Throughout the book she used many different types of figurative languages, and here’s an example. Paragraph three on page seven states, “The world was all a gentle gray, and he lay in a mist as fine as spray from a waterfall.”
Many individuals have mixed feelings and emotions in life. There can be times when life can be draining and rough, but throughout all of this, everybody has felt the same way. In the novel “Look Both Ways” by Jason Reynolds, these hardships are widely displayed. Jason Reynolds writes about 10 different kids with a different perspective on society. Each of the kids has different difficulties and troubles they have to go through.
Yearling Essay “Real writers are those who want to write, need to write, have to write.” -Robert Penn Warren. As a previous Pulitzer Prize winner, Warren knows what it takes to win this prestigious award: effective writing skills to get the message to their intended audience. Since 1918, the Pulitzer Prize for fiction has recognized excellence in American writing. When Marjorie Kinnan Rawlings won this award in 1939 for her work in The Yearling, she did a remarkable job of telling the journey of a boy and a fawn.
De ‘Crevecoeur uses an subjective positive tone to describe his view of America, and a negative tone to describe Europe, both of which convey his vision of the New World. Throughout this work, he describes both areas in ways that cannot be proven to be entirely factual, and thus are his views and opinions. This can be seen first in the passage; “If he travels through our rural districts he views not the hostile castle and haughty mansion, contrasted with the clay-built hut ad miserable cabin” (310). De ‘Crevecoeur did not live in these two extremes of society in Europe, and therefore doesn’t have personal evidence to back up his claims. In addition, he uses subjective adjectives like hostile, haughty, and miserable.
His introverted personality and ethnic insecurities began to hold him back though. Throughout the book, the author uses many linguistic devices and multiple forms of figurative language to express his culture and struggles.
In Allen's short story "Bread and the Land," the main character Hatch is impatiently waiting to meet his grandmother Blunt. The grandmother paints this picture of her being extremely wealthy. She promises the grandson Hatch expensive gifts that will appease him. Hatch realizes that his grandmother has been dishonest about the amount of money she possesses. Throughout the story, description and figurative language is used to convey the deep-rooted hatred that Hatcher develops for his grandmother Blunt.
An author’s use of metaphors can either make or break their story. If used too often or too abruptly, it leads to a generic narration, causing a lack of engagement from the audience. If used correctly, it can make for a highly compelling story, one that forces the reader to empathize with the characters and deeply experience the story as opposed to simply reading it. The Face on the Milk Carton by Caroline B. Cooney serves as a phenomenal example of just how spellbinding metaphors can make a novel. The incredible way of portraying emotions and people resonates deeply with any reader, thus proving just how mesmeric metaphorical language can truly be.
5The story of A&P adopts the uses of figurative language by John Updike to embellish the key moments of transition of people lives, particularly in the life of Sammy. Updike utilizes the craft of imagery in his story to project the idea of "life passages." Also, Sammy undergoes a series of events that enables him to transition him as a person in his life. The main components of the story start with three girls dressed in a bikini and two-piece outfits walking into the A&P store, Queenie is the ringleader of her group.
In his short story “The Pedestrian”, Ray Bradbury uses figurative language to reveal the characterization of Mr. Leonard Mead. First, Bradbury describes Mead’s shadow as “moving like the shadow of a hawk in midcountry.” By using this simile, Mead can be characterized as moving alone and quietly through a seemingly abandoned area, creating him as a peaceful, desolate man. Next, Mead is described as standing “not unlike a night moth, stunned by the illumination.” This simile, compares Mead to a night moth, obviously not used to and surprised by the bright light in the normal darkness, as he prefers to be at peace in the twilight.
This is further portraying characterization as the reader learns her perspective on the ebb and flow of high school. Anderson then compares Melinda’s inability to speak as if she has “--some kind of spastic laryngitis” (Anderson). This is an example of a simile that reveals how Melinda feels about her inability to speak up. It compares her silence to the feeling of an infection in her throat. By using this simile, Anderson
3 The story of “A&P” by John Updike adopts the uses of figurative language to embellish the critical moments of transitions of people’s lives, particularly in the life of Sammy. Updike utilizes crafts of plot, character, setting, point of view, theme, and symbol to constitute the story, and to project the idea of "life passages. " Also, Sammy undergoes a series of events that enables him to transition as a person in his life. 3
In the fictional story, The Things They Carried, author and Vietnam veteran, Tim O’Brien, walks readers through the experience of characters in the Vietnam War. Through the experience of multiple soldiers, Tim O’Brien highlights the way that they tell stories and why they’re meaningful to the young soldiers. It relates to the trauma that the young soldiers underwent. Following the soldiers, the author uses strong diction, literary elements, and figurative language to show how soldiers used stories to cope with the trauma surrounding the Vietnam War.
In The Road, Cormac McCarthy uses figurative language, to demonstrate the difference in the people’s decisions and values when compared to the real world. The survivors of the apocalypse, including the father all had to undergo a series of radical changes in order to adapt and survive in the new world. When the father enters the house, where the people are kept for food, not only does he see naked people both male and female but also a man with his leg cut off. McCarthy writes, “On the mattress lay a man with his legs gone to the hip and stumps of them blackened and burnt” (McCarthy 110).
"Get Out" is a 2017 horror film directed by Jordan Peele that explores the sinister nature of liberal suburbia through the story of Chris, an African-American man who visits the family of his white girlfriend. The film employs a range of rhetorical strategies to convey its message about the insidiousness of racism and hypocrisies in liberal America. In particular, "Get Out" uses symbolism, irony, and satire to critique the way in which racism operates in a seemingly progressive society. Throughout the film, Peele employs symbolism to depict various aspects of racism. For instance, the sunken place serves as a metaphor for how black voices are silenced and suppressed in white spaces.
“i carry your heart with me” Sonnets have been evident in literature for ages, and have been known to contain some of the most famous lines and structures. A traditional Shakespearean sonnet has fourteen lines, and is broken up into lines of four and then a couplet at the end. The sonnet also follows a distinct pattern of rhythm called iambic pentameter. There are also other versions of sonnets such as Petrarchan, which is broken up into two stanzas of eight and six lines.
