In the documentary “Bowling for Columbine”, which is directed by Michael Moore, there is an abundance of fallacious arguments. From the most obvious Post Hoc fallacies demonstrated to strengthen the director’s argument, to the numerous fallacies committed by Moore himself, there is no shortage from which to choose. The fallacies that I have chosen to focus on are the Post Hoc used by Moore’s “opponents” and his own hasty generalizations and composition fallacies. The title of the film “Bowling for Columbine” is and ode to the fallacious reasoning of the gun proponents that Moore encounters throughout the film. Many of these figures cite the music of alternative rock singer Marilyn Manson as a driving force behind the Columbine school shooting,