ipl-logo

Frankenstein German Expressionism Analysis

1656 Words7 Pages

Of some of the many early films, Frankenstein (James Whale, 1931), can be noted for its impact on film history as being one of the first films of its kind. This new genre of film inspired many more films to come in the Universal Hollywood film era, due to its vast amount of new techniques that were used to support German Expressionist film production. German Expressionist film production occurred after World War One, and had the primary goal to create a world much different from which the creator lives in. Frankenstein, itself, also created strong ties to German Expressionism, which called for a new way of cinema. This new wave of Cinema was noted for its “great burst of artistic activity” (Mast, Kawin 104). In Frankenstein the use of this …show more content…

Being a horror movie, the dark scenes theme is carried out through the entire movie. In the beginning, Dr. Frankenstein and his assistant digging up a dead body from a cemetery where there are slanting grave markers and gnarled trees, followed by the creepy house/ laboratory that sits high on top of the hill in front of the stormy skies where Dr. Frankenstein’s not so perfect, “perfect” monster is strapped to the table just waiting to be brought to life. (Worland 160). When speaking specifically about Dr. Frankenstein’s house/laboratory it has very specific themes that run through German Expressionist films such as the house being at the top of the hill, and the long narrow architecture, the pointed top of the building. All of which play into the unrealistic architecture that takes place throughout the movie. Some of these expressionist style characteristics can be related to other movies such as The cabinet of Dr. Caligari where there are also some very unrealistic scenes with distorted images and slanted chairs in some scenes of the film. However, the main difference between Frankenstein and The cabinet of Dr. Caligari in this particular display of German Expressionism is that in The Cabinet of Dr. Caligari most of the scenes display some sort of unrealistic image or slanted art work. In Frankenstein, however the overall idea is unrealistic. For example, the idea of a scientist trying to overcome mortality and go against God’s practices is very unrealistic (Worland

Show More
Related

Frankenstein Annotated Bibliography Essay

1348 Words | 6 Pages

Works Cited Enstein, Vicki F. "Frakenstien" Vicki F. Enstein. 8 Mar. 2005. Web. 19 Jan. 2016. Higgins, Nicholas.

Read More

Frankenstein Rhetorical Analysis Essay

594 Words | 3 Pages

Frankenstein Rhetorical Analysis Essay An abandoned life from society and that doesn’t follow normal activities could make you a romantic hero. In Mary Shelly’s Frankenstein, she portrays the main character, Victor, as a man that is intent of learning more about nature. Victor begins to make mistakes which causes him to be full of sorrow and exiled from society. Victor begins to possess some traits from Byronic list of traits that romantic heroes possess.

Read More

Frankenstein And Ultron Comparison

773 Words | 4 Pages

The story Frankenstein by Mary Shelley has been molded and shaped to create many different types of story plots and characters. There are many different types of media that relate back to the original but then add their own little twist into the mix. Mary Shelley’s Frankenstein is a story about a scientist who created another human being, who he then abandons, and now the monster is getting revenge on Frankenstein by inflict havoc on his family. An example of this would be the movie Marvel’s The Avengers: Age of Ultron and the relationship between Ultron and his main creator Tony Stark.

Read More

Outline For Frankenstein Research Paper

516 Words | 3 Pages

Choose a complex and important character in a novel or a play of recognized literary merit who might on the basis of the character’s actions alone be considered evil or immoral. In a well-organized essay, explain both how and why the full presentation of the character in the work makes us react more sympathetically than we otherwise might. Avoid plot summary. I. Introduction: A. In Mary Shelly’s novel, Frankenstein, the reader is tasked with answering the central question of who is the truest evil.

Read More

Examples Of Imagery In Frankenstein

177 Words | 1 Pages

In the novel, Imagery is presented so the reader can experience the terror alongside frankenstein. For example, after frankenstein creates the monster, she delineates its features in horrific detail with phrases such

Read More

Annotated Bibliography On Frankenstein

1439 Words | 6 Pages

“Frankenstein and the Tradition of Realism” Shelly, Mary Frankenstein. Ed. J. Paul Hunter. New York: Norton Critical Edition, 2012. 311-16.

Read More

Frankenstein Diction Analysis

461 Words | 2 Pages

The passage on pages 43-44 in Mary Shelley's Frankenstein describe the events that occurred as Dr. Frankenstein brought his monster to life. She effectively uses her language and imagery to develop her tone, very dark and anguished. Her diction also helps to enforce the overall theme of the passage: don’t mess with the natural order of things. Immediately at the beginning of chapter five (p. 43), Shelley gives the reader an image of the day that the monster was born on: “It was on a dreary night of November that I beheld the accomplishment of my toils.” (Shelley 43).

