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Examples Of Voyeurism In Rear Window

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Alfred Hitchcock’s film “Rear Window” illustrates the ideas on how jeff’s vo yeuristic behaviour coincide throughout the movie. The obsession of the protaganist in observing his neighbourhood resulted in solving a murder cause and helps to fix his relationships to his fiancé. This motion suggest that Hitchcock take a stance on Jeffries voyeurism as this character gained a lot of positive outcome through this impulsive and unworrying behaviour. The author also used some supporting characters like lisa and stella to reinforce this sophisticate thoughts. Both of these characters shown a strong disagreements towards the impulsive behaviour of Jeff’s voyeurism had many implications. But, equally it also have many positive outcome, as his curiosity …show more content…

Both of these characters was characteristic in the film as a very dominant women and proud of themselves. Stella, at the initial part of the movie shown a strong disagreement on Jeff’s impulsive behaviour “ we’ve become the race of peeping tom, what people ought to do is to get outside their window “ -stella. This quote suggest that voyeurism is a not a good thing. But, Hitchcock’s wants to illustrates that these behaviour is unacceptable but if we look deeper and think outside the box the actions may lead into many positive benefits because were going to become observes and creates a broad understanding about human quality like what Jeff’s action did throughout the movie. As the result at this, stella become more enthusiastic ajd more aggressive at the end of the film and contribute to the overall effort in solving the murder case. Similar ideas, suggest on Lisa’s behaviour, at the beginning of the film, she also shown a strong disagreement on Jeff’s action’s towards spying his neighbourhood but because she loves Jeff’s so much Lisa try to look deeper and understatement about him “were the most frightening ghouls I ever seen” -Lisa. This quote illustrates on how Lisa thinks what is the implications of Jeff’s actions. As she think that their voyeuristic behaviour through that rear window alludes that they’re doing wrong but Hitchcock’s wants to show the other side and part of it. Starting of the scene every observation of Jeff’s authors on Thorwarld’s apartment starting to connect and showed evidence that proves he killed his own wife. He also shows a strong agreement that through this unwary and curiosity of the protagonist in the film resulted in many positive conclusions. and 0the result, Lisa become more enthusiastic and supports Jeff’s in his preluding judgement about Thorwarld’s action in his apartment.

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Rear Window by Alfred Hitchcock depicts men and women in the 1950's and how they are different and the same when representing their gender roles. There are circumstances in the movie where the gender roles change and switch around. When jeff has a broken leg he needs two women to help him around the house. Nurse Stella and his girlfriend Lisa both take pride in taking care of jeff. There were many different roles depicted in the movie, there were happy couples, sad couples, happy singles, and sad singles.

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Alfred Hitchcock’s Rear Window has several themes. One major theme is relationships. The lead character, Jeff Jeffries, a photographer and committed bachelor, is involved in a relationship with Lisa Fremont, a model, although the relationship has some tension due to Jeff’s lack of commitment. When Jeff is confined to his apartment recovering from a broken leg, he begins spying through his rear window on his neighbors in a nearby apartment. Through her frequent visits, Lisa is drawn into this spying as well.

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Stella had not visited her family since she and her husband moved houses across town because her husband was not comfortable with Stella going to what he considered a sketchier part of town. Stella recognizes that she can make her own decisions though, and that family is a huge part of her life she had been missing so despite what her husband says, she goes to visit her family. Once she arrives she calls her husband and tells him, “Jeff, I’m at Kookoo’s and we’re going to stay here” (Vermette 207). Stella finally recognizes and allows herself to do what is best for her, being with and taking care of her family, and she finally regains her self-worth.

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Lisa’s change in actions is to prove to Jeffries that she can live with him even on assignment. As Jeffries observes more incriminating evidence Lisa’s actions get bolder and bolder to prove that she could live with Jeffries. As Lisa’s actions get bolder it causes a key turning point in their relationship as Jeffries begins to take notice causing him to re-evaluate his belief that his relationship with Lisa could not work out and he concludes that it could

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Rear Window Argues that people should mind their own business. Do you agree? Rear Window, a 1954 romance/murder-mystery by the renowned golden age director Alfred Hitchcock, is a film that explores a multitude of themes and genres through the voyeuristic gaze of protagonist L.B. Jefferies. Jefferies, or ‘Jeff’ as he commonly known throughout the film, is a middle-aged bachelor recently hospitalised due to his high-risk career as a photojournalist. This hindered condition serves as an important foundation on which the movie is built upon as Jeff’s forced lifestyle being in a wheelchair causes an abrupt stop in his usual high intensity way of life and causes him to quench his boredom in other ways, predominantly watching the other residents in his apartment complex through the ‘rear window’ of his apartment.

