In Amy Tan’s short story, Two Kinds, there are not just two kinds of conflict but many.. These include; American versus Chinese cultural differences, a parent’s wishes versus a child’s wants, and the pursuit of material success versus personal contentment. However, the most obvious is the conflict between Jing-mei and her unnamed mother’s personalities. Jing-mei is a young Chinese-American grade school girl with a modern independence. Her mother on the other hand, is a old-world Chinese immigrant who left everything behind in order to make a better life for herself and her only child. The author, Amy Tan, shows how they struggle to relate to each other, but also shows their good qualities in order to redeem these two characters in the end. In the story, Jing-mei and her mother have tension due to the fact that the mother is trying to make sure her daughter has a better future than she did. Unfortunately, Jing-mei doesn’t quite understand her mother’s desire. One reason for this confusion is because Jing-mei is too stubborn to see her mom’s point of view. This can be seen on page five where Jing-mei refuses to play the piano presented to her in order to practice and develop her …show more content…
Although the piano was a source of tension between Jing-mei and her mother in the story, it also brought them closer. This can also be seen on page five, when Jing-mei says, ”And after that, every time I saw it in my parents' living room, standing in front of the bay window, it made me feel proud, as if it were a shiny trophy that I had won back”. This shows that Jing-mei finally understands that her mother was trying to encourage her success in life the only way she knew how. In conclusion, Amy Tan’s short story, Two Kinds focuses on the many forms of conflict and resolution found in many American immigrant households. The author uses Jing-mei and her mother to reflect the differences of personality within each
Throughout her childhood life her mother, Suyuan, was continuously pushing her to be her best. Jing-Mei purposely tried to fail at everything to prover to her mother that she could never become a great and famous person. Then after a piano recital that went horridly wrong, her and her mother had an argument and their relationship was never the same. Many years later Suyuan tried to give Jing-mei the piano that she had as a child. She refused the offer, but than a year later her mother died and Jing-Mei was cleaning out her mother’s house and decided to play the piano and she was surprised that she still knew how.
The first story told is about Jing-Mei Woo and her memories of her departed mother, Suyuan. In them, Jing-Mei (often referred to as June) talks about the issues she faced with her mother, saying “I can never remember things I didn’t understand in the first place.” (Tan 19) The most common problem addressed was her perception of her mother’s persistence on her success in a field, which to her seemed very pushy. She did not realize what Suyuan
At first Jing-Mei grew in her dreams and desirers to be perfect for her family; “In all of my imaginings
In The Joy Luck Club, written by Amy Tan, we are introduced to Suyuan and her daughter Jing-Mei “June” Woo. As with any relationship, there is conflict between Suyuan Woo and her daughter, as it seems that Jing-Mei doesn’t understand her mother’s Chinese culture and ambitions. In the Chinese culture, women are seen as inferior and often lack basic rights such as the right to marriage or financial holdings, thus deprived of their potential. This is why the rights in the U.S. are seen as privileges to Chinese women, among other minorities, and why Suyuan endeavored for her daughter to become a prodigy and excel in anything and everything. Yet as Jing-Mei was forced into this ideal, and the more her mother tried to enforce this idea, the further she begun to despise her mother for attempting to turn her into a “fraud”.
Shame is a very powerful and social emotion that has been also classified as a form of physical pain. According to Alan Fogel, Ph.D., “When people feel emotional pain, the same areas of the brain get activated as when people feel physical pain…” Additionally, it requires an audience: someone cannot actually experience shame without having people around them. Shame is an evident theme that occurs frequently in the novels: The Joy Luck Club and Flight.
(Tan 24). through this it can be said that Jing-Mei’s mother has a very different culture compared to
This disagreement quickly became a source of resentment and anger for both of them, but Jing-Mei and her mother were unable to resolve this conflict because of their different backgrounds and experiences. The story showcases how relationships between mothers and daughters can be strained because of differences in culture and a lack of communication. One of the difficulties between Jing-Mei and her mother is their different cultural backgrounds, which is supported by two points from the story. Firstly, Jing-Mei and her mother both disagreed on the opportunities that existed in America. According to Singer, Amy Tan uses “two entirely
June, however, struggled to please her mother in all she did, and never felt as if she had any worth. Their relationship becomes distant due to miscommunications. Asian culture and expectations weigh heavily on Suyuan’s mind as she worries about the path her daughter takes, one that is untraditional and looked down upon. June finally understands her mother, after it is too late. Secrets and traditions can either tear apart or build up a relationship.
Her mother had run into tough times when the twins were born, had to give them up, and had not been able to see them again before she passed away. Now Jing-Mei is traveling to China with her father, and surprisingly slowly finds herself along the way. The author, Amy Tan, uses the story to explain how the narrator’s journey to china was changed her life. It shows that it was the tough decision to tell someone that you lost your love ones. However, I like the way author explain the story and how she message that the relationship between mother and daughter is powerful which helps them to reunite the family.
She wanted her daughter to be a prodigy. “The tests got harder and harder.” (Tan 19.) The pressure that formed from these expectations caused Jing -Mei to rebel from her mother’s wishes. She wasn’t very nice to her mom and became defiant.
This peculiarly specific list showed that as a first-generation American, she was constantly scrutinizing the small actions that her mother demonstrated, and she was embarrassed, although it is not likely anyone else ever noticed. However, as she got older, Jing-Mei realized the fact that she was “becoming Chinese.” She still did not truly understand her mother or the beauty of Chinese culture, but her acceptance was the first step of the long excursion of
One allusion in “Two kinds” and modern day society is Shirley Temple. She gives the mom the idea of making Jing-Mei a prodigy. She was known for singing and dancing. Jing-Mei says,” At first my mother thought I could be a Chinese Shirley Temple” (Tan 70). Her mother thinks she can be just like Shirley Temple except a chines version.
Throughout the entire novel, the mothers and daughters face inner struggles, family conflict, and societal collision. The divergence of cultures produces tension and miscommunication, which effectively causes the collision of American morals, beliefs, and priorities with Chinese culture which
Daisy hopes that young Jing-mei will try to be her best at anything. The mother's encouragement shows how greatly important it is for her daughter to succeed. In any of her works, Amy Tan includes various Chinese cultural values. One value that is existent in every on of her pieces is family, for it is a very important aspect of Chinese culture that
Jing Mei, while portrayed as an obedient child, is only willing to listen to her mother to a certain extent. Throughout the story, it is consistently hinted that Jing Mei would eventually explode against her mother as an attempt to free herself from her mother’s chains. In addition, after the fiasco at the piano recital, she eventually derives further from her mother’s wishes as she “didn 't get straight A...didn 't become class president...didn 't get into Stanford...dropped out of college.” (54). On the flip side, Jing Mei’s mother is a stereotypical Chinese parent who is fully determined to ensure her daughter’s success in a new environment.