Read More

Literary Criticism In Frankenstein

1245 Words | 5 Pages

As the creature wanders aimlessly through nature, he comes to find that his version of nature is dark and depressing. The overall feelings and views of Victor Frankenstein and his

Read More

Literary Techniques In Mary Shelley's Frankenstein

1083 Words | 5 Pages

The classic novel Frankenstein, written by Mary Shelley in 1818, displays the use of literary devices, foreshadowing, allusions and figurative language, which aid the reader in understanding the authors opinion on scientific exploration. These techniques are used to arouse anticipation within the reader, therefore engaging them throughout the text. Along with providing a greater understanding of the novel, by referring to other books, and using the novel to portray the authors own perspective on scientific exploration. All these devices are effectively used within the novel to provide a deeper understandings of Mary Shelley’s work. Add scientific exploration here-

Read More

Theme Of Emotion In Frankenstein

1055 Words | 5 Pages

Student: Omnia Saad Kamel (Code: 351) Emotions as a Feature of Romanticism in Marry Shelly's Frankenstein The overflow of emotions in Marry Shelly's Frankenstein defines it as a Romantic work. Emotions unify the characters at various points in the story, portray their individual personalities, and contrast them against each other. The influence of nature on the thread of emotions and how the inner feelings of main characters are interpreted by others emphasizes the importance of emotions to the Romantics.

Read More

Beauty And Ugliness In Mary Shelley's Frankenstein

1363 Words | 6 Pages

Victor Frankenstein, who describes his surrounding in great detail, based on physical appearance. Shelley reflects Victor’s judgement on physical representation based on the environment he is in. Using his situation in the cold and treacherous mountains to a negative and almost deathly environment, conicondently the place where he meets and speaks to the monster, and the beauty and calamity of home, a place where Elizabeth is often located. There is a major contrast in how he describes his lover, Elizabeth, and the monster he created, in which he relates their appearance to their innocence or evilness. When speaking about characters like Elizabeth and Justine, Victor often relates their physical appearance to their innocent behaviours.

Read More

Nature And Romanticism In Mary Shelley's Frankenstein

758 Words | 4 Pages

In Mary Shelley’s iconic gothic novel, Frankenstein, Romantic themes are strongly represented in order to propagandize Romanticism over the elements of knowledge and the Enlightenment. In her novel, Shelley uses gothic nature settings to foreshadow dark events that are about to happen in the novel. She also uses nature to intensify the effect that is brought during significant scenes, a strong example being, when Victor Frankenstein’s monster approaches him after a long period of time. Nature and its use to influence mood is one of the most paramount themes of both Frankenstein and Romanticism.

Read More

Why Does Mary Shelley Use Of Personification In Frankenstein

656 Words | 3 Pages

Frankenstein by Mary Shelley is a gothic novel that tells the story of scientist, Victor Frankenstein, and his obsession with creating human life. This leads him to creating a gruesome monster made of body-parts stolen from grave yards, whom upon discovering his hideousness, the monster seeks revenge against his creator, causing Victor to regret the creation of his monster for the rest of his life. Shelley uses the literary elements of personification, imagery, and similes to give a vivid sense and visualization of Victor Frankenstein’s thoughts and feelings as well as to allow us to delve deeper into the monster’s actions and emotions. Throughout the novel, Shelley uses personification of various forces and objects to reflect the effect in Victor’s actions.

Read More

Nature And Setting In Mary Shelley's Frankenstein

764 Words | 4 Pages

The novel Frankenstein has a unique way of expressing how the setting functions as a whole. Mary Shelley used an early 1800s setting in Switzerland and London to show how Victor made it through this extraordinary adventure. There were multiple themes that affected how the setting functioned in the novel. Nature, weather, and season all affect the mood of the characters. These things all have a great impact on the setting of the book.

Read More

Frankenstein Critical Analysis Essay

883 Words | 4 Pages

Mary Shelley’s Frankenstein Critical Analysis About the author Naomi Hetherington is a member of the University of Sheffield, the department of lifelong learning. She is an early researcher in sexuality, religious culture, the 19th-century literature, and gender. She holds a BA in Theology and religious studies, an MA and a Ph.D. in Victorian Literature. She currently teaches four-year pathway literature degree at Sheffield University for students who have already attained foundation degrees. Among the books, she has written the critique of Frankenstein.

Read More

More about Frankenstein German Expressionism Analysis

Related Topics

Open Document