Outward conformity along with inward questioning, that is what the main character, presented in Margaret Artwood’s The Handmaid’s Tale, has to undertake in order to survive in a theocratic society. Stepping out of line in any way risks your life, so in a place where freedom of speech and basic human right’s no longer apply, Offered must comply with whatever rules they have in place and pretend to agree with the system, but in the inside, she cannot help but think about her past life, her husband, her daughter, before everything began. Flashbacks are integrated in the novel to not only compare the old society with the new one, but to also demonstrate this fake conformity Offred has to display to others and her internal struggle with giving up on escaping the Republic or just accepting her fate and playing by
One of the factors used by the characters in the two novels for their survival is conformity. An example of conformity that plays an important role in the two novels is clothing. In The Handmaid’s Tale, the classifications of each individual are conformed by different clothing. The Handmaids wear red dresses, Marthas wear green, Wives wear blue, Ecowives wear stripes dresses of the three colours, and Commanders and the Angels wear black clothing. According to Offred from The Handmaid's Tale, “The wings too are prescribed issue; they are to keep us from seeing, but also from being seen” (Atwood 9).
Conformity in the Handmaid’s Tale A Japanese proverb says, “the nail that sticks out gets hammered down”. As seen in several historical events such as the Salem Witch Trials or the Holocaust, this concept illustrates the idea that nonconformity will get punished or suppressed. During the Holocaust, Adolf Hitler’s populist regime led to subservience out of fear because resistance was too dangerous.
“No woman can call herself free who does not control her own body”. When Margaret Sanger spoke these words, she was expressing her belief on a woman’s right to have an abortion. This quote, however, speaks to the fact that women are oppressed on more than just abortions. In the novel, The Handmaid’s Tale by Margaret Atwood, Atwood portrays the dehumanization of sexuality through both the characters and events within the novel, therefore proving that women will always be considered less than men will. Margaret Atwood was born in Ottawa, Ontario in 1939.
The correlation between the roles of women provided within Gilead, compared to our current era within the United States, demonstrates how women are considered less superior in our society in an effort to maintain an efficiently working government needed for repopulation. The women of the Gilead era, compared to the women of the United States today seem that they are only needed for repopulation and caring for the growth of future generations for Gilead. They have no jobs, mainly no rights, and they have no type of realistic social freedom. They live in fear of being disgraced, kicked out, or even killed within their new current society. Today in the USA, even though they have a disadvantage compared to their sexual counterparts, women of the
Rebellion in The Handmaid’s Tale Imagine not being able to do what you used to do because some actions are forbidden in this new society. In the Handmaid's Tale, Gilead is a dystopian society where people are limited to certain actions. Throughout the story, Offred’s actions are rebellious because she has broken so many rules. Atwood demonstrates that restricted expression leads to rebellion by showing the Commanders and Offred’s affair developing throughout time and the actions of both characters.
In the 1980s, United States was experiencing the rise of conservatism. Under the presidency of Ronald Reagan, conservative religious groups were gaining popularity. In response to the social and political landscape, Canadian author Margaret Atwood published a fictional novel The Handmaid’s Tale in 1986; a genre of dystopian novels. The storyline projects an imaginary futuristic world where society lives under oppression and illusion of a utopian society maintained through totalitarian control. Dystopian novels often focus on current social government trends and show an exaggeration of what happens if the trends are taken too far.
June, who is now Offred, is a Handmaid in the Republic of Gilead. She is forced to wear only the clothes she is given, go where her commander allows her to, and to provide a baby for the commander. Women have no rights in this place. “A rat in a maze is free to go anywhere, as long as it stays in the maze”. June is no longer June, she is Offred now.
The protagonist of The Handmaid’s Tale is referred to as Offred (of Fred). Through the manipulation of literary devices such as juxtaposition, allusion, and descriptive diction, Margaret Atwood voices her concerns about our future, and reveals just how quickly and completely our present could transform. As chapter 33 begins, the Handmaids are off to the Women’s Prayvaganza (a portmanteau of pray and extravaganza). The event, juxtaposed to the ‘fun festival’ it resembles, is really a mass wedding with girls as young as fourteen married off to Angels (troops).
This was a powerful statement because it showed that Gilead cannot control all the women. That Of Glens suicide was not sad or self-wallowing but rather a form of rebellion. Offred found hope in this event by seeing If Glen 's death as a salvation for herself or other girls under the power
Often, we see a society’s cultural values reflected in its citizens. For example, the United States values equality, a standard that is shared in all facets including gender. The opposite is true of Gilead, a fictional society in Emily Bronte’s The Handmaid’s Tale. The novel’s main character, Offred, is subjected to degrading treatment simply because she is a woman. It becomes apparent that this repeated degradation has affected the protagonist’s mind.
There are two ways people will react to when their freedom is taken away. They will either accept it or rebel against it, which is what a lot of the female characters in Margaret Atwood’s novel, The Handmaid’s Tale accomplished. Shown through Offred’s repetition of certain events, Moira’s tone of being a fighter, and Serena Joy’s desperation, the reader can see that lack of freedom leads to rebellion. Offred, the novel’s narrator, now lives in a world where women are powerless. She has had her freedom taken away, and at times follows the rules, but ends up rebelling in many powerful ways.
Throughout the novel, Moira’s use of informal language and slang is apparent. This is significant because Moira’s crude vocabulary is dramatically different from how the Handmaids are taught to speak, marking her as a dissenter under the restrictive rule of Gilead. For instance, Moira scoffs that the Red Centre is “a loony bin” in Chapter 13. The use of the colloquial noun ‘loony’ to describe the Red Centre establishes a conversational, almost childish tone of voice. This contrasts from the rather mechanic and automated voice Offred has when she becomes a Handmaid, replying with contrived phrases such as “praise be” to other Handmaids.
Margaret Atwood’s novel, The Handmaid’s Tale, argues that women are instruments of the patriarchy, that women know this, and that women allow the system of oppression to live on. Her fictions ask, “What stories do women tell about themselves? What happens when their stories run counter to literary conventions or society’s expectations?” (Lecker 1). The Handmaid’s Tale is told through the protagonist, Offred, and allows readers to follow through her life as a handmaid while looking back on how life used to be prior to the societal changes.
cultural constructs of femininity, identity, and the extent of government control. The story explores the affects social and political trends have on society. The Handmaid’s Tale evaluates gender roles and the subjugation of women. Atwood’s use of aphorisms, symbolism, and allusions urges readers to examine the juxtaposition of cruelty and vulnerability in femininity.
