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Narrative essay about the house on mango street
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In the book “The House on Mango Street” there are three major characters that influence Esperanzas ambitions for her future, and let her change and grow as a person. People such as Mama, Alicia, and Sally give Esperanza a glimpse of what it takes to have a good life, and how hard you have to work to escape poverty. Esperanza is really ashamed of being poor, and not being able to wear nice clothes, but she soon learns that it does not matter what people think about you, and that her values are more important. When Esperanza begins desiring boys, she comes upon a girl named Sally, who boys find beautiful.
The House on Mango Street, written by Sandra Cisneros, incorporates many literary devices that assist the book. Cisneros writes with irony and imagery, which affect the meaning in her writing. She uses dramatic irony every so often in the book, for example in “What Sally Says” she writes, “her father, whose eyes were little from crying, knocked on the door and said please come back, this is the last time. And she said Daddy went and home” (Cisneros 93). Earlier, Sally’s father had beaten her for talking to a boy.
In Sandra Cisneros’, House on Mango Street, Esperanza’s yearning for freedom is supported in Darius & the Sky. Specifically, the vignette begins by saying, “you can never have too much sky” (33). Esperanza’s vision of the sky is symbolic of offering freedom and a realm filled with opportunity. Equally important, is the sky’s role in shaping Esperanza’s identity. At the beginning of the novel, Esperanza uses imagery to depict how she is “a red balloon, a balloon tied to an anchor” (9).
In the novel The House on Mango Street, Sandra Cisneros utilizes vignettes, which typically captures a single moment by using imagery, and explains a lot with not as many words to explain Esperanza’s life that shows the complex feelings relating to her childhood. Cisneros uses imagery to capture a single moment in the book many times throughout the novel. In the vignette “Bums in the Attic” (Cisneros 86), Esperanza dreams about having a house on the hill like the ones her family visits. She feels ashamed but imagines that people living on the hill have forgotten about poor people like her family. She figures out by the end that she still wants to have a house like theirs but wants to invite the bums into her attic
On page 110, during Esperanza’s first conversation with Mrs. Hernandez, the topic quickly turns to their children: - “Tienes hijos?” - “Two.” - “Watch them, mija. The streets are a magnet for trouble.” - “Yeah, but my kids don’t get into trouble.
The House on Mango Street is like a prison everyone wants to leave. Escape. But there is always something getting in the way. The House on Mango Street written by Sandra Cisneros is about a girl named Esperanza who grew up in poverty but as much as she tries to not let it define her the older she gets the harder it gets. She is faced with many physical appearance problems and poverty.
In Sandra Cisneros' "The House on Mango Street," the concept that all kids have to grow up and lose their childhood innocence is conveyed through symbolic language. Cisneros provides an evocative and fascinating portrait of adolescence by employing figurative language such as metaphor, simile, and personification. The house on Mango Street is used as a metaphor numerous times throughout the novel, and it is one of the most powerful literary devices. The heroine, Esperanza, associates the house with her family's poverty and the restrictions this places on her.
Identity is what makes up every individual. Some people think an identity is just their physical traits, but it is so much more. Everyone's identity is made up of their goals, thoughts, feelings, actions, etc. Within the stories, “Abuela Invents the Zero”, “The House On Mango Street”, and “The Outsiders”, there is a similar theme that shows that the characters don't know their own worth or belonging. Abuela feels like a nothing, Esperanza knows she doesn't belong there, and Ponyboy and Cherry feel separated by the stereotype.
The novel, The House on Mango Street, gives prominence to finding one’s ideal home in midst of constant obstacles. The main character, Esperanza, finds her true home despite the numerous setbacks she encounters. Esperanza is faced with many barriers in her effort to find her own home. She uses a metaphor to describe this saying, “when I am a tiny thing against so many bricks, then it is I look at trees”(Cisneros 75). Trees are used as a metaphor for her friends and bricks a metaphor for obstacles that would obstruct her from achieving her goals.
House on Mango Street analysis essay: Hopes and Dreams In the House on Mango Street, a novel by Sandra Cisneros, she suggests the notion that hopes and dreams can be obtained even when people are at the bottom of the totem pole as seen in Esperanza’s desire to live in a better place and find friends. One way that Sandra Cisneros suggests this theme is when Esperanza feels ashamed of her current house and knows “she has to have a real house. One she can point to and feel proud of (Cisneros 5) Another example is when Esperanza and the nun are talking and the nun asks where Esperanza lives and she is forced to “point to the the third floor, with the paint peeling”
The House on Mango Street Essay Opportunities and social class are all seen in society, there are many different opportunities for many different people, and your social class can reflect your opportunities. In the book, The House On Mango Street written by Sandra Cisneros, the main character Esperanza was born into a large family and is represented in the lower class. Throughout her life, Esperanza and her family have moved around and have never owned their own house, Esperanza has always dreamed of them owning their own house. One day she thought her dream was coming true but the house was far from what she expected. There are numerous ways the author, Cisneros, uses tone and syntax to emphasize opportunity and social class.
The House on Mango Street is set in a poor, primarily Hispanic neighborhood. Author Sandra Cisneros creates an atypical, yet easily digestible world for the reader to experience while learning about Esperanza’s childhood. The culture of her environment influences Esperanza’s development as she becomes a young woman, and contributes to the book’s driving theme of self-empowerment. Mango Street is the source of Esperanza’s growth through her childhood, and it hides sadness and longing underneath stereotypes of Hispanic people. The characters that live in the broken-down neighborhood all seem to represent pigeonholed views of Latino individuals.
In the book, The House on Mango Street, Esperanza is portrayed as a young innocent girl that drastically changes over the course of the book. Esperanza is new to mango street and encounters many challenges but also positive experiences that she is able to take away from mango street. In order for Esperanza to transform as a human it was inevitable for her to face the struggles on mango street. As Esperanza matures throughout the novel she experiences three major developments that shape her future through the awakening of maturity, responsibility and her awakening of her interest in poetry.
The House on Mango Street follows Esperanza Cordero 's transitioning through a progression of pieces about her family, neighborhood, and mystery dreams. In spite of the fact that the novel does not take after a customary sequential example, a story develops by Esperanza’s fortifying toward oneself and will overcomebarriers of poverty, sex, and race. The novel starts when the Cordero family moves into another house, the first they have ever claimed, on Mango Street in the Latino segment of Chicago. The red, unstable house frustrates Esperanza. It is not in the least the fantasy house her guardians had constantly discussed, nor is it the house high on a slope that Esperanza promises to one day own.
In the House on Mango Street, Esperanza is seeking for an identity of her own. In her current neighborhood, she struggles with economic, cultural, and gender based barriers to personal growth, and she believes that changing her surroundings is her solution; however, she realizes that to discover her identity, her ultimate destination is a home in the heart. The house on Mango Street was one that was the opposite of what Esperanza had dreamt her entire life. The house is, “…small and red with tight steps in front and windows so small you 'd think they were holding their breath... bricks...crumbling in places, and the front door...so swollen you have to push hard to get in". (Cisneros 5)