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The idea of similarities among all people, an underlying connection, is expressed by Hitchcock when Lisa in Rear Window argues with Jefferies, saying, “There can't be that much difference between people and the way they live! We all eat, talk, drink, laugh, sleep, wear clothes --“. When she says this, Lisa has a lamp light shining from the upper right side of the screen to indicate the truth of her argument. There is also an instance in Rear Window where the ability to understand a person sprouts empathy. Jefferies is sitting in the dark, after Lisa leaves angry, when the piano man comes home.

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However, on four occasions the camera plunges out of Jeff’s window, into the courtyard. These instances include the opening sequence, the scene where the body of the strangled dog is discovered, the scene where Thorwald pushes Jeff out of the window and the final scene, where Jeff is seen with both his legs in casts. These scenes are important as it gives the audience the opportunity to escapes Jeff’s gaze and adopt an unrestricted overview of the situation for once. The choice of using a non-voyeuristic viewpoint for the final scene is thoughtful as it suggests there is no longer a need to be a voyeur now that the murderer has been

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Take a second and imagine, imagine yourself being starved, tortured, and enslaved. What would you do to save your children and yourself? In Cynthia Ozick's story “The Shawl” we meet Rosa and her two daughters Stella, who is fourteen, and Magda an infant who is being concealed, on their grueling march to a concentration camp. The Nazi’s are unaware of Magda’s existence due to Rosa hiding her under the shawl as they are marching. Rosa is faced with the difficulty of keeping her daughters alive, while trying to survive herself.

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This meant the guilt of a burning secret kept within the main antagonist became known to that of the main protagonist. This created a deeper connection between the two characters, and the audience could also feel the overwhelming guilt of the main antagonist. as well as a sense of triumph for the main character. This is evident in Hitchcock's film "Rear Window" (1964). The transference of guilt is made crystal clear when Jeff starts to resort to what could be considered to be almost drastic measures such as peeping with a telescope and having Lisa and Stella assist in leaving the safety of the apartment to scout certain areas where they had suspicions on such as the flower bed in order to bring the murderer Thorwald to justice.

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The film 's protagonist L.B Jefferies is characterised as a man who diverts himself from what is expected of him. His dislike for marriage and his desire to remain independent isolates him from the rest of society. When Stella is conversing with Jeff about his relationship with Lisa Freemont, Hitchcock exhibits the constraints of society 's expectations. The fact that Jefferies does 'not want to ' get married to Lisa is considered 'abnormal ' in Stella 's eyes, indicates the normalisation of marriage during 1954. Jefferies ' isolation from society 's view of marriage is utilised by Hitchcock in order to critique the way in which society pushes others to conform.

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166 Words | 1 Pages

Stanley’s behaviour represents the power that men have in society in comparison to women, and how, through violence, they gain respect not only from their wives but also from all the women around them. Stella represents the submissive wife who must be obedient and tolerate the violence her husband forces upon her. Whenever Stanley loses his temper and beats her, she runs away, but then she comes back with him, because since she is pregnant, she does not have another alternative but to love with him. However, her pregnancy is not the only reason why she endures the aggression of her husband. Stella should continue with her stereotypical gender role as the submissive wife because it is what the society of the Forties dictates for all the women.

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In the play, Stella chooses not to believe in her sister Blanche and lets her leave with the doctor. However she starts to feel sorrow and calls out for her sister but Blanche doesn’t come back. Stella had chose to stays with her abusive husband, Stanley. This scene highlights the point of helpless women who needs to depend on men. One of the many themes of the play was how dependent women are on men.

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It also highlights Stella’s submissive nature, and how she conforms to the sexist societal expectations of a helpless and fragile woman. Although the surrounding male characters disregard Stanley’s abuse, the audience is repulsed by it and identifies it as morally wrong. This shows how Williams is criticising the acceptance of this abusive behaviour in society, using Stella’s dilemma as a victim to plea for a change. Stanley is even abusive when displaying his

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Psycho (1960) Alfred Hitchcocks powerful and complex psychological thriller, horror film “Psycho” (1960) was classes as the first sub genre of horror, the slasher. The film ushered in the era of slashes with graphic content of blood-letting and shocking killings of the time. Although this was Hitchcock’s first horror film, he was labelled as a horror film director ever since. The film contains disturbing themes of corruptibility, confused identities, voyeurism, human vulnerabilities and victimisation. These themes symbolise the effects of money, oedipal murder and the dark histories.

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In the film Rear Window, the director, Alfred Hitchcock uses a variety of techniques to create suspense and leave viewers on the edge of their seats throughout the film. Hitchcock uses a good assortment of tempo to create thoughts in the viewer's mind. He slows down the pace to create anticipation, and speeds it up to show a change in intensity. In the ending scene of Rear Window, Alfred Hitchcock uses changes in pace and tempo, lighting, and a short term deadline to constitute an immense atmosphere of suspense in the viewer's mind.

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