Duke Kahanamoku was an Olympic surfer from Hawaii, he was born August 24, 1890 in the Kalia District of Honolulu. Kahanamoku introduced surfing to the world after it almost died out with other local Hawaiian traditions in the nineteenth century. European people came to Hawaii around 1778 and adored the traditions of the native people and quickly joined in riding the waves on flat boards. Christian missionaries later had the local Hawaiians believe that surfing was uncivilized and tried to ban the sport. Disease it the island with great power, taking the population rom 300,000 to 40,000 in 1893.
Similarly, Susan Sontag’s On Photography provides a modern version of Plato’s teachings, prompting the audience the question the candidness of photographs. Her essay discusses how photography limits one’s understanding of the world, and she strengthens her argument through the use of rhetorical devices. Sontag demonstrates a thoughtful tone, which enhances her credibility. At the beginning of the passage, she acknowledges the importance of photos in preserving culture and their irreplaceable role in society.
Light was a means of transcendence—something artists in traditional cultures, as well as modernists like Delaney, sought in the act of painting. My research suggests that, within their respective disciplines, Baldwin and Delaney both explored light as a path to greater consciousness and, in doing so, fueled each other’s creative
He discussed how throughout the project where he made sure to use particular methods like using an 8x10 camera. While this is an older technology, he still used new technology such as photo-shop and digital scanning. When having a detailed discussion with Myren, he stated that he uses different technologies because, “it renders the world in a way that helps me see it”(Myren, lecture). This quote means he wanted to portray every picture as he personally saw it, to show that beauty is everywhere. These methods also allowed him to alter the photos so that he could emphasis on certain points to illustrate the idea of beauty.
This event was led by Toussaint l’Overture. They rebelled against the planters on August 21, 1791. In 1792, they controlled a third of the island, and though, there were reinforcements from France, the area taken by the rebels enlarged. The former slaves managed to hold off both the French forces and the British. The British came in 1793 to conqour the colony, but withdrew from the fight in 1798 after a series of defeats.
The oil painting “Temptation of Saint Hilarion” by Octave Tassaert was painted in 1857. When examining this art for the first time, the viewer is thrown into a world of color and emotion. As our eyes grow accustomed to the image, we start to understand the message behind the madness. In the next few paragraphs, we will analyze Tassaert work by looking in depth at the form, technique of the subject matter and the historical elements behind them.
In other words, McCloskey drew pictures of nature in such a way as to allow viewers see its beauty. For instance, the shadows created by the clouds seem so authentic that it allows the reader to appreciate them. This natural image is also viewed in McCloskey’s pictures
Throughout history, oppressive regimes have sought to burn individual freedom to the ground by controlling information. Ray Bradbury’s ‘ relentless 451’ takes this reality to a terrifying extreme, where firemen ignite flames instead of extinguishing them, and the written word is considered a dangerous weapon. Fahrenheit 451 is a dystopian speculative fiction novel following Guy Montag, a fireman and enforcer of the regime. The story follows Montag’s internal conflict as his interactions with several characters directly challenge his worldview and lead him to find the missing piece of his life in the books that he burns. I believe that the narrative uses Montag’s transformation to highlight the conflict between government control and individual
He commended photography for the ability to expose injustices that were once difficult to prove. Photography during this time was authentic and raw because photographers were able to capture real life events as they truly
Ayiti, by Roxanne Gay, and Krik? Krak! , by Edwidge Danticat are collections of short stories about Haiti and its people, which gives the readers insight into the complex Haitian diaspora experience. Both authors successfully empower the voiceless by sharing stories that give a glimpse into the struggles and hardships that Haitians face. The collections seek to offer a deeper view into Haitian society and covers an array of themes such as the politics of survival, assimilation, resiliency, and feminist culture in Haiti.
In The Island of Doctor Moreau by H.G. Wells, the narrator and main character Edward Prendick loses a Hegelian life and death struggle against the beast folk before he finds himself and escapes bondage. A Hegelian struggle is the search for self-awareness as it was put forth by Georg Friedrich Hegel. In Hegel’s theory, there must be a life and death battle while in the presence of fear. This battle ends in either death or surrender of one of the opponents. The supposed loser becomes the slave or bondsman of the alleged winner or master.
These photographers and filmmakers are significant for the blending of science and art that criticized culture and ideology. As we shall see later in this book, photos (and media) with a purpose live on and documentarians continue to emulate many of these stylistic techniques practicing the science of ecology of the
Photographs are works of art that capture moments in time. They’re important because they document instances, which can later complete or create history. Looking at a photograph one is immediately intrigued. After studying the composition of the photo its meaning comes to mind, one begins to wonder why such a photo was taken. The overall meaning will have different effects depending on the viewer, but one must wonder again.
By the power of photography, the natural image of a world that we neither know nor can know, nature at last does more than imitate art: she imitates the
In addition to these, Nigeria’s biggest photography exhibitions by the Photographers Association of Nigeria (PAN) featuring over 30 and 40 photographers were held in 1995 and 1996. Nigerian photographers have also exhibited successfully in Britain, France, Belgium, Netherlands, Spain, Italy, Japan and USA within the last decade Fiofori (2009:3). This is a positive development. Nigerian creative photographers have through the association made themselves and their works popular. This has given confidence to other organizations and institutions to show and acquire their works into their art collections.
