Examples Of Femininity In To Kill A Mockingbird

Today’s version of “femininity” involves free expression through open-ended fashion and the ability to choose how to present oneself; in this grand era of feminism, women of all ages have the power and freedom to make their own decisions, rather than being forced to adhere to strict societal standards. However, during the time period of To Kill A Mockingbird, females did not have the leeway, opportunity, or flexibility to do so. Expectations for women were cemented on the basis of what society perceived as “acceptable,” leading to the notion that a true lady must wear tight corsets and poofy dresses, behave prim-and-properly, and host tea parties. The protagonist in this novel, Scout Finch, clashes with such conventions and faces endless criticism

To explain her sudden appearance at their home, Aunt Alexandra states, “‘We decided that it would be best for you to have some feminine influence. It won’t be many years, Jean Louise, before you become interested in clothes and boys’... I could have made several answers to this… but I kept quiet'' (145). Aunt Alexandra assumed– or practically declared– Scout’s future preferences, despite being aware of her tomboy tendencies. Scout’s initial reaction to her statement also indicates that such “influences” are unwelcomed, forced, and being thrust upon her whether she likes it or not. Aunt Alexandra’s desires and aspirations for Scout not only cause a disruption in her maturing years and self-identity, but also tensions in several relationships, such as the one between Atticus and the kids as well as with his own sister since Aunt Alexandra’s beliefs on the proper way to raise Jem and Scout contradict his. On the other hand, near the end of the book and during the aftermath of Bob Ewell’s attack, Aunt Alexandra unknowingly “brought me [Scout] my overalls… the garments she most despised” (Lee 303). This act starkly contradicts her previous opinions and detestation towards Scout’s attire choices. It marks the beginning of Aunt Alexandra’s subconscious acknowledgment and acceptance of Scout for who she is and perhaps an end to unwanted influences. So although Aunt Alexandra was largely against Scout’s tomboy nature, a final act at the end shows a change in how she will continue to raise Scout as well as her character within