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About greek art
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Starting with the Roman Republican period, the introduction of portraits of important Roman people is used to allow the Romans to express their great lineage and for emperors and senators to reveal their own importance. One of the first portraits seen in this period in particular that relates to the Kelsey Museum Head of man portrait is the marble Head of an Old Man, from Osimo, Italy, mid-first century BCE. This Osimo Old Man head is most likely an important figure in the Republican time because the veristic style of exaggerated old wrinkly, leathery face expressed through many deep set lines and the straight, thin mouth and seriousness of his face to convey wisdom and experience. This hyper realness (verism) is not seen in the Kelsey Head of a man, nonetheless, the man is aged with more realistic wrinkles and has a straight thin line mouth and serious look on this portrait. The portrait of Vespasian, marble, 75-79 CE, also made from marble and from Flavian (his family name) period, favors the Head of a Man much more.
The Greek statue depicts a more naturalized human body but it still maintains a sense of an idealized human body that may not truly reflect reality. The material of the Ente statue also leads to the conclusion of a sense of motion, as the natural grain of the wood appears to move along the general direction of the piece. The wood also creates a sense of softness associated with the softness of the human figure. The reflection of light on the wood also helps in the skin like appearance of the material. The material of the Greek plaster cast appears to reflect the softness of skin while also maintaining intended appearance of the hardness depicted in the musculature of the figure.
The sculpture represented an olympic event that was obviously important to the ancient Greeks and it suggests that the ancient Greeks valued people that are fit and
VENUS FIGURINE Venus was not only important as a goddess she was also important being portrayed as a figurine in the Greco-Roman world. According to Dixon, Venus figurine was a term for statuettes of humans sharing common attributes such as being depicted skinny or pregnant, mostly found from multiple sites across Western Europe from southern France to Siberia. This figurine was carved from soft stone, limestone or calcite or it was formed of clay as any figurine in Rome. The use of Venus figurines can be dated back between 24,000 and 26,000 years ago.
Creating an amazingly life-like appearance to its sculptures, not only demonstrated, in my mind, a higher intelligence, but is defiantly a tribute to their focus on superior strength and fitness. Although the realistic style was soon changed to create an even more ideal human figure, the understanding of the human body and how to recreate it through art was only the beginning of Greece’s contribution to the “classical ideal.” After their rise to power, gained by their triumph over Persia, the Greeks again changed the way we see art. This time they turned to their knowledge of geometry, focusing on the creation of grand architecture as their medium.
This period shows a very large shift from the stiff Archaic to a more realistic and sometimes idealistic portrayal of the human figure. The Hellenistic period 323-31/30 BCE. It is more difficult to see the distinctions between the classical and the Hellenistic period. Bothe periods did the majority of their sculpture as nudes. The Greeks portrayed a young, vigorous and athletic person in
Heather Owen Professor Lori Morrow Hum 2113 14-02-2018 The Venus of Willendorf For my first web search essay I chose to write about the Venus of Willendorf. The reasoning behind why I chose to write about this topic is because I feel like it is a sculpture that speaks volumes to the culture and time and what was thought of women in the Paleolithic time. I used to the website www.khanacademy.org to help guide me in writing this essay.
Sculpting is a form of art the Greeks used during the ancient times, using a rather more idealistic image of a human. In art history, male nudity was the ideal and thought to be “beautiful”, whereas the female body was always covered. This, however changed in 340 BCE when the statue of Aphrodite was the first full female nude.
Over time the Greeks began to modify these sculptures to be less ridged and Egyptian-like. Because these sculptures did not serve any religious purposes for the Greeks, “sculptors were free to experiment, softening the unnatural musculature of the kouroi,
One of the earliest three dimensional sculptures is the Venus of Willendorf. The Venus of Willendorf dates from back from 28,000-25,000 B.C. Another female figure I would like to talk about is the first nude woman sculpted in Greek art history, from the Classical Period, the Aphrodite of Knidos, which was created in 330 B.C. by Praxiteles. The two figures have been hand crafted in a way, so the viewer can admire the work, equally, at any angle. Many would assume the purpose of these sculptures lie in their physical descriptions.
The Greek sculptures reach the new height of beauty, not only because the mastery of the technique, but also the fascination of human body. Greek art uses the outer appearance to reflect the inner power, it is the representative pattern of western art. The myth inspires the creation of sculpture. The fantasy of nature and society and the admire of god’s shape and personality makes the sculpture more multiple and abundant.
In both sculptures the hair is deeply carved and is a vivid feature of the busts. The detail of realism in David’s left hand we can see his veins on his hands when he is holding the slingshot and his ribs near the chest. In the bust of Commodus we can see the similar detail of his hands especially the joints above the knuckle area and how realistic it looks when he’s holding the apples and Hercules club on his. In both busts chest, arms and face are sooth. In both busts these sculptures have the portrait of emperor Commodus and the small town hero David as musculant where as in real life they weren’t this is done because Romans believed that the god made us humans and by showing David and Commodus as being musculant hey are portraying them as gods and God were portrayed to be musculant and strong.
Uncontrolled emotionalism and shameful truth were now common characteristics to most of them. Still throughout the hellenistic, many sculptures were distinguished by their calmness, grace, and compassion for human suffering. The Ancient Greek sculptures were commonly made from stone or wood and very few of them are still existing to this day. Many were made to reflect the image of a freestanding human form even when the statue was of a god, and for this reason many of the sculptures were naked, the Greeks saw nudity as something beautiful. Other of the sculptures showed athletic figures, to essentially portray what the Greeks perceived as an ideal human and what it should look
Free standing statutes were popular to replicate real life. The Egyptians focused more on the power that was eluded off of the statue rather than body. Often squared like in shape and were used to be workshopped rather than realistic copies. Contemporary: Tears down the traditional female nude, more realistic. Alice Neel paints the male in position of Titan using a much bolder approach.
These same abstract geometric patterns can be seen in ancient European art work. The San painted human figures, often half-human, half-animal figures. The San painted these halfhuman, half-animal figures because they believed that when the shaman was in spirit world they would physically become an animal.