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Figurative language in story
An essay about figurative language
The Importance Of Figurative Language
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During the 1830s, the Great Depression took over America’s brightness and joy, shattering the American spirit. Citizens searched for a light to help people get their lives back together. During this searching, they found Seabiscuit to bring them hope. Seabiscuit is a racing horse that received the right trainer and rider to make him a legend. Seabiscuit’s story is beautifully portrayed in Laura Hillenbrand’s book, Seabiscuit.
“Words are pale shadows of forgotten names. As names have power, words have power.” -Patrick Rothfuss. Everyone in uses figurative language in someway, you could be writing a paper, yelling at your sister, or maybe just talking to yourself. But you use it in someway, shape, or form.
Authors use figurative language to engage their readers and make their story more convincing or interesting. Authors also use it to help add mood fluency and imagery to their books. For example, in Ender’s game the author uses figurative language a lot to help the reader understand and help picture what 's going on in the scenes. The author uses metaphors, and hyperboles to create vivid images. The author use these literary devices to enhance the novel.
More specifically for Poe, the makeup of the home in the “Tell Tale Heart” creates a dark mood for the text. “His room was as black as pitch with the thick darkness, (for the shutters were close fastened, through fear of robbers,) and so I knew that he could not see the opening of the door, and I kept pushing it on steadily, steadily.” (Poe). The setting displays a type of darkness and horrific sight. Through the vocabulary such as black and thick darkness this is clearly displayed.
The use of the language used puts fear in the melancholy tone of the
In the passage, Josan is worried the “stone tower [will] crumble beneath the fury of the storm” (31-33). The reader experiences the violence portrayed by Bray through her dramatic literary illustrations. She personifies the monstrous storm to increase the tension between Jason and the storm. Bray symbolizes “the lighthouse [as] being swallowed by the ocean” to gradually develop suspense in the story (48-49). The author keeps using personification throughout the story to create imagery.
The clinging to the death garments- The rigid embrace of the narrow house- The blackness of absolute night- The silence like a sea that overwhelms- The unseen presence of the conqueror worm. 2.
Poe tries to evoke suspense in the reader's mind by using several different
Have you ever read a story that causes chills or your emotionally invested in a character. The story’s Frankenstein by Mary Shelley and The mysteries of udolpho by Ann Radcliffe are literature that are centered in fear. These story’s cause suspense or has ghost or some type of monster. A gothic is a great example of fear in literature. The settings, characters, and story line has a way of making the reader invested by hooking to their emotions.
The fictional short story “The Cask of Amontillado” by Edgar Allan Poe takes place in the catacombs of Montresor’s palace, during the carnival’s climax. The story begins when Montresor, the villain of the story, vows revenge on Fortunato. Throughout the story, the author doesn't tell us what the revenge will be, but his choice of words in the details creates a mood in the reader. The author’s detailed description in the short story creates different moods in the reader like anger, satisfaction, curiosity, and victory because the chosen words connect with the audience.
Edgar Allan Poe’s frightening gothic style poetry and short novels about fear, love, death and horror are prominent to Gothic Literature and explore madness through a nerve-recking angle. The incredible, malformed author, poet, editor and novelist is recognized for his famous classical pieces such as “The Raven”, “Berenice” and “The Tell-Tale Heart”, pieces of work that mystically yet magnificently awakens readers with a gloomy spirit. Awakening the subject of madness through written work was viewed as insane during Poe’s times. Yet Poe published some of the worlds most magnificently frightening pieces of literature throughout history. In the following essay I will examine and cautiously analyze
In Poe’s stories, the main characters experience fear, but they all handle it distinctively. Poe uses irony, symbolism, and imagery to show how fear affects the narrator’s mindset, along with their future. In “The Tell-Tale Heart” and “The Masque of Red Death”, the main characters try to isolate themselves from evil, but Poe uses irony to show that death is inevitable.
Sometimes being alone can be beneficial for some in small doses, however constant loneliness can annihilate a person. Edgar Allen Poe explores how isolation strengthens internal fear which leads to the metal break through “The Fall of the house of Usher.” The narrator's experiences are explained in great detail along with Poe dropping hints at what is to come throughout the story. He explains the extreme isolation of the Usher’s in order to convey the impact has on the body and mind. Poe uses the reader’s five senses and multiple connections in the short story “The Fall of the House of Usher” to manifest how social confinement bolsters internal fear which leads to the psychological break down on a person.
Suspense is an integral part of storytelling. Without suspense, certain stories would not create their intended effect. Edgar Allen Poe wrote many books and poems, which were all under a gothic theme. His writings were very dark and mysterious, and they all contained suspense. Poe’s novel “The Tell-Tale Heart” and his poem “The Raven” contain suspense, which is created through point-of-view, irony, and diction.
Suspense by Edgar Allen Poe Suspense is a writing style that authors use to make it so a reader is ahead of the characters in the story. Edgar Allen Poe profoundly used this technique in his story “Tell Tale Heart”. The narrator is psychotic and is particularly tormented by an old man’s ‘evil’ glass eye. He was willing to do close to anything to be rid of the eye, including murder.