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Mitchell Curtis English 9 / Period 6 Mr.Boyat 17 October 2016 Three Influential Characters in The House on Mango Street In the novel The House on Mango Street by Sandra Cisneros, the story is developed through the eyes of a young girl Esperanza. She learns about the realities of life in a house that she recently moved into. There are many characters that are written as she learns about her new neighborhood. The three most influential characters in the novel are Sally, her Mother ,and Marin.
Has one ever felt so lost? Felt as there was no belonging for one? Well sorrowfully for Esperanza, ever since her relocation to Mango Street, this has been her. Esperanza continuously partakes with the shame and embarrassment of who she is, as well as standing out from everyone. Consequently, this is a concept that Esperanza endeavors with as she resides in a segregated and rundown Chicago town, where many are poverty-stricken.
The House on Mango Street: Facing Realities In The House on Mango Street by Sandra Cisneros, many characters struggle with facing the realities of their lives and economical situations. Two prominent examples of this struggle are houses and trapped women. One girl, named Esperanza, is raped while she is visiting the carnival with her friend Sally. Esperanza said, "Sally, you lied.
The impacts of surroundings: An analysis of characters on The House on Mango Street In this essay, I will be going over characters such as Sally and Esperanza and explaining how their environment affects their way of thinking and or how they act. Esperanza's poverty helped her realize that she wants a better home some day. Esperanza and her family moved a lot before settling into the house on Mango Street, this is shown when Esperanza states "But what I remember most is moving a lot."
Obstacles Numerous people stumble upon obstacles, but only a few can overcome them. Most obstacles are influenced by the values of the society. In The Book Thief by Markus Zusak, Liesel Meminger overcomes her lack of education and her different beliefs on Jewish people. In Romeo and Juliet by William Shakespeare, Romeo and Juliet both overcome the obstacle of not being able to be together because of the feud between their families. In “The House on Mango Street” by Sandra Cisneros, Esperanza overcomes the obstacle of not fitting into her society because of her lack of money.
House on Mango Street analysis essay: Hopes and Dreams In the House on Mango Street, a novel by Sandra Cisneros, she suggests the notion that hopes and dreams can be obtained even when people are at the bottom of the totem pole as seen in Esperanza’s desire to live in a better place and find friends. One way that Sandra Cisneros suggests this theme is when Esperanza feels ashamed of her current house and knows “she has to have a real house. One she can point to and feel proud of (Cisneros 5) Another example is when Esperanza and the nun are talking and the nun asks where Esperanza lives and she is forced to “point to the the third floor, with the paint peeling”
The House on Mango Street Essay Opportunities and social class are all seen in society, there are many different opportunities for many different people, and your social class can reflect your opportunities. In the book, The House On Mango Street written by Sandra Cisneros, the main character Esperanza was born into a large family and is represented in the lower class. Throughout her life, Esperanza and her family have moved around and have never owned their own house, Esperanza has always dreamed of them owning their own house. One day she thought her dream was coming true but the house was far from what she expected. There are numerous ways the author, Cisneros, uses tone and syntax to emphasize opportunity and social class.
Sandra Cisneros' novel, The House on Mango Street, is a coming-of-age story that explores complex issues of race, gender, and identity. The novel shows this through the experiences and development of its protagonist, Esperanza, and the other characters that live on Mango Street in Chicago. As a coming-of-age story, The House on Mango Street tackles mature themes, reflecting on the world's complications and human experiences of self-discovery and growing up. Sandra Cisneros' novel highlights the issue of racism as a reoccurring theme. In the vignette titled "Those Who Don't," Esperanza shares her experiences of being seen as dangerous by people who are not from her neighborhood.
The House on Mango Street is set in a poor, primarily Hispanic neighborhood. Author Sandra Cisneros creates an atypical, yet easily digestible world for the reader to experience while learning about Esperanza’s childhood. The culture of her environment influences Esperanza’s development as she becomes a young woman, and contributes to the book’s driving theme of self-empowerment. Mango Street is the source of Esperanza’s growth through her childhood, and it hides sadness and longing underneath stereotypes of Hispanic people. The characters that live in the broken-down neighborhood all seem to represent pigeonholed views of Latino individuals.
Societal expectations are a part of everyone’s life, male or female. From the day people are born, there are roles they are expected to assume-- wife, homemaker, father, provider, mother and many others. While these aren’t necessarily negative, the stigma of not fulfilling these roles can be unpleasant. While the roles we are supposed to choose aren’t always clearly defined, the judgement that comes from choosing to take certain actions in life, like settling down or becoming a mother is palpable. Throughout The House on Mango Street, Esperanza’s view of the world is largely shaped by the people around her, which are her neighbors, family, and friends.
Except he won't let her talk on the telephone. And he doesn't let her look out the window. And he doesn't like her friends, no nobody visits her unless he is working”(101-102). This shows how much power men have other their wives who get married before eighth grade because society tells them that they need a man to become successful. We can see that Sandra Cisneros displays the theme of gender hierarchy in The House on Mango Street when she tells us about how the young girls dress to impress older man.
The recurring style of Mango Street reads as a place of confinement and isolation. The neighborhood is symbolic of the cultural and societal barriers that prevent the characters from fully integrating into the larger community. This is echoed in Esperanza's reflection, "You live there? The way she said it made me feel like nothing." (Cisneros, 5).
The cramped living conditions and obvious poverty create a sense of confinement and limitation. The author dreams of escaping Mango Street, viewing it as if the home is a symbol of her and her family’s stagnant life. The oppressive atmosphere exuded from Mango Street and the small red home affected her character and seemingly motivated her as she stated, “I knew then I had to have a house. A real house in the.
Many people are undermined by the drawbacks of belonging to a low socioeconomic status. In The House on Mango Street, Esperanza is raised in a poor, Latino community, causing her to be introduced to poverty at an early age. This introduction of poverty affects Esperanza in many ways, one including that she is unable to find success. Esperanza struggles to achieve success in life because the cycle of poverty restricts her in a position in which she cannot break free from her socioeconomic status.
In the House on Mango Street, Esperanza is seeking for an identity of her own. In her current neighborhood, she struggles with economic, cultural, and gender based barriers to personal growth, and she believes that changing her surroundings is her solution; however, she realizes that to discover her identity, her ultimate destination is a home in the heart. The house on Mango Street was one that was the opposite of what Esperanza had dreamt her entire life. The house is, “…small and red with tight steps in front and windows so small you 'd think they were holding their breath... bricks...crumbling in places, and the front door...so swollen you have to push hard to get in". (Cisneros 5)