize that Hopper was trying to tell us, “The workplace remained highly stratified along gender lines. Not until the political and cultural climate shifted in the early 1960s would women begin actively to resist the gender stereotyping so characteristic of 1950s social attitudes” (Cayton et al., 1993). Females sustained the pressure of taking restricted social role; otherwise, they will be discriminated by the public.

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Like “For the women’s House” was one of her first public exhibition and major work supporting women. This painting style emerged soon after her oil painting series of the American people and American Blacks during the 19th century for black women and to achieve the gender equality. “For the Women’s House” based on the interviews conducted prison inmates, but at the end, she just wants to use only women inmates because a showing of men the painting will reduce the effect of different kind of works mentioned in the painting. Faith in her biography mentioned that “My intention was to broaden women’s images of themselves by showing women in roles that have not been traditionally theirs… and to show the women’s universality by painting a work which crosses the lines of age, race, and class.” (Henderson, 2014).

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