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Figurative Language In The Pedestrian By Ray Bradbury

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In his short story “The Pedestrian”, Ray Bradbury uses figurative language to reveal the characterization of Mr. Leonard Mead. First, Bradbury describes Mead’s shadow as “moving like the shadow of a hawk in midcountry.” By using this simile, Mead can be characterized as moving alone and quietly through a seemingly abandoned area, creating him as a peaceful, desolate man. Next, Mead is described as standing “not unlike a night moth, stunned by the illumination.” This simile, compares Mead to a night moth, obviously not used to and surprised by the bright light in the normal darkness, as he prefers to be at peace in the twilight. Finally, Mead is compared to a “museum specimen” when stopped by the police car. By stating this comparison, Bradbury
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In “The Pedestrian”, the author, Ray Bradbury, uses diction and very detailed imagery throughout the story to set the tone. Diction and imagery often coincide with one and other in this short story. One literary element that Bradbury used was diction. One example would be “They passed one house on one street a moment later, one house in an entire city of houses that were dark, but this one particular house had all of its electric lights brightly lit, every window a loud yellow illumination, square and warm in the cool darkness.” Bradbury’s word choice in that example helped the readers understand how out of the ordinary it was when only one house was lit.

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The 1951 original written work by Ray Bradbury (“The Pedestrian”) was, at some point in time, later adapted into a short film. Although both the film and short story shared many of the same elements, there were still several noticeably apparent differences; for one, the film had chosen to introduce an entirely new character into the plot. Serving as a contrasting figure for Mead - a “foil”, of some sorts - Robert “Bob” Stockwell had assisted in providing much more insight in the dystopian world (i.e. experiencing the “outside” world after being inside so long, as was seen in the film). Whereas in the original story, no such insight was provided - Mead was, instead, only just an ordinary individual (unintentionally) caught amidst the confines

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In Ray Bradbury’s short story “The Pedestrian”, the motifs of the story were appeared a lot of times. Motifs always repeat in the story and give a dominant central idea to strengthen the theme. By reading the motifs in the story, we could learn more about the things that the writer wants to tell us. In this story, there are lots of words of motifs; for examples, silence, alone, darkness, empty and frozen. Those motifs shows the lacking of inspiration and excitement in the story and determines the dark keynote of the story.

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The first example comes when Bradbury says "The light held him fixed, like a museum specimen" (22). This quote showing how still Mr.Mead was showing us that the light held him still like figures in a museum. The next example of Bradbury using a metaphor comes in the beginning of the story when he says "Sudden grey phantoms seemed to manifest upon inner room walls" (2). This quote showing that these quiet dark houses have people who are in them at night, showing us that there is a reason people aren't out at 8,9 or 10 o'clock. In the "Pedestrian" Bradbury uses imagery, simile and metaphor to develop the futuristic setting and the mood so that the reader better understands where Mr.Mead is and what he see's.

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In the beginning of the story Mr. Mead walks down the barren city sidewalks of this city where he lives and this really shows the setting of a dystopian society. No one walked anymore; no one had the time to, no one wanted to, so Bradbury shows imagery on how no one does this, “The cement was vanishing under flowers and grass. In ten years of walking by night or day...he had never met another person walking.” (pg 174) In the middle of the story, an officer finds Mr. Mead and tells him to stop, “‘Stand still.

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