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Existentialism In The Dead Girl

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Existentialism focuses on individual existence and freedom of choice. Life has no inherent meaning or ultimate purpose, only that which an individual assigns to their independent existence by confronting existential dread and making deliberate choices that create meaning. Each of the women in the film The Dead Girl, Arden, Leah, Ruth, Melora, and Krista, all make decisions that create meaning in their lives and determines how they will live them.
By acting against the norms they had become accustomed to in life, many of the women in The Dead Girl take control of and ascribe meaning to their own lives. Arden, the stranger, is subservient to her abusive mother. When Arden rebels against her by wearing makeup and cutting her hair before a date,
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“I saw kids die of tuberculosis, influenza, pneumonia, and broken hearts,......saw wrists slashed and the cascades of blood on the bathroom floor” Pg 55 Arden was only six years old and never got see what life is about, the short six years

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Her presentation by the end of the story worsens beyond her yellow eyes, pink teeth, red fingernails, and hairiness (Atwood, p. 259) to a growling voice (Atwood, p. 261), smelling of old blood (Atwood, p. 260), and appearance so shocking that even the protagonist cannot recognize herself (Atwood, p. 261). These descriptions paint a picture of a monster but through the first person narration, we can understand the innocent intentions of the protagonist and empathize with her experience of being an

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She feels bad leaving her friend at the restaurant, but that doesn’t stop her from leaving with a stranger. That’s when she meets another creepy stranger in the parking lot in his car a few feet from her “it was a boy with shaggy black hair; In a convertible jalopy painted gold” (Oates, 389). Who turns out to later be her

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In Persepolis by Marjane Satrapi, The Stranger by Albert Camus, and the current college process that I am engulfed in, existentialism proves itself to be true. Existentialism is intimidating until an overarching lesson is learned through the choices and responsibilities, passions (or lack thereof), and the isolation of a person, such as Marjane, Meursault, or myself. On the surface, the three of us are extremely dissimilar, but we all experience relatively negative things that teach us more than we knew before. Marjane Satrapi is a real woman who grew up in Iran, Meursault is a character from North Africa, and I am a real teenage girl from a small seaside town. Nonetheless, when it comes to existentialism, the three of us stand as examples of the legitimacy of its philosophy.

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The term "existentialism" means relating to the existence or logic, to predict the existence. Philosophically, it now applies to a vision of the state and the existence of man, his place and function in the world and her relationship, or lack of one, with God. The main feature of an absurd game is to show that life is essentially meaningless and therefore unhappy. There is no hope because of the inevitable futility of the efforts of one man. The man is fascinated by death, which permanently replaces dreams and illusions.

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